Las mujeres deciden

Maria, a young Spanish doctor, works in a maternity hospital in the Ecuadorian rain forest. She is shocked about the premature pregnancies and the violence women in Ecuador have to face. She meets Mishell, an adolescent abused by her father, and Yanina, a woman who decides to perform a clandestine abortion. Maria discovers that behind unintended pregnancies often hides sexual violence.

Blackfeet Boxing: Not Invisible

As the epidemic of missing and murdered Indigenous women epidemic affects tribal communities, a group of Blackfeet women tackle the threat head-on by practicing and training in self-defense.

Nuuca

In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”

Motherland Memories

Ompung Putra Boru, a sixties indigenous Batak woman from Humbang Hasundutan, North Sumatra, retraces her life stories through photographs that interweave her past and present as a wife, mother, healer and indigenous land defender in two neighboring villages. Her multi-layered stories are juxtaposed with visual records of everyday life in the two villages, where people’s living space is still increasingly threatened by a giant pulp expansion.

Aitamaako'tamisskapi Natosi: Before the Sun

An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.

Women in the Shadows

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

Mom n' Me

The filmmaker traces the loss of her ancestral language over three generations of her family, and her own desire to recover it.

Ohero:kon - Under the Husk

This documentary follows two Mohawk girls on their journey to become Mohawk women. Friends since childhood, Kaienkwinehtha and Kasennakohe are members of the traditional community of Akwesasne on the U.S./Canada border. Together, they undertake a four-year rite of passage for adolescents, called Oheró:kon, or "under the husk." The ceremony had been nearly extinct, a casualty of colonialism and intergenerational trauma; revived in the past decade by two traditional leaders, it has since flourished. Filmmaker Katsitsionni Fox has served as a mentor, or "auntie," to many youth going through the passage rites.

Without a Whisper - Konnón:kwe

"Without a Whisper" is the untold story of how Indigenous women influenced the early suffragists in their fight for freedom and equality. Mohawk Clan Mother Louise Herne and Professor Sally Roesch Wagner shake the foundation of the established history of the women’s rights movement in the United States. They join forces on a journey to shed light on the hidden history of the influence of Haudenosaunee Women on the women’s rights movement, possibly changing this historical narrative forever.

Ikwe

A young Ojibwa girl from 1770 marries a Scottish fur trader and leaves home for the shores of Georgian Bay. Although the union is beneficial for her tribe, it results in hardship and isolation for Ikwe. Values and customs clash until, finally, the events of a dream Ikwe once had unfold with tragic clarity.

Mistress Madeleine

Part of the Daughters of the Country series, this film, set in the 1850s, unfolds against the backdrop of the Hudson's Bay Company's monopoly of the fur trade. In protest, some Métis engage in trade with the Americans. Madeleine, the Métis common-law wife of a Hudson's Bay Company clerk, is torn between loyalty to her husband and loyalty to her brother, a freetrader. Even more shattering, a change in company policy destroys Madeleine's happy and secure life, forcing her to re-evaluate her identity.

The Bear Inside a Whale

Stan Hill Jr. is a Haudenosaunee artist living in Miawpukek First Nation Reserve, Conne River, Newfoundland. In “The Bear Inside a Whale,” he and his family discuss racism, identity, religion, creation and art, along with the cultural extinction of the Beothuk of Newfoundland. Throughout the film, we follow Stan carving a bear out of a whale vertebra. And we visit The Rooms (museum) in St. John’s, Newfoundland, where Stan talks about viewing and reclaiming Indigenous artefacts.

MONTAÑAS

Bolivia's Climbing Cholitas - a group of indigenous women scaling the Andes Mountains, some of the highest peaks in the world. Shot in Bolivia for Vogue Latin America and Vogue Mexico's 20th anniversary cover story.

The Bears on Pine Ridge

The Pine Ridge Indian Reservation has declared a “State of Emergency”, after an outbreak of youth suicides has devastated the community. Due to a lack of Federal assistance, residents have taken prevention efforts into their own hands. A tenacious Oglala Lakota elder takes charge, rallying the community to get involved, while empowering a resilient young group of suicide survivors to band together to help raise awareness.

Amá

Amá is a feature length documentary which tells an important and untold story: the abuses committed against Native American women by the United States Government during the 1960’s and 70’s: removed from their families and sent to boarding schools, forced relocation away from their traditional lands and involuntary sterilization. ​The result of nine years painstaking and sensitive work by filmmaker Lorna Tucker, the film features the testimony of many Native Americans, including three remarkable women who tell their stories - Jean Whitehorse, Yvonne Swan and Charon Aseytoyer - as well as a revealing and rare interview with Dr. Reimart Ravenholt whose population control ideas were the framework for some of the government policies directed at Native American women.

Surviving Columbus

This Peabody Award-winning documentary from New Mexico PBS looks at the European arrival in the Americas from the perspective of the Pueblo Peoples.

Mulheres em Movimento

Writing Hawa

Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Echoes Within

“Can I be nostalgic about something I’ve never experienced?” asks debut filmmaker Pranami Koch. She has in mind her grandmother, a person she never knew who belonged to the Koches, a people in India with their own culture and traditions. In her search for connection and identity, Pranami travels to the countryside and immerses herself in the Koch community.

The Story of the Coast Salish Knitters

For almost a century, the Coast Salish knitters of southern Vancouver Island have produced Cowichan sweaters from handspun wool. These distinctive sweaters are known and loved around the world, but the Indigenous women who make them remain largely invisible.