Storyboard showcase of Anno's ghibli museum short.
Social & External
The boy has longed to visit the northern country and experience the beautiful mysteries of nature that his childhood friend Norman the Snowman has told him about. On the first day of snow in the northern country, the boy sneaks out of his house and boards a northbound train with Norman to see the mysteries of nature with his own eyes.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
The cartoon tells about a girl who was sent by an evil stepmother to get tortillas and the secret of making them to her grandmother, who lives in the Lafertovo part of Moscow.
A short film made for "Venezia 70 - Future Reloaded". A homage to Paulo Rocha and Kenji Mizoguchi, filming the director's two tombs, one in Tokyo and the other in Quioto.
A transhumanist romance in the near future. A young boy of modest origins, Marcus, an H- , falls madly in love with an H+.
The school play is in trouble and these scrappy theatre kids are determined to save it.
She now lives many miles away from her mother, who is waiting to hear from her. It is a bittersweet, restless, nostalgic moment, and she remembers those vanished years.
On the front lines of the Great War, nurse Simon repairs the broken faces of the soldiers every day with love letters, words from women that have the power to heal the wounds of these paper soldiers. Simon himself seems impervious to holes, uncreasable, untearable in his white coat. His secret is his war godmother, who occupies all his thoughts whenever he has a moment to breathe. But when death strikes where it is least expected, can words written on paper still erase the pain?
Ancestors is a film about spiritual forefathers and mothers in a purely fanciful sense. These are classical figures, anatomical figures, fairy tale figures and romantic figures all thrown in together - all my creative root-sources, in a kind of playful tribute. Like part 2 of Duo Concertantes, it's a moving single picture, now doubled.
The story he has been told by his grandfather was about people's dream to go out of their small town to Russia. For them, the greatest pleasure on the earth was taking a prostitute.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
The story about the wild creatures of the wild forest and one impudent Cat who walks by himself, and all places are alike to him.
The cartoon based on the works of Alexander Pushkin was created on the basis of drawings from the exhibition "Pushkin through the eyes of children".
Ricky Tomlinson sits back in his chair and takes a fond look back at the much-loved comedy series The Royle Family, sharing his memories of playing head of the family Jim Royle and his experiences working with the show’s co-creator Caroline Aherne, who, as well as writing the show with co-star Craig Cash, also played Jim’s daughter Denise. Ricky talks about how a chance encounter helped him get the part of Jim, recounts what it was like filming some of the show’s most iconic moments, and tries to get the bottom of the origins of Jim’s famous, below-the-belt catchphrase.
