Sipayi Ramu

Sipayi Ramu is a 1972 Indian Kannada language film directed by Y. R. Swamy, based on the novel Barale Innu Yamune? by Nuggehalli Pankaja. The 2012 Hindi movie Paan Singh Tomar, based on the life of an Indian soldier turned dacoit Paan Singh Tomar had a similar storyline. This was also the first Kannada colour movie which was based on a novel.

Sonchiriya

In the more or less lawless Chambal Valley in 1975, a gang of bandits led by Maan Singh are up to mischief. The lawless men, who call themselves Bhaagis (rebels), live by robbery and attack the villages in the area. Since they have previously committed a more than shameful crime, they are hunted mercilessly by the police. When Maan Singh learns about a treasure of gold that is about to change hands at a wedding reception, the target of their next heist is clear. They have no idea that it is an ambush of the police. Some of the gang members barely manage to escape and flee into the inhospitably barren surrounding area. While a dispute arises about how to proceed, they meet a woman from the lowest caste who is being hunted by a family clan. In their care there is a girl who was raped and seriously injured by the leader of that clan. The bandits see the opportunity to atone for their shameful crime.

Theeran Adhigaaram Ondru

A hardnosed cop goes after a gang of ruthless dacoits who have been terrorising residents along the highway for a decade.

Sholay: The Final Cut

After his family is slain by the notorious bandit Gabbar Singh, former Inspector Thakur Baldev Singh enlists low-level outlaws Jai and Veeru to capture Gabbar and seek revenge. The uncut version of Ramesh Sippy's iconic 1975 action film, remastered in 4K to its initial 70mm aspect ratio, with the original ending and deleted scenes intact.

Bohurupi: The Golden Daku

Son of Mongolia

A strange film as beautifully jumbled as the political environment out of which it sprang, like a handsome weed, "Son of Mongolia" is a travelogue of unique and authentic richness, an amusing Far Eastern horse opera of picaresque character, and a scientifically valuable anthropological document in which the Soviet film industry may well take pride. Objective and modern, yet permeated with a fresh folk quality that goes back to the reckless and lovely Tartary of Genghis Khan, it rises above all its inescapable Soviet-isms into a new frontier region of plains, mountains, tents and herds, a world still appreciably beyond the range of Western cameras.

Shepard

A troubled teen crosses paths with a charismatic, dangerous stranger and it becomes the worst decision in both of their lives.

Ghalandar

Ghalandar feels bothered by the suitors wooing for his sister Eshrat. But for a secret reason he does not want to marry her off. As a way out, he asks his trusted friend Sadegh to marry his sister, but warns him about making love with her. Sadegh tries to keep his promise, but when he leaves his wife immediately after the wedding ceremony for the capital, Eshrat follows and joins him and his mother. Unable to bear with the taunts of mother, Sadegh eventually breaks his oath and takes his legal wife to bed. Informed of this betrayal, Ghalandar waylays Sadegh at a dark night and stabs him to death. Eshrat, suspecting who is behind this murder, flees and joins a whorehouse, intent to exact her revenge by staining the name of his so-far respectable brother...

Palangal

Usha (Zarina Wahab) comes to her sister's house for relief from a terrible tragedy of her life which is the accidental death of her lover Ravi played by Shankar. In the new place, she meets Ramankutty, played by Nedumudi Venu, who is the friend of Vasu Menon (Bharath Gopi), husband of her sister. Their friendship eventually turns into love, but Ramankutty's mother does not allow this proposal. Usha slowly realizes that Vasu Menon's feelings for her are wayward, but she does not tell her sister as she fears that this will ruin their family. So Usha decides to go back to her home, on the way she meets Ramankutty, who has convinced his mother about marrying Usha.

Venkalam

Story of two brothers

The crumbs of the world

A captain trusts his only son in the hands of a girl, for which he believes is one that correspond.

Slaves of fate

Dad

Deborah visits her teenage sister, Deanna, at their family cottage in anticipation of their father's arrival late at night. While making up for lost time together, Deborah and Deanna uncover their hidden traumas.