Brothers

Two Romanian brothers come to London to make it big. They don't.

Guilt Trip: Hitchcock and 'The Wrong Man'

Documentary on the making of Alfred Hitchcock’s "The Wrong Man."

64: Part 2

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

Cotoons

This is a fantastically lovely, modern computer animation for little childrens.

Gamers

Nullification: The Rightful Remedy

What do we do when the Federal Government steps outside of its constitutional limits? Do we ask federal judges in black robes to enforce the limits of federal power? Do we "vote the bums out" in the hopes that new bums will surrender their power? Thomas Jefferson and James Madison didn't think so, and neither should we. The rightful remedy to federal tyranny rests in the hands of the people and the States that created the federal government in the first place. It's called nullification, and it's an idea whose time has come.

The Card Player

Stavros, having just finished his military service and fearing that he will lose his beloved Rita, decides to imitate the fortune teller in his neighborhood. He succeeds with great success, convincing even Rita's parents that the man they were matchmaking her with is not suitable for their daughter.

Catherine Tate's Nan

Catherine Tate returns with one of her most beloved characters in a half-hour special following the life and hilarious antics of a potty-mouthed granny. When Nan's kitchen tap breaks, she visits the council to arrange to get it fixed. Whilst there, she causes mayhem and upset.

Midnight Stalker

Natsuki is a blind woman whose best friend Yoko gets killed by a stalker Mizuno. Oddly enough, she is at the scene of the crime and is the only witness, although she has not seen the killer. In order to cover his own tracks, the killer begins stalking her with the intent of killing her...

Bigard fête ses 60 ans

A Different Set of Cards

The Fiction Makers

Simon Templar is hired by a friend in the book publishing trade to protect one of his stars, a secretive recluse named Amos Klein who writes a popular (and lucrative) series of adventure novels about a manly and suave spy.

Tunnel 18

Tunnel 18 (Persian: تونل 18‎‎) is a 1997 Iranian Historical drama film written and directed by Hossein Shahabi (Persian: حسین شهابی)

Why We Try

Argentinian biology student Miro falls madly in love with young actress Mercedes, but is without a clue as to how to win her love. Then, a series of misunderstandings put him in the hot seat as a famous film director. Miro grabs his chance to shoot a film with Mercedes as his leading lady, hoping that she will fall for him. Whilst his plan is crazy, it is simple enough and Cupid is on his side. But Miro hasn't reckoned with film students Peter and Luigi who wish to shoot a “making-of” documentary of the great Argentinian “director”at work.

The Story of Beat-Club: Vol. 1 1965-1968

To R

A boy and a girl coming from different worlds fall in love. When summer is over, they will face the shackles of their normal routine and discover what binds them and what breaks them apart.

33 ⅓ Revolutions per Monkee

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."