Social & External
Moving between two extremes - the intimate verite drama of the Miss India pageant's rigorous beauty "bootcamp" and the intense regime of a militant Hindu fundamentalist camp for young girls. The World Before Her delivers a provocative portrait of India and its current cultural conflicts during a key transitional era in the country's modern history.
Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.
A year in the life of two transgender siblings as they navigate puberty, a local beauty pageant, and transitioning in the Trump era.
Documentary, poetry and essay rolled into one, this compilation of stockshots and clips sourced from NFB productions of the '50s and '60s offers a singular lesson in Montreal history - its famous figures, symbolic places, and ordinary citizens. Without commentary, the film moves from the red light district to Jean Drapeau, the Jacques-Cartier market, department stores downtown, textile factories, and the construction of Place Ville-Marie. We meet Geneviève Bujold, Oscar Peterson, Monique Mercure, and Igor Stravinsky. We hear Raymond Lévesque, Jean Drapeau, and René Lecavalier.
Conjoined twins Daisy and Violet Hilton were once the cream of the sideshow crop. Taught to sing and dance at an early age, the winsome duo ascended through the early 20th-century vaudeville circuit as a side attraction (working alongside Bob Hope and Charlie Chaplin as well as a memorable turn in the Tod Browning classic "Freaks") before a cascade of unscrupulous management and harsh mistreatment brought their careers (and lives) tumbling down. This engrossing glimpse into a bygone era is filled with fascinating interviews and rare archival footage.
1950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.
Drawing inspiration from their unique relationship, Virginie Francoeur explores the journey, work, and imagination of her father Lucien, an atypical creator, an uncategorizable provocateur, and offbeat Dad, worn out by a life of excess.
The documentary observes two matriarchs - Tiina Jantson governs the beauty contest empire in Estonia; Anne Eenpanu leads the activities of "Home Daughters" - a girls' corps of Estonian Defence League. The film's main characters and their activities are very different. Whereas Anne's pedagogical approach is almost totally based on the love for fatherland then Tiina spends her days in the glitter of show business. However, there are some similiarities in their lives. The documentary studies the values, gender roles and moral norms in Estonia at the beginning of 21st century.
Although it was actually an impersonal commissioned film, the director's style is clearly recognizable. Once again he manages to make something that is normal very strange: the dancing people in costumes are filmed in such a way that they look bizarre and absurd. Jan de Bont's camerawork shows a series of color images of dancing people, edited to the rhythm of the music. Halfway through the film, a lonely clown can be seen among the dancing crowd, accompanied by sad music. This clown is played by Ditvoorst himself.
The role of women and tradition in Dine (Navajo) culture is explored through a young girl's quest for the Miss Navajo Nation crown.
Angelina-Duah Fares, a Druze woman, attempts to enter the Israeli fashion world, but traditions clash with her efforts to choose her way in life.
The American Royalty docuseries showcases an in-depth perspective of the Miss America Pageant. Experience the hundred year history, influence, controversy, and evolution of this iconic institution.
Follows members of the Zulu Club, New Orleans’ first Black Mardi Gras, as they work to bring the Zulu parade back to the streets for Mardi Gras Day 2022, in the face of a global pandemic, hurricane Ida and the loss of members due to COVID and gun violence.
Exploring the rise of anti-abortion groups in Canada, the filmmaker also presents the feminist and pro-choice response that is being organized across the country.
Janette Bertrand, 96, is at the time of the balance sheets. Where are the women, where is the fight for gender equality? An hour of History with a capital H and Love with a capital A, to not forget anything and, above all, never stop moving forward.
Behind the glitz of Miss Italia, director Patrizia Mirigliani fights to save the iconic pageant, now wavering amid scandals and changing beauty standards.
A journalistic investigation, built not on rumors and assumptions, but on direct evidence, revealing the true mechanisms of podium coronations. Hidden camera footage of negotiations with the owners of the largest national beauty contests and an attempt to answer the question of why these people are not yet in prison. Famous people on the jury are not a guarantee of fair judging. Irrefutable evidence of the corruption of the so-called “stars” who elect the next Miss and Mrs. The collection and subsequent theft of funds for charity is a side business of the owners of fraudulent shows. What actually awaits the titled Misses after purchasing the prize? And what do children's beauty pageants turn out to be like for young participants?
