At The Ballet is the rise and fall of a Prima ballerina.
Social & External
Ballerina
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Danny, a young Mexican-American wrestling with his sexuality, is desperate for twenty-five dollars for a mysterious Craigslist arrangement. Standing in his way is his conservative mother, clouded by her concerns for what her son is up to. As Danny pursues the elusive arrangement, he finds himself navigating a deeper journey of self-acceptance and identity.
A short story of two strangers meeting in a train journey, not knowing that something stranger is coming their way.
A lifelong friendship is under siege when two mature Australian men visit the monolithic dam that defined their young lives and are confronted by feelings that were impounded long ago, but cannot be contained any longer.
A short film made for "Venezia 70 - Future Reloaded". A homage to Paulo Rocha and Kenji Mizoguchi, filming the director's two tombs, one in Tokyo and the other in Quioto.
After a month of texting, Zoe has organized a perfect first date with Marc. Their expectations will be tested by reality.
A yuppie seeks help from two townspeople in finding his wife and daughter, during a blizzard storm. Based on the short story by Stephen King.
Erica has a secret relationship to the married Sebastian. When his wife Liv finds out, she decides to confront Erica over an evening of gin and tonics. Erica is soon being pushed to question what things in life are worth fighting for.
She now lives many miles away from her mother, who is waiting to hear from her. It is a bittersweet, restless, nostalgic moment, and she remembers those vanished years.
As they drive to San Francisco, married couple Angie and Danny debate a decision which will change their lives forever.
After his son insists on bringing his boyfriend to practice, a rugby-mad father fears for his son’s chances of getting onto the national team.
On the front lines of the Great War, nurse Simon repairs the broken faces of the soldiers every day with love letters, words from women that have the power to heal the wounds of these paper soldiers. Simon himself seems impervious to holes, uncreasable, untearable in his white coat. His secret is his war godmother, who occupies all his thoughts whenever he has a moment to breathe. But when death strikes where it is least expected, can words written on paper still erase the pain?
A new kid in town tests the limits at the high school basketball tryouts.
CYCLES is a playful, sweetheart choreography, circling through the madness of grief.
