A couple struggle to get out of their comfy bed.
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Unknown Role
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When Don, an elderly Scottish grump, finds himself the victim of multiple lightning strikes he begins to worry that his quiet, orderly life may never be the same again.
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
The sixteenth night of the tournament took place on August 8th, 2023 at Act City Hamamatsu in Naka-ku, Hamamatsu, Shizuoka, Japan.
Two unsuspecting thieves break into the wrong house and must face a sinister home owner.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.
Filmed at the Chaplin Studios, Los Angeles on January 22, 1917 -- this footage was intended as a promotional film to help raise funds for the "British War Loan Bond Appeal Drive" (in addition, Lauder established the Harry Lauder Million Pound Fund for wounded soldiers and sailors in September 1917). The film was never completed or released at the time.
This documentary examines a selection of real life serial killers and compares them to the fictional Hannibal Lecter.
Shot in Busan, Shadow Island is the name of a location as well as the main character’s name. The film explains the legacy of violence passed down through three generations. The lives of a murderous father, a son addicted to violence, and the victims of violence intertwine into a surprising finale. As the film shifts through the past and present, it reveals a painful family history that eats away the soul and leads to a burdened fate of self-destruction.
A murderously jealous lover and an extremely unruly corpse make for a pitch-black comedy.
Since the rise to power of Hindu nationalists in 2014, India has been gradually moving away from democracy towards a regime where ethnic identity prevails. This transition is driven by Hindutva, a Hindu supremacist ideology embodied by Narendra Modi. For the past 10 years, Prime Minister Modi has relentlessly pursued his fascist policy based on Hindu supremacy. This ideology of hatred towards other religions in the country, particularly Islam, has also spread globally. Those who follow this belief want India to be only for Hindus, treating people of other religions, like Muslims or Sikhs as second-class citizens. Attacks against Christians have surged by 400% since Modi's election, accompanied by discriminatory laws targeting Muslims and widespread lynching incidents. Hindutva's influence permeates all levels of Indian society. This documentary thus unveils a darker side of India, far from its portrayal as the world's largest democracy and Gandhi's dream of peace among communities.
A fair point, considering the father happens to be dead! Philip is a successful architect with little or no time for his 16-year-old son. When his own father dies, Philip suddenly realises the pain of having been abandoned years ago. Enter Karl, a charming old rogue who claims to have been a close friend of Philip's dad. Philip invites Karl to stay at his house, where Karl quickly becomes a surrogate father-figure for both Philip and his son. But just as Philip's mind starts to open, the truth about Karl threatens to emerge, and soon both men are in for big surprises in this heartwarming, bittersweet comedy about a man's struggle to make peace with his dead father.
Popeye drops a TV off at the orphanage; the program that comes on is a boxing match he's supposed to be in, so he dashes off. The fight is against the champ, who is huge. Popeye gets pummelled in the first round, but his fighting spirit materializes and advises him to outwit his opponent. In the second round, he does so. The champ then uses a light socket to "burn out" Popeye so he can't outthink him, and (as with the rest of this pun-filled match) "knocks him cold", turning him into a block of ice. The orphans feed Popeye his spinach right through the TV set, and he comes back to knock the champ through the screen.
French filmmaker Armel Hostiou discovers he has a double in Kinshasa. Someone has created a fake Facebook profile in his name to hustle aspiring actors. So Armel heads to Congo’s vast capital to track him down, and there begins one of the wildest and most unpredictable films of the year. An elementally suspenseful and wildly entertaining detective story about a white filmmaker on foreign ground. But also a story which with hilarious self-irony and in one twist after another turns into a darker story about the internet, identities and post-colonial struggles in the 21st century.
The Military evacuates a zone in the Lapland mountains, under the pretext that there is an ongoing exercise. The district doctor gets suspicious when one of his patients, who lived inside the zone, suddenly dies. The body disappears without a trace.
Jiro, a young yakuza, and Mami, a diplomat’s daughter, are two young lovers from different worlds. Having met by accident, they soon discover a new life together. But their love is ill-fated. Mami's family will not accept her choice, while leading an honest life seems like an unattainable goal for Jiro. Can there be anything else but a tragic ending?