The Unanswered Question III : Musical Semantics

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse:Semantics is the study of meaning in language, and Bernstein's third lecture, "musical semantics", accordingly, is Bernstein's first attempt to explain meaning in music. Although Bernstein defines musical semantics as "meaning, both musical and extramusical" this lecture focuses exclusively on the "musical" version of meaning.

The Unanswered Question IV : The Delights and Dangers of Ambiguity

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"

The Unanswered Question I : Musical Phonology

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".

The Unanswered Question II : Musical Syntax

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Syntax refers to the study of the structural organization of a sentence, or as Bernstein summarizes, "the actual structures that arise from that phonological stuff."

Beethoven: The Piano Concertos

Leonard Bernstein filmed Piano Concertos 3, 4, and 5 in 1989, but did not live to film the first two. He died in 1990. So Krystian Zimerman, the pianist, paid tribute to Bernstein and rounded out the set in 1991 by both playing and conducting Concertos 1 and 2.

The Unanswered Question V : The Twentieth Century Crisis

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.

The Unanswered Question VI : The Poetry of Earth

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.

Laali Ki Shaadi Mein Laaddoo Deewana

Laali and Ladoo get trapped in a royal wedding that takes place in Vadodara.

Joy in the World

A journalist from Warsaw travels to Silesia and manages to find a tenement house full of exceptional inhabitants.

Senorita from the West

Determined to become a radio singer, a young girl runs away from her family. She hooks up with a man who is actually the real voice of a famous radio crooner, who actually can't sing at all.

All Women Have Secrets

When they decide they might as well be penniless husbands and wives as penniless campus sweethearts, three couples at a Midwestern university, against the advice of their friends, get married. Joe and Susie Tucker prove that two can live as cheap as one by setting up housekeeping in a trailer, and working at whatever odd jobs turn up.

The Encounter

Set in a small room, an adolescent woman experiences synesthesia. While she stares at half filled glasses on the table sound replaces her gaze. Harmonic tones exude and induce a trance like state over the woman. Her meditative harmonies are disrupted when an ominous character arrives with the intent to ingest the song. After consuming the beauty the dark character leaves. Left alone, the adolescent woman employs thaumaturgy to lure her song back to life again.

Ecstasy

Nervous Energy

Tom is a young man with AIDS living in London with his lover Ira. The disease has exaggerated Toms nervous energy and in his manic state he suddenly decides to go to Glasgow to visit the family he hasn't seen in ten years. His brother Ian is thoroughly disgusted by his lifestyle and only his mother shows any compassion for him. The visit soon develops into a nightmare as dementia sets in and Tom's health rapidly declines. Finally, events come to a head and Ira has no choice but to force Tom back to London, where he expects him to die at any time. After treatment, Tom gets a brief reprieve, having discovered that his real family is his adopted one in London.

The Love Boat: A Valentine Voyage

Movie version of the original TV series follows the show's format of multiple stories blended together. The lead story involves the ship's bookkeeper who becomes the driver by accident for a trio of jewel thieves. A suspended police lieutenant trails the group onto the boat in disguise. The ship's captain, reclusive since his wife's death, is pushed by his daughter to return to the hotel in Bermuda where the couple originally honeymooned. The new cruise director sets her eyes on a passenger who is a TV star, but another ship employee is interested in her. Doc has to care for the pregnant wife of the ship's chief executive.

Rabb Da Radio

1980s Punjab. Naseeb and Guddi are cousins whose relationship changes when a rich boy falls in love with Guddi and asks for Naseeb's help to marry Guddi. However, when Naseeb refuses, the boy takes help from his aunt and fix his marriage with Guddi. When Naseeb's mother-in-law finds out, she throws Naseeb out of the house that leads to Guddi's relationship with Naseeb and his marriage.

Grapefruit

With an all-female cast, featuring Suzie Bright as John Lennon, Cecilia Dougherty's Grapefruit plays with the romanticized history of the iconic Fab Four, gently mocking John and Yoko’s banal squabbles and obsessive rituals of self-display. Based obliquely on Yoko Ono’s book, the piece works on many levels to reposition this mythic tale of the Beatles by casting '80s women in mod drag—effectively mapping the lesbian sub-culture onto heterosexual mass culture. Discounting the importance of reproducing facts and historical accuracy, Dougherty gives an incisive reading of the creation of pop culture icons: it doesn’t matter who plays John Lennon because ultimately John Lennon is not a person anymore. As a star, he is a projection of our society’s collective needs and desires.

Disney Presents: Main Street Electrical Parade - Farewell Season

Catch the spark after dark at Disneyland Park. And say farewell to one of the Magic Kingdom's most celebrated traditions - The Main Street Electrical Parade. Where else, but in The Main Street Electrical Parade, could you see an illuminated 40-foot-long fire-breathing dragon? And hear the energy of its legendary melody one last time? It's unforgettable after-dark magic that will glow in your heart long after the last float has disappeared.

Maine-Ocean Express

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).

Main Krishna Hoon

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

With a Right to Kill

This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.

Midnight Movies: From the Margin to the Mainstream

From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.

Six Reasons Why

In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.

Maine Gandhi Ko Nahin Mara

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

Main Atal Hoon

Statesman and poet Shri Atal Bihari Vajpayee's eloquence and vision shaped India's destiny. A look at his remarkable life as he led his country through a challenging period of change and development as the 10th Prime Minister of India.

Our Very Own

During a heated argument with her sister Joan, Gail discovers the shocking news that she is adopted. With the reluctant support of her adoptive parents and baby sister Penny, Gail goes in search of her biological mother and true identity.

Divers at Work on the Wreck of the "Maine"

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

Brent Weinbach: Appealing to the Mainstream

Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.

Serial Killers: The Real Life Hannibal Lecters

This documentary examines a selection of real life serial killers and compares them to the fictional Hannibal Lecter.

Hello! Project Kenshuusei Happyoukai 2021 3gatsu ~Yell~

Hello Pro Kenshuusei's March 2021 recital.

Mai

As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.