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The people behind it
Usagi Asō
Kyoko Subaru
Yuki
Danshi Tatekawa
Hajime Tsukumo
Anri Megumi
Mayumi Hoshino
Akina Mikotori
This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.
A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku. The zany antics include the misadventures of a voyeuristic nurse, an exhibitionistic patient, a doctor and nurse who engage in S&M, a hypochondriac, and a lesbian nurse who sleeps with the patients.
Cult filmmaker Hisayasu Sato's second comedy of the year, this silly softcore effort stars pretty Nao Kikuchi as a young married woman who takes a job at a call-girl agency with the mistaken belief that it is a maid service. After she is raped on her first assignment, Kikuchi is understandably shocked, but quickly warms to her new career and becomes quite the professional. Unfortunately, her husband soon discovers the true nature of her work.
A married couple enjoy engaging in S&M sexual behavior, and the wife, Yuri, asserts, "The ultimate SM play is death." After her husband dies, supposedly accidentally, Yuri is left alone, grieving and self-destructive. Her mental state deteriorates as she watches and masturbates joylessly to the home-made SM videos she made with her husband.
An embittered young man who draws no physical pleasure from sex starts a club for his friends, luring young women into violent rape and torture by charming them over the Internet. Eventually the angry sister of one of the girls takes revenge.
Former police detective Wakisaka begins investigating Haruka, the hostess of a high-end club in Ginza. However, danger approaches Wakisaka as he tries to uncover Haruka's hidden past.
Man-soo who is dating Kyeong-ja is heavy-hearted because he has been unemployed for a long time. One day, he receives and unknown package and finds an ona hole inside. That night, the ona hole fairy appears in a dream and had a love affair with Man-soo. Man-soo thought it was just a dream. The next day, Man-soo got a call from his childhood friend Yeon-sil, drank while depressed, and slept with her afterwards. Meanwhile, that night, Kyeong-ja found a mysterious package with a dildo inside. In Yeon-sil’s dream, a dildo fairy appears and has a love affair...
One of legendary "pink" director Hisayasu Sato's first of over 50 examinations of love and sex among the dregs of society, this downbeat picture deals with a sleazy rapist (Taketoshi Watari) who starts a doomed romance with a sullen teenage reject.
This film explores the lives of several disenfranchised urban residents, including a woman whose sole companionship comes from her erotic attachment to a mannequin, a man hired to rape women, and other assorted victims of urban alienation.
Husband is happy and sad about the rise and fall of stock prices, and has lost interest in his wife, resulting in a sexless marriage. The wife has no choice but to masturbate every night. Her recent favorite is masturbating with a cucumber as a vibrator. The bored wife has started attending a class on writing tanka in colloquial style, which has become popular due to the "Salad Anniversary". The instructor is a student from the Faculty of Literature at the University of Tokyo, and is a virgin. He blushes as he criticizes the erotic tanka that the housewives write. The housewives find it cute and end up competing with each other to take his virginity. One day, a housewife who masturbates a lot ends up writing a tanka about her impressions of masturbating with a cucumber. A student of the instructor becomes interested in the tanka and breaks into her home...
Pink film distributed by Shintoho.
The second film in the series of a brother and sister and their messy relationship with each other and old lovers. This time, will they or won’t they?
Pink film distributed by Toei Central Film.
A deranged doctor lives in an abandoned hospital together with his wheelchair-bound daughter. Frustrated by normal women's perceived imperfections, the doctor kidnaps them and subjects them to sadistic tortures to turn them into subservient women for his childlike daughter to play with.
A high-school girl with paranormal abilities becomes the center of a bizarre cult which believes her to be a divine idol. In fact, she's a maniac, prowling the streets with a male slave to rape and murder innocent victims.
Although its title indicates three personalities, the heroine of cult filmmaker Hisayasu Sato’s downbeat multiple-personality tale actually exhibits four, going from loving wife to crazed slut to insane child to depressed adolescent. As usual, Sato fills the film with alienation, kinky sex, and psychological subplots.
The plot deals with an alienated high-school girl who is rescued from a suicide attempt by a male student who can only achieve orgasm by pleasuring himself with women's underwear. Intrigued, the depressed young woman taunts him into raping her various female enemies by sending him secret e-mails.
A standard pinku-eiga entry from prolific cult director Hisayasu Sato, this softcore melodrama centers on a successful female magazine editor with a handsome fiancé. The good-looking, successful couple seems to be the picture of happiness, until the young woman meets a kinky dentist who helps her to discover the pleasures of pain.
Aldin, a vagabond water vendor, embarks of a series of fantastical and tragic misadventures through the Middle East in search of love, fortune, and power.
Kyôko, a traumatized young Japanese girl, finds herself struggling with her self-confidence in her adult life. Growing up in a family without her mother and her sister, she constantly questions the rationale of sex and the notion of liberty in modern Japanese society.
Misaki Amemiya is an assistant inspector for the Metropolitan Police Department's Community Safety Bureau who becomes ensnared in a trap while investigating a mysterious illegal video website called "Babylon". Soon, she's bound and tortured along with Shizuko and an oversexed housewife named Ruri.
Julie, a girl from the valley, meets Randy, a punk from the city. They are from different worlds and find love. Somehow they need to stay together in spite of her trendy, shallow friends.
A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.
Rei is a college student in the midst of finding a job. She confesses her love to Mikio, a senior whom she admires. Mikio soon demands that she perform perverted acts.
A first-ever look at the realities of the professional “amateur” porn world and the steady stream of 18-to-19-year old girls entering into it.
The life of Tatsuya, a young man of proper yet mysterious descent, whose outward respectability hides his urges for rape and torture.
Olaf is on a mission to harness the best holiday traditions for Anna, Elsa, and Kristoff.
A group of Southern-California high school students ignore their studies in favor of indulging in their teenage distractions.
Feeling awkward and isolated, an imaginative and strong-willed teenage girl runs away from home with an older punk rock drifter.
18 years after the mysterious death of her mother, Maya takes religious vows to find out what terrible things happened to her mother inside the Sacred Heart Convent. As soon as the door closes to the nunnery, the nuns start torturing her. She also has to deal with a lecherous archbishops and a lesbian mother superior.
This collection of 10 short films produced by Illumination includes: From the "Despicable Me" franchise: Puppy (2013); Minion Scouts (2019); Training Wheels (2013); The Secret Life of Kyle (2017); Santa's Little Helpers (2019). From the "Grinch" franchise: The Dog Days of Winter (2019). From the "Secret Life of Pets" franchise: Norman Television (2016); Weenie (2016). From the "Sing" franchise: Love at First Sight (2017). From the "Lorax" franchise: Forces of Nature (2012).
Mickey, Minnie, and their famous friends Goofy, Donald, Daisy and Pluto gather together to reminisce about the love, magic and surprises in three wonder-filled stories of Christmas past.
A collection of Warner Brothers short cartoon features, "starring" the likes of Daffy Duck, Porky Pig and Wile E. Coyote. These animations are interspersed by Bugs Bunny reminiscing on past events and providing links between the individual animations which are otherwise unconnected. This 1979 feature-length compilation includes several of his best cartoons. Among the 11 shorts shown in their entirety are the classics "Robin Hood Daffy," "What's Opera, Doc?," "Bully for Bugs," and "Duck Amuck". The Bugs Bunny Road Runner Movie provides a showcase not only for Jones's razor-sharp timing, but for the work of his exceptional crew, which included designer Maurice Noble, writer Mike Maltese, composers Carl Stalling and Milt Franklyn, and voice actor Mel Blanc.
Maggie Peyton, the new owner of Number 53 - the free-wheelin' Volkswagen bug with a mind of its own - puts the car through its paces on the road to becoming a NASCAR competitor.
When the Rugrats find themselves stranded on a deserted island, they meet the Thornberrys, a family who agrees to help them escape.
A disillusioned filmmaker has an encounter with a young woman who has a ritual of repeating "Tomorrow is my birthday" everyday. He tries to communicate with her through his video camera.
Homer and Marge's fun couples' date night goes off the rails when Marge learns Homer left the kids unsupervised with only the doorbell camera as a babysitter. Frustrated with her imperfect husband, a tipsy Marge stirs up a trilogy of fantasies of a different Homer.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
