While Botan reflects on Hyoma's six months with the family, a stir at Kyoto's famous Aoi Festival leads to the revelation of new tsukumogami in town.

Kagami takes Hyoma for a day on the town, while the Bureau of Traditional Music makes their presence known.

Botan's friends continue to pry into her relationship with Hyoma, while a mysterious tsukumogami stalks them from the shadows.

Hyoma faces off against an entity that may be the one he's seeking, but soon learns that there's more at stake than merely his revenge.

The fallout from the battle with the paper umbrella forces Hyoma to face a difficult truth in order to unlock his true power.

With the Bridal Trousseau departing, Botan seeks a way to make the best of the limitations placed on her by the Kadomori Saenome.

As rogue tsukumogami apply pressure outside the Kyoto Saenome headquarters to get to Botan, the paper umbrella's comrades make their move.

The Kadomori rally to stop the enemy tsukumogami, who are being manipulated by a puppet master. Hyoma stands his ground until help arrives from an unexpected source.

The fight with the enemy tsukumogami continues. As the paper umbrellas join the fight, Tsubaki, Hyoma, and Botan are all pushed to the brink...

The marebito within Botan awakens, and it seems all is lost. Hyoma is forced to make a last-ditch effort to try and prevent the worst from coming to pass.

The remaining tsukumogami of the Bridal Trousseau and the Bureau of Traditional Music square off, with Warazamawashi waiting in the wings.

Hyoma faces Tenjitsu, forced to rely on the power of his own door pulls. In the aftermath, all of the supernatural forces in Kyoto come together to choose sides in the conflict with Warazamawashi.