Familiar Phantoms is an experimental documentary short film about memory, history and trauma.
Social & External
Narrator
Young Larissa
Aunt
Father
Young Girl
Young Boy
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
The adventures of a small town Croatian family during the 1960s. The decade will leave eternal marks on all of their members, but most of the story focuses on the youngest one, a boy, Frula, who discovers the love and fashion of the time.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Edward Wilson, the only witness to his father's suicide and member of the Skull and Bones Society while a student at Yale, is a morally upright young man who values honor and discretion, qualities that help him to be recruited for a career in the newly founded OSS. His dedication to his work does not come without a price though, leading him to sacrifice his ideals and eventually his family.
A 19-year-old searches for her twin brother after he runs away from home, following a fight with their father.
A teenage girl is captured by a giant mutated squid-like creature that appears from Seoul's Han River after toxic waste was dumped in it, prompting her family into a frantic search for her.
Disappointed with humanity, God wants to revoke his contract with humanity and wants to take back the stone tablets containing the ten commandments. To this end an angel is sent out to affect the personal lives of three humans so an appropriate child may be conceived.
Over the past few years, Israel's ongoing military occupation of Palestinian territory and repeated invasions of the Gaza strip have triggered a fierce backlash against Israeli policies virtually everywhere in the world—except the United States. This documentary takes an eye-opening look at this critical exception, zeroing in on pro-Israel public relations efforts within the U.S.
How do you become who you are? Through the slights one experiences, believes freelance journalist and author Dirk Gieselmann. One late evening, he is alone in his apartment. His camera is set up in front of him, with which he records himself. In doing so, he first introduces himself personally and announces that he will call three people. In the telephone calls that follow, he confronts his interlocutors with long-ago encounters, experienced ruthlessness and the accusation that they drove him out of the paradise of childhood. That evening, he wants to know what the reasons were for the slights and hopes to be able to make sense of them. He realizes that his childhood has finally come to an end and remembers the world of thoughts that surrounded him when he was a little boy. Then he receives an unexpected call from his family.
A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.
After the death of a septuagenarian woman, her three children deliberate over what to do with her estate.
Jerry (Jamie Draven) was an idealist when he served in the first Gulf War. But when he was later deployed to Iraq, Jerry was an older man, a father of three and embittered by broken promises and unfulfilled desires. When Jerry returns from Iraq he has been transformed by horrors that cannot be forgiven. He lives a life of poverty, his children afraid of him and his wife, Nora (Vinessa Shaw), unsympathetic and unhappy. When Jerry discovers that Nora has betrayed him, his anger and despair drive him to commit an act so heinous and irreversible that nothing he had experienced in combat could have prepared him for.
A young Greek woman falls in love with a non-Greek and struggles to get her family to accept him while she comes to terms with her heritage and cultural identity.
Rossellini takes numerous liberties with the original source material, rearranging and omitting events at will, presenting everything in a highly undramatic fashion. The film begins in the time of the Old Testament, allowing Rossellini to present the story of Jesus in its ancient, historic context.
Hungry is the first in a three-play cycle introducing us to the Gabriels of Rhinebeck, New York. These three plays unfold in real time and track the lives of the Gabriels throughout the coming presidential election year. To the rhythm of peeling, chopping and mixing, Hungry places us in the center of the Gabriel’s kitchen. The family discusses their lives and disappointments, and the world at large and nearby. As they struggle against the fear of being left behind, the family attempts to find resilience in the face of loss.
Eight months after we first meet the Gabriels, Patricia, the family matriarch, joins her children and daughters-in-law as they prepare a meal from the past and consider the future of their country, town and home. Paying tribute to the difficult year behind them, the Gabriels compare notes on the search for empathy and authenticity at a time when the game seems rigged and the rules are forever changing.
A lonely woman's prank phone call leads to an unexpected friendship with a grieving widow.
Rebecca, an American who has been living in Jerusalem for a few months now, has just broken off her engagement. She gets into a cab driven by Hanna, an Israeli. But Hanna is on her way to Jordan, to the Free Zone, to pick up a large sum of money.
Salma Zidane, a widow, lives simply from her grove of lemon trees in the West Bank's occupied territory. The Israeli defence minister and his wife move next door, forcing the Secret Service to order the trees' removal for security. The stoic Salma seeks assistance from the Palestinian Authority, Israeli army, and a young attorney, Ziad Daud, who takes the case. In this allegory, does David stand a chance against Goliath?
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