A performer reflects on her mixed Korean-Mexican heritage in a melding of folk cultures through dance.
Social & External
Dancer
A burst of cheer and refreshment that it seems perfectly suited to a late July afternoon.
In this extra scene from "Descendants: The Rise of Red," Bridget follows her dream of spreading love and joy to all through her dance, the "Shuffle of Love." Red and Chloe see how important the dance is to Bridget and offer to help perfect it in time to debut the dance at Merlin Academy’s biggest event, Castlecoming. In the euphoria of perfecting her dance for all to see, Bridget’s imagination runs wild, and her dance explodes beyond her wildest dreams… or so she thinks.
Short film that accompanies A$AP Mob & Skepta's collaboration "Put That On My Set." The short film is a surrealist take on drug gangs, finding Rocky trafficking psychedelic butterfly wings as part of an organized crime ring. They run a tight moneymaking operation, and "Put That On My Set" showcases the importance of the rappers' crews in the illegal business.
In late 18th century Scotland, Annie Laurie and William Douglas love each other, but their clans are on opposite sides of the country's civil war. Their love is made immortal through the title song of this film.
As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
In the day three girls wander the idyllic St Kilda pier, basking in the rays of a sweet summer day.
Jane Campion's "The Piano", Palme d'Or at Cannes in 1993, retold in a single minute of animation by Inés Sedan.
Tina, a singing Gypsy with a band of roving gypsies, is invited by Tom to come over to his mother's estate where a lawn party is in progress. She brings along her friends and a whole caravan of gypsies take over the green, telling fortunes, singing and dancing. Most of the comedy is supplied by the kleptomaniac butler, Bellingham, and his employer who humors his nutty ways...as good help seems to be hard to find.
'SIGN' is a short film that tells, through vignettes, music, and sign language, the story of a relationship between Ben, a hearing man, and Aaron, who is deaf.
Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.
Ethel runs a run down saloon in Nicaragua. Word arrives that the soldiers are pulling out, and most of the American miners and all of the women must ship out on a vessel bound for San Francisco, but her boyfriend has been ordered to remain.
A woman sundered from her sweetheart sings the title song as a duet with a personified Old Man Blues, in fog-shrouded woodland.
During a game of catch-the-boy-and-kiss-him, Emmy, a precocious ten-year-old, kisses another little girl, Alice.
A pizza delivery man is constantly late for work. His boss gives him one last chance to keep his job. When he arrives at the delivery address, he meets his ultimate idol, the rock star Charly Dopamine and his girlfriend Lucy.
Twice Debut Showcase "Touchdown In Japan" is Twice's first debut showcase concert in Japan. It took place in Tokyo Metropolitan Gymnasium in Japan and 2 shows had took place in 1 day.
A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.
Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.
A struggling drummer trapped by his creative block embarks on an isolated journey through his memories, confronting the turmoil that stands between him and his rhythm.
'Blind Bob' has written a song and the folks at the music publishing company think that Joe Frisco, his old friend from the Bowery is just right for it. So we see Joe at stage doing his peddler routine. He goes over to the publishing company, where he flirts with a girl act, and then tries out some eccentric dancing to the new song, which happens to be 'Get Happy.'