A young woman attempts to chop a coconut for the first time, in hopes that the refreshing treat will lift her ailing father's spirits.
Social & External
Daughter
Father
Amidst the ruins of a coconut plantation in rural Trinidad, Asha, a displaced girl seeking her roots, is drawn to a young fisherman who shares her desire to look beyond.
Island girl Mimi plans to leave Tahiti, but maybe she'll have a reason to stay when Mr. Endicott arrives.
Faux documentary told in first-person narration, about an "adventuress" who sets sail to Guatemala with her father and two male crewmen, rescues them when their fresh-water supply is compromised, finds a treasure map, and attempts to steal a fabulous emerald from a ruined temple, much to the aggrevation of a worshipful native princess and her subjects.
An animated short film based on a 1989 wordless picture book by Bill Martin Jr. In this lively alphabet rhyme, the letters of the alphabet race up the cocunut tree. Will there be enough room? Oh, no - Chicka Chicka Boom! Boom!
Two boys in the process of making a Samoan dish.
It's just another day at the Granite Hotel.
Robert J. Flaherty’s follow-up to Nanook of the North shifts from the Arctic to the South Seas, portraying Samoan village life with a painterly eye. Blending ethnographic detail with a romanticized “Gauguin idyll,” the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused with what Flaherty called “pride of beauty, pride of strength.”
To win a bet on which the future of their naturist club depends, a group of nudists agree to spend three months on a deserted island in Brazil, living under the same conditions as the Caiapó tribe. They build their huts, feed themselves with fruit and fish, and enjoy themselves playing outdoor sports.
A squirrel in a downtown park lugs a giant coconut back home, but nothing he tries will crack it open.
A crab on a deserted island comes across a coconut.
Royapuram to Royapettai (Raa raa) is a simplistic love story about two people with background that is so disparate, it’s seemingly impossible for them to unite in marriage.
Kuzhandhaivelis the head of a happy family consisting of his wife Thilaka, daughter, mother-in-law and sister-in-law Divya. Karna, a classmate of Divya in college, enters the house as a servant after losing a bet but gradually, he and Divya fall in love. Thilaka knows about their romance but before she can inform the rest of the family, she dies in an accident. So the family now decides that Divya should wed Kuzhandhaivel.
It tells the story of Ramadhan and Monita, two people with opposite personalities who become entangled in a push-and-pull romance, presented with clever humor and social satire.