A short silent western produced by Gaston Mèliès in San Antonio.
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A Playboy inherits a Western ranch on the condition that he shall run it properly for 6 months. A villain makes an attempt to distract him from reaching the goal, but he, no longer the wastrel of yore, persists and becomes full owner of the property.
Penny arrives in the West by aeroplane. She is considered a suspicious character and thrown into jail. Kurt Walters, a ranch foreman and deputy sheriff, discovers that she is the same girl that his friend, Jo Gary, met in Chicago. Gary fell in love with her, but she confessed she was a thief. Since Penny claims she wants to reform, Walters releases her and sends her to live with Mrs. Kingdon. In spite of her teasing and taunts (or perhaps because of them), Walters finds himself falling in love with Penny.
John Ashby and Allene Houston, two neighboring ranchers, are in love, but their parents' violent dispute over the route of the new X. Y. Z. Railroad eventually drives them apart. Colonel Houston and the elder Ashby are killed in a fight, leaving John and Allene to continue the feud, John accepting a job with the railroad company and Allene swearing never to cross their property.
Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.
Harley Hennage, a gambler, loves Marie but remains silent when he realizes that she is in love with Oliver Corblay, a prospector. After Corblay and Marie marry, Harley moves to the distant town of San Pasqual and does not see his old sweetheart until her husband is killed while staking a claim in the desert.
The Desire of the Moth is a 1917 American silent western film directed by Rupert Julian
Following his mother's death, John Gregory becomes the "Eagle," a thief determined to get even with the mining company that stole his family's fortune. Breaking into the company’s head office he discovers that another robber has preceded him and killed the night guard. When he is falsely accused, Lucy the girl he loves, discovers a written confession from the real killer just before John is to be hanged and rides wildly to the jail to save his life.
Campbell is disgraced and removed from the service. He saves the girl who was being carried off and rounds up the crooks.
The Jaws of Steel is a 1922 Silent Western.
For Nita Valyez, who is half-Spanish and half-Irish, Carlos represents potential violence and danger, two things to which she is both attracted and repelled. In contrast, she has only a passing interest in Big Jim, the town's honest, good-hearted sheriff. Then, after Carlos kills a faro dealer, he forces Nita to make an escape with him.
A western short depicting the execution of a horse thief by a group of enraged cowboys. This film is considered to be lost.
As a baby, John Ermine is stolen from a wagon train by the Crow Indians and is adopted by Chief Fire Bear. John grows to manhood, ignorant that he is a white man until his parentage is disclosed to him by Crooked Bear, a white hermit who is on friendly terms with the Crows. Crooked Bear teaches John the language and customs of the white man's civilization, impressing upon him that it is his sacred responsibility to keep peace between the white men and the Indians.
Drifters Tom Williams and Joe Morgan have a chance meeting with the sheriff's daughter and learn that her brother Jim is being held prisoner in Line Hollow by Wolf, who aspires to be the next sheriff. They aid the sheriff in finding the outlaw gang and rescuing Jim. Tom decides to stop drifting and stay near the sheriff's daughter.
Miner Dan Stuyvesant finally strikes it rich, but on his way to report his claim, he is shot. When Jack Dedlow, the head of a gang of outlaws, hears this news, he rides to Stuyvesant's cabin intending to secure the claim for himself. There the outlaws find Stuyvesant's daughter Hilda, the sweetheart of Tom Flynn, and are about to draw cards for her when Dago Sam pulls out his guns and spirits her out the door. Because Tom is his only friend, Sam determines to protect Hilda from the gang, but when Tom suspiciously questions his intentions toward Hilda, Sam decides to live up to the town's poor opinion of him.
Jack Darling of the North West Mounted Police is ordered to track down and arrest murderer Alec Young, whose girl, Dancing Pete, performs in the Nugget dance hall. En route to Nugget, Jack meets Hope Ross, who is caring for her sister's baby. Although the two fall in love, the outlook for a happy romance appears hopeless, because he believes that she is a married mother, and she thinks that he is an outlaw.
Ranger Job "Blue Streak" McCoy helps a miner and his pretty young daughter who are trying to protect their valuable mine from a gang leader who wants to take it.
An outlaw decides to hang up his guns and lead the "straight" life. His foster son falls for the daughter of a wealthy estate owner. The crooked manager of the estate wants the girl for himself--so he can control the estate when the father dies--and tells the father that the boy is an outlaw's son.
Our hero is mistaken for a bandit. Al's girl Nancy at first believes him to be guilty, but he manage to convince her that the real bandit is McDonald.
A minister and his young daughter Bess, journey west where he hopes to regain his health. They become involved with notorious outlaw 'Eagle' Ryan. The outlaw becomes influenced by the power of religion along with Bess's gentle persuasion, he is reformed from his life of crime and forgiven by all the townspeople.
While in Europe, Chaddie Green, a society girl, discovers that she has been left penniless. She returns to the United States and meets Duncan MacKail, who is equally broke though he owns grainland in the West. Duncan and Chaddie are married and go west to homestead. Duncan hires Ollie, a Swedish caretaker, who frightens Chaddie. When business takes Duncan away, Chaddie goes to take care of Percy Woodhouse, an Englishman who has become ill at his place fifteen miles away. Her horse runs away, and she is forced to spend the night there. She sleeps under a wagon, but Duncan is nevertheless angry and jealous.
A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results.
A wandering cowboy gets caught up in a range war.
Two black bounty hunters ride into a small town out West in pursuit of an outlaw. They discover that the town has no sheriff, and soon take over that position, much against the will of the mostly white townsfolk.
A mix of guns and mistaken identity leads to chaos in this satirical parody of William S. Hart's melodramatic westerns, finding Buster in the frozen north - "the last stop on the subway".
Two tough westerners bring home a group of settlers who have spent years as Comanche hostages.
Jake Remy leads a gang of outlaw cutthroats making their escape toward Mexico from a successful robbery. Barring their way is a river--crossable only by means of a ferry barge. The barge operator, Travis, refuses to be bullied into providing transport for the gang and escapes across river with most of the local populace--leaving Remy and his gang behind, desperately seeking a way across. A river-wide stand-off begins between the gang and the townspeople, both groups of which have left people on the wrong side of the river.
At a Mexican ranch, fugitive O'Malley and pursuing Sheriff Stribling agree to help rancher Breckenridge drive his herd into Texas where Stribling could legally arrest O'Malley, but Breckenridge's wife complicates things.
A naive traveler in Laredo gets involved in a poker game between the richest men in the area, jeopardizing all the money he has saved for the purpose of settling with his wife and child in San Antonio.
Monte Walsh is an aging cowboy facing the ending days of the Wild West era. As barbed wire and railways steadily eliminate the need for the cowboy, Monte and his friends are left with fewer and fewer options. New work opportunities are available to them, but the freedom of the open prarie is what they long for. Eventually, they all must say goodbye to the lives they knew, and try to make a new start.
Two friends hired to police a small town that is suffering under the rule of a rancher find their job complicated by the arrival of a young widow.
While changing clothes in a getaway car, escaped convicts Stan and Ollie mistakenly put on each other's pants. They spend the rest of the film trying to exchange pants in various unlikely settings.
A frontiersman and his son fight to build a new home in Texas.
Karl Westover, an inexperienced farm boy, runs away after unintentionally killing a neighbor, whose family pursues him for vengeance. He meets Barbarosa, a gunman of near-mythical proportions, who is himself in danger from his father-in-law Don Braulio, a wealthy Mexican rancher. Don Braulio wants Barbarosa dead for marrying his daughter against the father's will. Barbarosa reluctantly takes the clumsy Karl on as a partner, as both of them look to survive the forces lining up against them.
A grizzled, hard-of-hearing cowboy, Slim, and his two friends, Dusty and Pete, capture a mysterious, well-dressed Frenchman.
Jim Douglass arrives in the small town of Rio Arriba in order to witness the hanging of the four men he believes murdered his wife. When the convicts escape, Jim tracks them into Mexico, determined to see that justice is done. But the farther Jim goes in his quest for vengeance, the more merciless he becomes, losing himself in an unrelenting spiral of hatred and violence.
When Letty Mason relocates to West Texas, she finds herself unsettled by the ever-present wind and sand. Arriving at her new home at the ranch of her cousin, Beverly, she receives a surprisingly cold welcome from his wife, Cora. Soon tensions in the family and unwanted attention from a trio of suitors leave Letty increasingly disturbed.
An authoritarian rancher rules an Arizona county with her private posse of hired guns. When a new Marshall arrives to set things straight, the cattle queen finds herself falling for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunman enters the picture, and things go desperately wrong.
In 1867, a gang robs a bank and flees into the desert. Out of water, the outlaws encounter a ghost town called Yellow Sky and its only residents, a hostile young woman and her grandfather.
Set against the turbulent backdrop of 1870s Montana, in the moments before the execution of Isaac Broadway, he gives his estranged son, Henry, an impossible task: murder the man who framed him for a crime he didn’t commit. Intent on fulfilling his promise, Henry travels to the remote town of Trinity, where an unexpected turn of events traps him in town and leaves him caught between Gabriel Dove, the town’s upstanding new sheriff, and a mysterious figure named St. Christopher.
SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.