Social & External
Oume
Okon
Oiwa
Otoki
Unknown Role
Iemon Tamiya
One of the two earliest horror films ever made. This film is presumed lost.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
Released in five parts (The Persecution of the Children of Israel by the Egyptians, Forty Years in the Land of Midian, The Plagues of Egypt and the Deliverance of the Hebrews, The Victory of Israel, The Promised Land), 4 December 1909 to 19 February 1910. A Vitagraph advertisement in the Moving Picture World (31 Dec. 1909) refers to The Life of Moses as a "Biblical Film-de-Luxe". It is preserved in the Library of Congress collection.
A Japanese merchant attempts to drive one of his rivals mad by impersonating a man he had once murdered.
After Matti is stabbed to death at his own wedding, Eero of Ojelmiston becomes a suspect, presumed to have avenged his recently deceased wife. Eero escapes with the help of a court judge but surrenders after his mother gets into trouble. At the courthouse, the priest admits that Vieremä Jaska confessed to the crime on his deathbed. The film has survived, but without subtitles.
In northern Finland in the fall of 1916, Saima Niva rescues a man drifting in the river, who turns out to be a German lieutenant Braun. Braun and his six comrades have managed to escape the prisoner of war at the Muurmann railway station, but the lieutenant has had to get rid of the lost group. While Braun is recovering, under the good care of Saima, Niva's neighbor and henchman of the gendarmes, the greedy policeman Simpura, gets a tip about the refugees camped in the desert.
When the general manager of the factory, Lumiala returns from his travels, he learns that his wife Anna has hired a young man named Oras as an office assistant. Anna, who feels Oras is the fruit of his youthful sin, is ready to defend the boy despite his family's petitions and Ora's crimes. Ora's girlfriend Pansy also tries to keep him on the right track.
Eero Luotola is a pilot operating in Kalliosaari, whose crush is Annikki, who lives in the same village. They have known each other since childhood and have promised to get married at some point.
Forester Antti Kare and manager John Freyberg travel north in search of millions worth of timber sales. The manager's giddy daughter Margit also secretly joins the journey.
Two friends, Fritz and Theodor, make the acquaintance of Christine and Mizzi, who are also friends. Fritz is immediately captivated by Christine, who is bashful and modest as opposed to the eager, effervescent Mizzi. But even though the love between the two grows, Christine is not the only woman in Fritz’s life. His affair with a married woman will prove to have fatal consequences.
An onnagata (female impersonator) of a Kabuki troupe avenges his parents' deaths. Remade in 1963 as Yukinojô Henge.
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.
Miha invites his fiancée Minka to the dance, but he's tempted by another big desire of his - climbing. Frustrated Minka insists on the festivity, where she finds herself in a company of older hiker. However, all ends happily, as Minka and Miha, after many smaller adventures, meet at the top of Mount Triglav, where they sign the marriage contract, but also confirming their love for the mountains. In addition to its charming story, the movie features footage of picturesque Slovenian mountains.
Two friends travel around the city of Reno, Nevada, and go skating at a nearby parking garage.
This 1919 silent is the first American film based on the same Sholem Aleichem stories as Fiddler on the Roof, but produced 50 years before the blockbuster musical. Unlike most adaptations of Aleichem’s work, Broken Barriers (Khavah) focuses not on Tevye the milkman, but on his daughter Khavah, who falls in love with the gentile boy Fedka and must navigate the reverberations from this with both her community and her family.
Örn, an aging countess, reminisces on the tragic fate of the young lovers, Carl-Johan Örn and Margareta by the family grave.