Brainwashed: Sex-Camera-Power

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.

The Judge

A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.

Exergo

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

A Film for Discussion

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.

I Am an Ox, I Am a Horse, I Am a Man, I Am a Woman

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

Prüdes Hollywood - Laster, Lust und Leidenschaft im Film

In recent years, Hollywood productions have turned away from sensuality. Is the sex scene on the verge of extinction or reinvention? Alongside film professionals and researchers, this documentary deciphers a trend that speaks volumes about the evolution of the industry and our societies.

Welcome to my Darkside: Women in Horror

The horror film genre’s most iconic Scream Queens are featured in this documentary about women’s roles and triumphs, both on-camera and off.

At the Lőrinc Spinnery

A candid portrait of the women working at the Lőrinc spinning mill. As with so many of Mészáros’ shorts, this work has foundations in autobiography, and she would later return to this particular world in one of her fiction features.

Varda by Agnès

An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.

The Woman and the Car

Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'

The Good, The Bad, and the Beautiful

A documentary reflecting on women in film and the entertainment industry through the ages led and hosted by some of its most beloved female icons.

A Motorcycle Saved My Life

The open road presents a point of departure for director lori lozinski to process deep-seated grief. Revisiting the formative experiences that drove her ambition, lozinski examines the influence of her parents in the present light of day.

Bride of Trailer Camp

A compilation of "coming attractions" from bad '50s melodrama through the greatest disaster movies of the '70s. Features a chain of your divas including Bette Davis in What Ever Happened to Baby Jane?, Jeanne Moreau in Mademoiselle, Elizabeth Taylor in Butterfield 8 and Boom, Kim Novak in The Legend of Lylah Clare, Susan Hayward in I'll Cry Tomorrow, and Judy Garland in I Could Go On Singing. One clips is a young Rock Hudson promoting Christmas Seals. Bride of Trailer Camp includes specimens of movie trailer artistry.

Jodie Promo

a chronological coming attractions overview of Jodie Foster’s career

Island Home Country

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

Employment contract

The story of union branch no. 100. The dismissal of a worker in a factory shows his colleagues the instability of their situation. From the discussion that followed this event germinated the idea of ​​a union. A national union is consulted, which appoints a representative to explain the advantages and operation of a workers' union. Branch No. 100 is created and immediately becomes a trading agency; subsequently, it obtains better working conditions for the workers. The spirit that presides over all the meetings demonstrates the democratic strength of a union.

Because We Have Each Other

Janet Sharrock has two children and Brent “Buddha” Barnes has three; the pair has a meet-cute at the local RSL, marry and unite their families, Brady Bunch style. Now grown up, Becky (famous for being one of only 80 people in the world with Highly Superior Autobiographical Memory), Jessica (a comedian living with depression), Brendan (who aspires to take over Buddha’s repair shop), and young Kylie and Dylan laugh, cry, contemplate existence and dream big with their parents, finding joy and stability in one another as they face immense change.

$avvy

$avy investigates the historical, cultural, and societal norms around women and money.

Wallpaper

Cold Lands

A personal journey through the images and cinema, guided by filmmakers and artist like, Theo Angelopoulos, Bego Vicario, Wim Wenders or Rut Hillarp among others. In this non-fictional road-movie their vision of what cinema is, of what is hidden behind the images, intersects with the world of beekeeping, architecture and the human landscape.