Two musical stars from the golden age of Hollywood get a second chance at rekindling their love in the modern world.
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Young Judy
Young Alex
Old Alex
Old Judy
Barry
Margaret
Judy Double
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The Hamburg Ballet was one of the first ballet companies internationally to return to its studios after the first lockdown. The ballet Ghost Light by John Neumeier deals with isolation and the feelings and fantasies an empty stage may evoke. Developed in fragments using small groups of dancers and under the constraints imposed by Covid-19, the choreography reflects situations, fears, relationships, memories, and emotions experienced during the pandemic.
Young love and childish fears highlight a year in the life of a turn-of-the-century family up to the 1904 St. Louis World's Fair.
In this East German teen musical, a group of girls are planning to take their summer vacation together on the Baltic coast. When a loud and obnoxious group of boys intrudes on their holiday, the girls are horrified to learn that the boys have the same vacations plans as them. The two groups quarrel with each other and compete over a number of things, but gradually an attraction starts to form.
In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
In 1927 Hollywood, a silent film star falls for a chorus girl just as he and his paranoid screen partner struggle to make the difficult transition to talking pictures.
A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.
Boundary-pushing Russian dancer and actress Ida Rubinstein selects renowned French composer Maurice Ravel to compose the music for her next ballet. Ravel ends up creating his greatest success ever: Boléro.
Like a comet that burns far too brightly to last, Janis Joplin exploded onto the music scene in 1967 and, almost overnight, became the queen of rock & roll. The unmistakable voice, filled with raw emotion and tinged with Southern Comfort, made her a must-see headliner from Monterey to Woodstock. From Broadway to your screen, now you’re invited to share an evening with the woman and her influences in the musical, A NIGHT WITH JANIS JOPLIN. Fueled by such unforgettable songs as “Me and Bobby McGee,” “Piece of My Heart,” “Mercedes Benz,” “Cry Baby” and “Summertime,” a remarkable cast and breakout performances, A NIGHT WITH JANIS JOPLIN, written and directed by Randy Johnson, is a musical journey celebrating Janis and her biggest musical influences—icons like Aretha Franklin, Etta James, Odetta, Nina Simone and Bessie Smith, who inspired one of rock & roll’s greatest legends.
A newly-wed man discovers that his wife is in love with another man and decides to unite them. Ignoring the ridicule he might have to face for this, he takes his wife to Italy in search of her love.
To escape his female fans, Carlos Cortez makes for the Riviera. Along the way, he picks up a hitchhiker named Annabel who invites him to go camping with her friends. Living under his real name, the incognito star wins new friends. But a theft complicates things. Fortunately, Annabel is still around and Jacques can do no better than to marry her.
An all-girl rock band moves to Hollywood in the hope of achieving success, only to fall into a whirlpool of wickedness and decadence.
A high school student who comes across a supernatural notebook, realizing it holds within it a great power; if the owner inscribes someone’s name into it while picturing their face, he or she will die.
Ever since its triumphant premiere in 1960, Frederick Ashton's La Fille mal gardee has been treasured as one of his happiest creations - his artistic tribute to nature, and an expression of his feelings for his beloved Suffolk countryside. Marianela Nunez and Carlos Acosta perfectly portray the young lovers Lise and Colas, determined to thwart the plans of Widow Simone to marry off her wayward daughter to Alain, the simple son of wealthy Farmer Thomas. Osbert Lancaster's colourful, picture-book designs, along with Ferdinand Herold's tuneful score, arranged by John Lanchbery, provide the perfect setting for Ashton's blissfully bucolic ballet, complete with haywain, pony, maypole and ribbons, a cockrel and his chickens and, of course, the famous clog dance, here wonderfully led by William Tuckett as the irascible but lovable Widow Simone.
"Hey, kids, let's get together and put on a show!" That's the idea behind this raucous spoof about a vaudeville performer who's sent to college to spy on his bratty son.
Biographical portrait of one of Broadway's most brilliant songwriters. Told through the use of archival material and interviews with the rich and famous that knew him, this portrait concentrates on his career and his public life events.
Ulysses is a shy and effeminate boy who finds himself coping with new responsibilities as man of the house after the death of his father. Living alongside his mother, younger brother, and conservative aunt, Ulysses is also struggling with questions about his gender identity. He finds an escape by creating a world of fantasy filled with dance and music. Ulysses' journey takes a turn for the better when he finds a vibrant transgender community.
A bullied teenage girl leads a glee club on a trail of destruction against her high school enemies.
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