A behind-the-scenes look at the Aldeburgh Festival and the opening by The Queen of the new concert hall at Snape.
Social & External
Self - Narrator (voice)
Self
In 1985, cameras take a look inside the Berkshire Music Center, the most prominent pre-professional classical music academy in the US. Seiji Ozawa, Leonard Slatkin and others work with the next generation younger conducting talent.
After failing to be admitted into the OSESP Orchestra, a talented violinist is forced to give music classes to teenagers in a public school. He soon finds his world transformed by the power of music and friendships formed with his pupils.
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.
The Italian Character: a film within music and about music. The Italian character is the story of one of the most renowned orchestras in the world, enriched by archive material of the last thirty years about the great conductors who have been performing on the most famous rostrum in Rome.
Bohuslav Martinů's Greek Passion, which outlines a serious, very topical problem today, which is the position of refugees in a foreign, often hostile environment, is among the composer's most important works in terms of both ideology and art. The English libretto was based on the novel "Christ Recrucified" (1951) by the Greek writer Nikos Kazantzakis, which takes place in the first decades of the 20th century in the harsh Greek countryside.
A humorous documentary about the search for a great composer who managed to overcome his depression by spelling his own name wrong.
The Nutcracker is Mikhail Baryshnikov's breathtaking and critcally acclaimed Emmy nominated production. The thisspectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both chowcased at the peak of the their careers, with members of the American Ballet Theatre.
The Summer Night Concert of The Vienna Philharmonic is the world's biggest annual classical open-air concert set in the magical Schönbrunn Palace Baroque park in Vienna. The concert will take place on 31 May 2018 and its theme for this year is 'An Italian Night'. The concert is broadcast on TV and radio in more than 60 countries, and thus reaches an audience of millions. The evening’s repertoire is an attractive combination of extremely popular works for orchestra including the William Tell Overture, the March from the opera Aida and the Intermezzo from Cavalleria Rusticana, as well as famous Soprano arias like Vissi d’arte, vissi d‘amore from the Opera Tosca. Valery Gergiev returns to conducts the Summer Night Concert and is joined by star Soprano Anna Netrebko in what promises to be one of the most popular concerts this year!
Jonas Kaufmann's very personal tribute to the city's famous music. We see the star tenor on the move in Vienna, visiting his favorite places, from the Ferris wheel to the sausage stand. The centerpiece of the more than 100-minute documentary is the acclaimed concert at the Vienna Konzerthaus, where Jonas Kaufmann, accompanied by the Prague Philharmonic under the direction of Jochen Rieder, sang world-famous melodies from Viennese operettas and famous Viennese songs. The Viennese audience was enthusiastic, and the reviews for the concert were glowing. Interspersed with the music from the concert, we experience Jonas Kaufmann at his favorite places in Vienna, in front of the Konzerthaus, at the Naschmarkt, and in the Vienna Cemetery – sharing interesting facts and stories about Viennese music. "My Vienna" is an atmospheric declaration of love, a personal documentary full of music and stories that touch the heart and put you in a good mood.
Gala concert from Berlin the world famous Berlin Philharmonic conducted by Sir Simon Rattle, in Carl Orff's famous Carmina Burana, an intensely dramatic cantata that remains one of the most performed works of the twentieth century. With an extraordinary vocal line-up soprano Sally Matthews, tenor Lawrence Brownlee and baritone Christian Gerhaher. With Rundfunchor Berlin with Chorus Master Simon Halesey as well as the Knabenchor des Staats- und Domchores Berlin.
From the euphoric first to the solemn sixth, the Brandenburg Concertos features some of Bach's finest and most popular orchestral music. Münchener Bach-Orchester ; Karl Richter, conductor and harpsichord. Recorded Apr. 1-10, 1970, Schloss Schleissheim No. 1 in F major, BWV 1046 -- No. 2 in F major, BWV 1047 -- No. 3 in G major, BWV 1048 -- No. 4 in G major, BWV 1049 -- No. 5 in D major, BWV 1050 -- No. 6 in B flat major, BWV 1051. Apr. 1-10, 1970. Orchestra: Münchener Bach-Orchester - Conductor: Karl Richter - Violin: Otto Büchner - Trumpet: Pierre Thibaud - Recorder: Hans-Martin Linde - Recorder: Günter Höller - Oboe: Manfred Clement - Flute: Paul Meisen - Viola: Herbert Blendinger - Viola: Ingo Sinnhoffer - Viola Da Gamba: Hans Dieter Kruse - Viola Da Gamba: Oswald Uhl - Cello: Peter Steiner - Double Bass: Franz Ortner
Violinist Mischa Elman performs a set of two of the most recognizable popular classic violin pieces: "Humoresque" composed by Antonín Dvorák, and "Gavotte" by François-Joseph Gossec. He is accompanied off screen by pianist Josef Bonime, although Bonime's instrument can be seen in the background behind Elman on screen. In one continuous single shot, the stationary camera focuses in squarely on Elman as he performs the two pieces.
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