Frantz Fanon, trajectoire d'un révolté

Frantz Fanon alone embodies all the issues of French colonial history. Martinican resistance fighter, he enlisted, like millions of colonial soldiers, in the Free Army out of loyalty to France and the idea of freedom that it embodies for him. A writer, he participated in the bubbling life of Saint-Germain with Césaire, Senghor and Sartre, debating tirelessly on the destiny of colonized peoples. As a doctor, he revolutionized the practice of psychiatry, seeking in the relations of domination of colonial societies the foundations of the pathologies of his patients in Blida. Activist, he brings together through his action and his history of him, the anger of peoples crushed by centuries of colonial oppression. But beyond this exceptional journey which makes sensitive the permanence of French colonialism in the Lesser Antilles at the gates of the Algerian desert, he leaves an incomparable body of work which has made him today one of the most studied French authors across the Atlantic.

Die weiße Gefahr

Surgeon during the Algerian War

Has everything really been said about the Algerian war? Although the archives are opening up, almost fifty years after the signing of the Evian Agreements (March 18, 1962), direct witnesses are beginning to disappear. They are, however, unique bearers of history, often the only ones able to illustrate the harsh reality of a long-hidden period. Gérard Zwang, surgeon of the contingent between May 1956 and June 1958, is one of these essential witnesses who help us discover an original history of the Algerian War. During his service, in charge of treating the most atrocious wounds of his fellow soldiers, he sees the war from the side of its victims. He did not fight with a machine pistol in his hand, but behind the closed doors of an operating room where life gives way to death in a matter of seconds.

Les Mains Libres

In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.

Algeria 1954, The Revolt Of A Colonized

This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.

CHoosing at Twenty

Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.

How Much I Love You

Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.

Remembering History

Made just three years after the end of the French-Algerian War (1954-1962), Gillo Pontecorvo's The Battle Of Algiers instantly ignited discussions of this complex historical period. Using the film as a point of reference, this 2004 documentary attempts to reconstruct the Algerian experience of the battle for independence.

Abd El-Kader

Illustrated with archival photographs, animations and live action, this film explores the history and historical and spiritual heritage of Emir Abd El-Kader. Algerian leader of the 19th century, was admired by Abraham Lincoln and celebrated to this day by the Red Cross as a great humanitarian. Emir Abd el-Kader, the man who challenged the French armies from 1832 to 1847 before creating the bases of a real Algerian state, is today considered by independent Algeria as one of the most outstanding figures. of its history. The nobility of his attitude after his capture and the very effective protection he brought to the Christians of Damascus at the end of his life also earned him great prestige among his former adversaries. A documentary told in dialectal Arabic by the voice of Amazigh Kateb.

Sawt Echaâb

“La Voix du Peuple,” composed of archival photographs by René Vauthier and others, exposes the root causes of the armed conflict of the Algerian resistance. Participating in a war of real images against French colonial propaganda, these images aimed to show the images that the occupier had censored or distorted, by showing the extortions of the French occupation army: torture, arrests and arbitrary executions, napalm bombings, roundabout fires, erasing entire villages from the map, etc. This is what the French media described as a “pacification campaign”.

Five Directors On The Battle of Algiers

This 17-minute documentary is featured on the 3-Disc Criterion Collection DVD of The Battle of Algiers (1966), released in 2004. An in-depth look at the Battle of Algiers through the eyes of five established and accomplished filmmakers; Spike Lee, Steven Soderbergh, Oliver Stone, Julian Schnabel and Mira Nair. They discuss how the shots, cinematography, set design, sound and editing directly influenced their own work and how the film's sequences look incredibly realistic, despite the claim that everything in the film was staged .

1958: Those Who Said No

On October 4, 2018, France celebrated the 60th anniversary of the Fifth Republic. It is a republic born in the throes of the Algerian War and one which—from the day it was founded by General de Gaulle until the presidency of a very Jupiterian Emmanuel Macron—has been assailed as a “Republican monarchy” by partisans of a more assertive parliamentarian state. By revisiting the struggle of those who dared oppose the new regime — only to suffer a crushing defeat on September 28, 1958, when they were barely able to garner 20% of the vote against the constitutional text — this film shines a powerful new light on the origins of the Fifth Republic and its consequences for the next 60 years. It is a constitutional debate that planted the seeds for a complete upheaval of the French political landscape, on the left in particular, and set the country in motion toward what would be called the Union of the Left.

An Unhealed Wound - The Harkis in the Algerian War

It's the unforgivable story of the two hundred thousands harkis, the Arabs who fought alongside the French in the bitter Algerian war, from 1954 to 1962. Why did they make that choice? Why were they slaughtered after Algeria's independence? Why were they abandonned by the French government? Some fifty to sixty thousands were saved and transferred in France, often at pitiful conditions. This is for the first time, the story of this tragedy, told in the brilliant style of the authors of "Apocalypse".

Brothers in Arms

From 1954 to 1962, during the Algerian War, French citizens provided concrete assistance to the FLN in France: sheltering refugees, forging documents, facilitating border crossings, and transporting funds. Whether committed to the ideals of the Republic or driven by Third Worldist revolutionaries, they sought to build a bridge of friendship between nations. They paid for their commitment with imprisonment and exile. Four veterans of the Jeanson network recall this period. Today, they are no longer seen as traitors or heroes, but as witnesses recounting "their" war... Silent for 30 years, the "Jeanson network" now bears witness to this history.

Algeria, Special Weapons Sections

This documentary by director Claire Billet and historian Christophe Lafaye details the massive and systematic use of chemical weapons during the Algerian War. Algerian fighters and civilians, sheltering in caves, were gassed by "special weapons sections" of the French army. The gas identified on military documents is CN2D, whose widespread use forced insurgents to flee "treated" sites, at the risk of dying there. The method is reminiscent of the "enfumades" used by the French expeditionary force during the conquest of Algeria in the 19th century. Between 8,000 and 10,000 such operations are believed to have taken place on Algerian soil between 1956 and 1962. This historical aspect is little known due to the difficulty of accessing archives, many of which are still classified, raising questions about memory, historical truth, and justice.

De Gaulle, le monarque et le Parlement

Two Lives for Algeria and All the Wretched of the Earth

In 1994, at over seventy years old, Gilberte and William Sportisse, threatened by the FIS, arrived from Algeria. Of Jewish faith, he of Arabic mother tongue, they formed a fighting couple, started for the independence of Algeria, always with an unshakeable faith in humanity. They enjoy recounting the participation of Algerian Jews in the Second World War and the struggle for Algerian independence. They provide us with previously unpublished information on the public and clandestine struggles of the Algerian Communist Party before and after independence, and on the repression of activists who, like William and Gilberte Sportisse, were tortured and imprisoned after Colonel Boumédiène came to power. The film is an ode to understanding between people of different origins or cultures and a tribute to a couple whose youthful character and enthusiasm still astonish.

October 17, 1961, Cover-up Of a Massacre

On October 17 and 18, 1961, during a non-violent demonstration against the imposed curfew, dozens of Algerians were murdered in Paris by police officers acting on orders from their superiors. For forty years, this crime has been concealed; yet these events, the deadliest on French soil since the Second World War, resemble, in some respects, the darkest hours of the collaboration. Why has this history been hidden? Under what conditions, and in the name of what reasons, did officials of a democratic state conceal the scale and gravity of such events?

October 17, 1961: A day that went missing

This documentary bears witness to the events that took place more than thirty years before the filming of this movie, on October 17, 1961, in Paris, during the Algerian War. It is a work not only about historical truth but also about memory. Constructed primarily from interviews conducted with those involved in the events, along with archival footage, photographs, and radio broadcasts from the time, our investigation proves that nearly 200 Algerians were killed (drowned, tortured) that night and in the days that followed by the French police. "A Missing Day" seeks to ask two key questions: how could such events have unfolded in the capital of a Western democracy barely thirty years ago? And why have they been silenced ever since?

Mémoires du 17 octobre 1961

Three demonstrators from October 17, 1961, and a journalist recount the peaceful success of the demonstration and its brutal repression in the streets of Paris. Five months before the end of the Algerian War, the Gaullist government violently suppressed (40 to 300 deaths in a single evening, according to various sources) a peaceful demonstration by the entire Algerian civilian population of the Paris region, protesting the curfew imposed solely on this population (all participants held French citizenship). The government long denied this state crime; the official version: 3 deaths! In 1962, these events were granted amnesty by a simple decree (later enacted into law) issued by the same Gaullist government.

McQueen

Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.

Naqoyqatsi

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

My Mom Jayne

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

Avatar: The Deep Dive - A Special Edition of 20/20

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

Come See Me in the Good Light

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

Looking for Richard

Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."

Sidney

This revealing documentary honors the legendary Sidney Poitier—iconic actor, filmmaker, and civil rights activist. Featuring interviews with Denzel Washington, Spike Lee, Halle Berry, and more.

The Soviet Story

“The Soviet Story” is a story of an Allied power, which helped the Nazis to fight Jews and which slaughtered its own people on an industrial scale. Assisted by the West, this power triumphed on May 9th, 1945. Its crimes were made taboo, and the complete story of Europe’s most murderous regime has never been told. Until now...

Love, Marilyn

Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.

The Bus: A French Football Mutiny

This documentary revisits the French football team's controversial 2010 World Cup and the bus strike that sparked global headlines and national outrage.

Lionel Messi: Destiny

Behind-the-scenes documentary about how Lionel Messi succeeded in lifting the World Cup – the only trophy to have eluded him in an incredible career.

Above Majestic

A look at the origins, history and conspiracies behind the "Majestic 12", a clandestine group of military and corporate figureheads charged with reverse-engineering extraterrestrial technology.

The Summers of It - Chapter Two: It Ends

This documentary focuses on the actors and their journey over two summers to create the remake to the original IT, by Stephen King. The documentary originally released as bonus material, bundled with IT: Chapter Two.

Justin Bieber's Believe

A backstage and on-stage look at Justin Bieber during his rise to super stardom.

Avatar: Creating the World of Pandora

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

OLIVIA RODRIGO: driving home 2 u (a SOUR film)

Grammy® winner singer-songwriter Olivia Rodrigo takes a familiar road trip from Salt Lake City, where she began writing her debut album “SOUR,” to Los Angeles. Along the way, Rodrigo recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life. Through new live arrangements of her songs, intimate interviews and never-before-seen footage from the making of the album, audiences will follow Olivia along on a cinematic journey exploring the story of “SOUR.”

In the Realms of the Unreal

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

Billie Eilish - Hit Me Hard and Soft: The Tour (Live in 3D)

Captured during Billie Eilish's sold-out world tour, a concert experience from one of the most celebrated and successful artists of her generation, presented in immersive 3D.

Woman

The film is based on interviews with 2,000 women from 50 countries, and covers the status of women all over the world. The topics covered include forced marriages, sexual assault, female genital mutilation, acid attacks, motherhood, sexuality, menstruation, education and the professional success of women.

Fuck

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.