A day in the life of the Manchester Evening News.
Social & External
Beginning at the industrial revolution of the ‘great north’, Jenn Nkiru draws lines between peoples, cities, countries, buildings, movements, bodies and spaces(s) using a mixture of archive materials and new footage. There is little stillness as we are pushed and pulled through Black histories and communities across the city of Manchester and beyond. Nkiru has termed this filmmaking process “cosmic archeology”, and it is grounded in Afro-surrealism, experimental film and the Black arts movement.
Rich Peppiatt delivers a satirical dissection of the newspaper trade by turning the tables on unscrupulous editors. Through a series of mischievous stunts and interviews with heavyweights of journalism, comedy & politics, Peppiatt hilariously exposes the hypocrisy at the heart of modern journalism.
Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.
The story of how newspapers were distributed during the Blitz, stressing the importance of an accurate and objective press on the home front.
Between 1968 and 1970, J M Goodger, a lecturer at the University of Salford, made a film record of the living conditions in the slums of Ordsall, Salford, which were then in the process of being demolished. Under the title 'The Changing face of Salford', the film was in two parts: 'Life in the slums' and 'Bloody slums'.
In 2008 two best friends found themselves trapped in one of the most dangerous places on earth - the only western journalists in the Gaza Strip on what was supposed to be a 24-hour assignment. The War Around Us captures the collision of veteran war correspondent and one of TIME's most 100 influential people, Ayman Mohyeldin, with rookie reporter Sherine Tadros. As missiles shower the city and unspeakable atrocities emerge, the pair is torn by fierce professional rivalry, private terror and grim humor - with no way out and the whole world watching.
An investigative reporter seeks to expose the whereabouts of a slush fund belonging to the former president of South Korea, Lee Myung-bak.
Facing deteriorating machines and the advance of new technologies, Argentine printing presses are closing up their shops. A group of young designers has rediscovered this great technical innovation in the history of the written word – the typesetting printing press – but the technique is difficult to learn, passed down from master to apprentice. The last press mechanic in the country will be in charge of teaching them so that this historic technique endures.
An attempted evocation of the tradition of British printing, in a series of dramatised impressions: the discovery of a new method of printing in France and its development in England. The beauty of language is illustrated by excerpts from the works of Shakespeare and Dickens.
A look behind the scenes of this 2022 presidential campaign. Between the secrets and all the information that escaped the general public, the behind-the-scenes campaign of Valérie Pécresse and Emmanuel Macron allow us to understand all the issues of this election and to discover these candidates.
Before Rolling Stone, there was Soul Newspaper. Behind Soul, there was Regina Jones. Against all odds, Regina blazed her own path, and at 80 has found herself again.
Documentary about the history of Jornal do Brasil, founded on April 14, 1891. In 1965, the Jornal do Brasil marked its innovative and active position, as recorded in the documentary "A Seventv-Four- Year-Old Fellow" by the filmmaker Nelson Pereira dos Santos, and the story itself was in charge of confirming. In the following years, the newspaper would witness the most remarkable events of the second half of the twentieth century in Brazil and in the world. It would applaud the democratic struggles and independence of peoples, support social demonstrations against oppression and justice at all levels. Tirelessly, he did not hesitate to report the truth of the facts, regardless of the circumstances in which they presented themselves.
Four journalists talk about their experiences and share their testimonies of the Russian invasion of Ukraine.
How do you cover a war in your own country? We spent two years with journalists from Ukraine's public broadcaster and saw how Russia's invasion transformed their profession and changed their beliefs. Broadcast on 5/4/2024
Unprecedented access to the New York Times newsroom yields a complex view of the transformation of a media landscape fraught with both peril and opportunity.
The Morning Sun Shines is a fiction-documentary film by Kenji Mizoguchi and Seiichi Ina. The film is a combination of a drama about a reporter, and documentary footage about newspaper production. Only 25 minutes of footage has survived.
Journalism in times of war has become an increasingly lethal and traumatic endeavor for the men and women who face constant threats to their lives and psyches. With the death toll skyrocketing from only two reporters killed in World War I to almost a journalist a week being killed in the last two decades, UNDER FIRE weaves together portraits, battlefield accounts and combat footage to reveal what the reporters see, think and feel. Martyn Burke, documentary filmmaker whose work has brought him to battlefields around the world, and Anthony Feinstein, the psychiatrist who works with journalists to heal the trauma, delve into the experiences of top tier correspondents from AP, New York Times, BBC, and LA Times, among others, bringing a unique understanding and insight into the psychological cost of covering war
Brooklyn-born Ruth Gruber became the youngest PhD in the world before going on to become an international foreign correspondent and photojournalist at age 24. She defied tradition in an extraordinary career that spanned several decades. The first journalist to enter the Soviet Arctic in 1935, Ruth also traveled to Alaska as a member of the Roosevelt administration in 1942, escorted Holocaust refugees to America in 1944, covered the Nuremberg trials in 1946, and documented the Haganah ship 'Exodus' in 1947. Her relationships with world leaders gave her unique access and insight. This documentary interweaves verite scenes with archival footage.