Snowflakes at the End of the World

Snowflakes at the End of the World offers a meditation on the beauty and ugliness of Montreal winter, and invites critical reflection on the relationship between humans and nature.

Breaking Point: Canada/Quebec - The 1995 Referendum

BREAKING POINT brings viewers back to those tense, critical moments when Canada's future as a country was at stake.

EXPO 67 Mission Impossible

This documentary let us to relive the challenge of the men behind the 1967 Universal Exposition in Montréal, Canada. By searching trough 80,000 archival documents at the national Archives, they managed to bring light on one of the biggest logistical and political challenges that were faced by organizers during the "Révolution Tranquille" in the Québec sixties. Includes the accounts of the Chief of Advertising Yves Jasmin, and businessman Philippe de Gaspé Beaubien.

Fredy

La langue est donc une histoire d'amour

Vienna's Secret Places You're Not Allowed to Visit

The 80 Goes to Sparta

This feature documentary studies the different faces of Montreal’s Greek community in 1969. Instead of giving voice to the businessmen and well-integrated few, the film highlights the cultural and economic problems encountered by new immigrants and their families.

Les Mathématiques du Roi Heenok

Quartiers sous tension

Le dernier souffle, au cœur de l'Hôtel-Dieu de Montréal

Cricket & Park-Ex: a love story

This film takes us inside the world of cricket and the daily life of Montreal's Parc Extension - one of Canada's poorest yet most vibrant immigrant neighbourhoods.

S.P.I.T.: Squeegee Punks In Traffic

We follow Roach, a 17-year-old ex-junkie and squeegee punk living on the streets of Toronto and Montreal. As part of the filmmaking process, he's been given a camera to document his world. The footage he gets is urgent, because there's a war against squeegee kids. This documentary is from the point of view of the kids themselves, in order to provide alternative voices. Roach's camera is positioned behind "enemy" lines: living in derelict buildings, squeegeeing for money, being hunted by police.

Balkan Detours: Tito's Legacy Uncovered

September Five at Saint-Henri

This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.

La Coupe Stanley à Montréal en 1993

Nos Amours: The Saga of the Expos of Montreal

The film explores key moments in the history of the Expos as well as the relentless efforts to bring major league baseball to Montreal. Continuation of the work released in 2003.

The Perfect Storm: Story of the 1994 Montreal Expos

In 1994, the Montreal Expos held the best record in baseball until the mid-August strike and the entire post-season was cancelled.  The team never found success again, and in 2004, the franchise was forced to leave Montreal and move to Washington. This film provides access to powerful behind-the-scenes footage – ranging from the players’ bus ride to the stadium, to their emotional reactions stepping onto the field, to the Montreal fans who have never forgotten baseball’s best team in 1994. Interviews with media who followed the team’s season and discussions with former coaches and players will paint both a thrilling and heartbreaking picture of the influential ‘94 Montreal Expos – a groundbreaking squad whose legacy lives on in Montreal 

Our Street Was Paved with Gold

Filmmaker Albert Kish revisits Montreal's St Lawrence Boulevard in the '70s. The street, also known as "The Main," is a little Europe with many languages, foods and small courtesies that make a stranger feel at home.

Three Comrades of Montréal

Giovanni, Francesco and Salvatore have passed the age of 80 and are proud to still consider themselves communist or socialist comrades. All three left their impoverished villages in southern Italy during the post-war years and, once settled in Montreal, maintained close links with parties of the Italian left, while militating in progressive Canadian unions and parties.

By Woman's Hand

In 1920 a group of young Montreal women artists formed the nucleus of what would later become known as the Beaver Hall Hill Group. Members recount how they created an artistic environment of mutual support that lasted for more than three decades.