Ruby Franke's rise as a "momfluencer" with millions of followers hid a nightmare; when her son fled and alerted a neighbor about the abuse, police raided her home, rescuing her children.
Social & External
The people behind it
T'Nia Miller
Self - Narrator (voice)
Ruby Franke
Self (archive footage)
Jodi Hildebrandt
Kendra Lee Bryan
Self - YouTuber
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
When seventeen-year-old Hannah stumbles upon a website about Thinspiration--an online community devoted to anorexia as a life choice--she becomes an obsessive follower of the site founder, ButterflyAna. By the time Hannah's family realizes what is happening and get Hannah the help she needs, the disease has fully taken hold and Hannah is refusing to eat. Will this family be able to exorcise the demon of anorexia from their lives?
In Their Hands follows the psychotherapy of vulnerable people, sometimes destroyed by acts of torture.Their speech deals with an inhuman past: they want to stop the pain, rule out the folly and protect their family from violence in them, be understood and recognized - these are the issues that drive them.
The space of the junkyard allows various ‘crash’ narratives to unfold, with the stories of actual crashes and the remnants and afterlife of these machines becoming metaphors for economic decline. This is an investigation of planes as they are parked during the economic downturn, stored and recycled, revealing unexpected connections between economy, violence and spectacle, finding perfect example in the form of the Boeing 4X-JYI, an aircraft first acquired by film director Howard Hughes for TWA, which was subsequently flown by the Israeli Airforce before finding its way to the Californian desert to be blown up for the Hollywood blockbuster Speed. Through intertwined narratives of people, planes and places Steyerl reveals cycles of capitalism incorporating and adapting to the changing status of the commodity, but also points at a horizon beyond this endless repetition.
Two women fought with uncompromising conviction to change the world in the late 1960s - Inge Viett as a former member of the RAF in Germany, Maria Barhoum as former member of the FAU in Uruguay. In 1999, they met in Cuba, a country that seemed to mirror many of their questions, hopes and fears. The film looks at their real lives and different roads to exile; two utopian visions sought under very different conditions on separate continents. It is a double portrait of two extraordinary women that succeeds in avoiding the twin pitfalls of condemnation and glorification.
During World War II there were nearly 2,500 Allied prisoners held in Sandakan POW camp in British North Borneo. Along with the ravages of war and the struggle to survive abject conditions, only six of these POW's were found alive when the war finally ended. In the years that followed, the horror stories of human depravity and the atrocities committed by the Japanese at Sandakan POW camp would come to light, considered by many as one of the most devastating chapters of the Pacific War.
The story of Jody, a misguided, 20-year-old African-American who is really just a baby boy finally forced-kicking and screaming to face the commitments of real life. Streetwise and jobless, he has not only fathered two children by two different women-Yvette and Peanut but still lives with his own mother. He can't seem to strike a balance or find direction in his chaotic life.
A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.
Documents a woman's actual pregnancy; the emotions, the affects on her husband and first-born child, the birth itself via Caesarean section, and her struggle to return to work and a social life, while still being a good mother.
This movie takes us in the daily battle of 12 cartoonists around the world : France, Mexico, Israël, China, Russia, Ivory Coast...
In 1947, two years after the end of the Second World War, Film Journal No. 1 was released in Sarajevo. Fifty years later, after the collapse of the Communist bloc, this newsreel was lost in the confusion of the fighting in Yugoslavia. In Journal No. 1 Hito Steyerl attempts to find out how the footage got lost and what was on this document from the Sutjeska studio. In the simultaneous projection of Journal No. 1 the ‘unattainability of an historical zero hour of the national identity’ takes concrete form: The lost newsreel reports on a literacy campaign as well as Muslim women confidently removing their headscarves. We listen however to eyewitnesses trying to recapture the lost content and we see the artist Arman Kulasic making a number of drawings that resemble the story-boards for the lost film. What appears to be moments of great change remain limited by subjective and uncertain memory. The film was premiered at documenta 12.
Fitness instructor Julia is down on her luck, trying to make her baby boot camp a thriving business. To make ends meet, she becomes a part-time nanny for a single widowed father. Trouble is, she knows nothing about taking care of children.
ŽIŽEK! trails the thinker as he crisscrosses the globe, racing from New York City lecture halls, through the streets of Buenos Aires, and even stopping at home in Ljubljana, Slovenia. All the while Žižek obsessively reveals the invisible workings of ideology through his unique blend of Lacanian psychoanalysis, Marxism, and critique of pop culture.
They thought life would be simple. All material problems would be overcome. Every morning it would be good to have breakfast together, the table laid. It would be the beginning of a long day at work. The daily ritual of a house inhabited by a mother and the two-year-old daughter. The automatism of the gestures of material life and its suspension in small events.
For three teenage girls growing up in Kahnawake — and indeed, all teenagers on the reserve — life can be quite confusing. If they want to move away to pursue new experiences — perhaps in nearby Montreal — they risk losing credibility, or worse yet, their rights as Mohawk women. Of course, if they stay, their opportunities in the tiny community are limited. With insight, humour and heart, director Tracey Deer (who left Kahnawake to attend school and pursue filmmaking) returns to her community to follow these Mohawk girls and tell their stories. Her deeply emotional documentary reveals the complex hope, heartache and promise of growing up Indigenous in the 21st century.
Gregory Kingsley, a boy passed off onto social services by his natural mother and abused by his natural father, finds the foster family he is put into to be the type of family he needs and takes his natural mother to court to have her parental rights revoked so that he can be adopted by the Russes. The story is based on the real case of the boy who really did have to take this action to avoid being sent back into an unacceptable situation.
Boris Ruf is an investigator with the Swiss Federal Criminal Police and is on a secret mission in Italy. He has to solve a money laundering case that has so far only caused Ruf's boss and secret lover Christa Oberholzer expense and headaches. But Ruf soon stumbles upon a crucial clue. Will he succeed in breaking up the money laundering ring surrounding Swiss trustee Raoul Furrer without putting his daughter Anna in danger?
A documentary about retired art museum guards and their perception of life and art.
Chuck Close, an astounding portrait of one of the world's leading contemporary painters, was one of two parting gifts (her second is a film on Louise Bourgeois) from Marion Cajori, a filmmaker who died recently, and before her time. With editing completed by filmmaker Ken Kobland, Chuck Close lives the life and work of a man who has reinvented portraiture. Close photographs his subjects, blows up the image to gigantic proportions, divides it into a detailed grid and then uses a complex set of colors and patterning to reconstruct each face.
The tiny village in the far north of Sweden called Ensamheten (Solitude) has sixteen inhabitants. They all share an unusual passion - armwrestling.
Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.
In this documentary, filmmaker Nick Broomfield follows the saga of Aileen Wuornos, a prostitute who has been accused of committing a brutal series of murders. Broomfield conducts interviews with Wuornos herself, and his crew films her trial as well as her interactions with religious fanatic Arlene Pralle, who gives Wuornos dubious advice and legally adopts her. The cameras also roll as the accused's attorney ignores the case at hand to negotiate a deal to sell his client's story.
Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.
Torture chambers, acid vats, greased chutes and gassing rooms were just some of the devices of death designed by the Torture Doctor, H.H. Holmes in his castle of horrors. Follows Holmes' entire life as a criminal mastermind.