Neyasno

FASCISM(s): A Film in Six Parts

Six sequences about Fascism and its segments throughout history.

Fair Use Vol 1. (All This Trouble)

A compilation of TV news about black culture.

Borgoño

Sienna struggles with dreams of an unknown and scary place after receiving a dress that belonged to her late grandmother, who commited suicide years ago

At First Light

High school senior Alex has an encounter with mysterious lights that appear over her small town. She soon develops dangerous, supernatural abilities, and turns to her childhood friend Sean. The authorities target them and a chase ensues as officials try to discover the truth behind Alex's transformation.

APARTMENT

And there was evening and there was morning. The first day

With the lack of personal video archive, Youhanna (the filmmaker) creates false memories using lost home videotapes shot between the 1990s and 2000s in Europe, Africa, and Asia, with the help of an Artificial intelligence programme, until a real, personal video archive surfaces, transporting him into the past to relive one more memory with his late mother.

Blinded

editing experiments with backdoor blinds, more dancing

Touch Air

An homage to the influential practice and philosophy of artist Nasreen Mohamedi. The film incorporates Mohamedi’s personal notes and her unique singular vision, drawing upon the aesthetics of the bare line, and its metaphysical journey eliminating physical borders/barriers.

V/M. Drifting

The original format is 8mm film (single8), and once the developed film is incompletely layered on the undeveloped film, it is projected onto a curtain swaying in the wind by shining light at an angle with a penlight. Created an effect.

Rift

A girl disappears without a trace while playing hide and seek with her friend. The friend is asked to explain how it happened, but the adults around him find it hard to believe his story. With visual originality, the limits of existence are allowed to be stretched in a film that depicts the incomprehensible from a child’s perspective.

The Turning Turtle

A young man performs 'pranayama' sitting against a bleak wall. We observe him through a frame that seems to be connected to him in some way. As we go on to witness the nature of the frame, will the images presented to us be able to convey his intentions, thoughts, and ultimately, his fate? This experimental feature film is comprised of 7 parts of black and white imagery with no sound at all.

Café Limbo

A young waitress in a desolate café surrounded by an overpowering snowstorm challenges an evil presence when she's forced to save the life of a female guest in labour.

Filming Hole

Two young adults venture into a storm sewer in search of something interesting. They succeed.

A Dark Place

Myles navigates the tumultuous aftermath of a breakup, battling inner demons in a dark mental state.

FUCK TV

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Shadow

Shadow tells the story of Mirage, whose love for his family deepens after a tragic incident injures his parents. Years later, their bond is tested when hidden truths emerge, throwing Mirage into inner turmoil

The Blue Light

Hans the farmer is drawn into war as a soldier. Returning from the front, having been defrauded of his pay by his own king, he makes his way home. On his trip, he encounters a witch who asks him to fetch the light from a spring. He keeps it when the witch tries to deceive him and he discovers her foul magic. When the light is ignited, a little man appears who must serve the owner of the light, but it only has power if the owner has faith in himself. His courage bolstered, Hans goes to the king once more to demand his wages be paid.

á-B-C-D-é-F-G-H-CH-í-JONESTOWN

A children's film about the largest mass suicide of the 20th century reconstructs the 1978 event. The Reverend Jim Jones forced nearly a thousand followers of his People's Temple sect to drink poison in the settlement of Jonestown, Guyana, South America. A third of them were children. Jan Bušta gives sadists, voyeurs, and necrophiliacs one minute to leave the cinema. His self-reflective documentary, which is the result of ten years of time-lapse filming, does not depict dramatic scenes. To the sound of an audio recording from that fateful day, we see a collage of child ghosts preaching about escaping the corruption of the world.