A silent documentary which follows a branch of the Bakhtiari tribe of Persia as they and their herds make their epic seasonal journey to better pastures.
Social & External
Self (as Merian Cooper)
Self
Self - a Journalist
Self - Chief of the Bakhtyari Tribe
Self - Haidar Khan's son
I AM GOLDEN KAREN is a coming-of-age story of Thaawa, a Karen refugee in search of his identity as a migrant in Thailand. In between puberty and adulthood, he nurtures a strong desire to return to his motherland, Karen State, Burma.
Every year, on the steppes of the Serengeti, the most spectacular migration of animals on our planet: Around two million wildebeest, Burchell's zebra and Thomson's gazelles begin their tour of nearly 2,000 miles across the almost treeless savannah. For the first time, a documentary captures stunning footage in the midst of this demanding journey. The documentary starts at the beginning of the year, when more than two million animals gather in the shadow of the volcanoes on the southern edge of the Serengeti in order to birth their offspring. In just two weeks, the animal herd's population has increased by one third, and after only two days, the calves can already run as fast as the adults The young wildebeest in this phase of their life are the most vulnerable to attacks by lions, cheetahs, leopards or hyenas. The film then follows the survivors of these attacks through the next three months on their incredible journey, a trip so long that 200,000 wildebeest will not reach the end.
By land, by air, and by sea, viewers can now experience the struggle that millions of creatures endure in the name of migration as wildlife photographers show just how deeply survival instincts have become ingrained into to the animals of planet Earth. From the monarch butterflies that swarm the highlands of Mexico to the birds who navigate by the stars and the millions of red crabs who make the perilous land journey across Christmas Island, this release offers a look at animal instinct in it's purest form.
Successful model Samira Hashi makes an emotional return to Somalia, one of the most dangerous places in the world and the place she was born. Civil war broke out in 1991, 10 days after Samira's birth, but two years later her family managed to flee the country and she grew up in the UK.Now, as Samira and the war both turn 21, she's going back for the first time to visit the people and places she left behind. The contrast with her safe and glamorous life in London could not be starker as she experiences firsthand the war's effect on a generation of young people growing up in conflict.
This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.
After 18 years living in Italy, the Cuban Barbara Ramos returns to live in her homeland. In the town of Santa Clara, she discovers through the projects of family and friends what has changed in Cuba but also what has not and will likely never change. Shot over a period of three years - the time it took Barbara to build her dream house - RETURN TO CUBA chronicles her life in the wake of Raul Castro's liberal reforms and reconciliation with the United States of America. A light-hearted yet energetic movie positively demonstrating that finding happiness is possible in today's Cuba!
The inhabitants of the canyon of river Kupa, located on the border between Croatia and Slovenia, have historically been united due to their harsh living conditions, but this peaceful cohabitation between members of different cultures is threatened by the construction of iron fences to prevent the transit of refugees from Bosnia.
Christmas Island, Australia is home to one of the largest land migrations on earth—that of forty million crabs journeying from jungle to sea. But the jungle holds another secret: a high-security facility that indefinitely detains individuals seeking asylum.
The story of the children who work 12-14 hour days in the fields without the protection of child labor laws. These children are not toiling in the fields in some far away land. They are working in America.
Capturing life on the Italian island of Lampedusa, a frontline in the European migrant crisis.
Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.
Each year over 1.2 million wildebeest travel across the vast Serengeti plains and Kenya's Masai Mara on a 1,800 kilometer circular journey, relentlessly followed by every big African predator. Revolutionary spy cams - airborne, swimming or disguised as rocks, skulls or dung - reveal the Great Wildebeest Migration from entirely new perspectives. This 2-part series focuses on the growing-up of a calf as he takes his first steps, faces his first deadly perils and tries to cross crocodile-infested rivers. It combines natural humor with exciting drama and gripping music.
'Migrating Fears' is a docu-drama on the sentiments around migration, both from the side of the refugees and asylum-seekers as well as from the perspective of these segments of society that appear hesitant towards migration. Trying to understand 'migrating fears', the film follows Solon Solomon, a law professor, in his London quests and interactions with refugees, politicians and psychologists, as he comes to see the fear in the refugees' eyes and the worries of the locals, ultimately creating dialogues between the two groups.
Those who do not know the Sahara think there is only sand in the desert. But in the desert there are children who play and draw and make movies, and who would like to not have to think about the war. In the desert there's a European colony, an occupied country called Western Sahara, where there are thousands of Sahrawi refugees living a hard life in exile. "Little Sahara" tells their story, the story of a supportive, resilient people who try to thrive and grow in the Hamada, where everything has a hard time growing.
On the border, the line as principle of property and belonging reaches an extreme dimension where it physically defines the sphere of its relations. Those who transgress it reconstruct these imaginary lines on a daily basis, redefining the traditional geography and occupying the non-spaces where others live in a temporary form of existence. These others, the non-citizens, are phantasmtic, exchangeable parts of a flexible market. Made invisible, they are permanently controlled persons. Under the pretext of a greater civilian security, they are kept clear from the public spaces reserved for the citizens with rights and pushed into non-public spaces, which are run by state and military surveillance, multinational operations servicing a European market and non-governmental organisations.
Every day dozens of decommissioned school buses leave the United States on a southward migration that carries them to Guatemala, where they are repaired, repainted, and resurrected as the brightly-colored camionetas that bring the vast majority of Guatemalans to work each day. Since 2006, nearly 1,000 camioneta drivers and fare-collectors have been murdered for either refusing or being unable to pay the extortion money demanded by local Guatemalan gangs. LA CAMIONETA follows one such bus on its transformative journey: a journey between North and South, between life and death, and through an unfolding collection of moments, people, and places that serve to quietly remind us of the interconnected worlds in which we live.
Enduring 28 days of relentless construction labor, Frank struggles to prep a house for painting amidst Phoenix's scorching pandemic summer.
Liubov, a Russian lady who lives in Mexico City. During the routine of her day, Liubov will recall the experiences she had with death, from childhood to adulthood.
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