Carbon vendors fight for their rights to protect their stalls from oppressors.
Social & External
Narrator (voice)
A short film about the changing face of London Soho and the implications of gentrification on Mimi, an aging transvestite.
On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.
A film photo-montage about an old house that belonged to a traditional local family that was later demolished.
Six individuals from different generations recall the golden age of Cebuano cinema, modern Cebuano cinema, their experiences, and discuss their aspirations about the future of Cebu’s film scene.
A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.
The twelfth edition of the International Meeting of Collective Architectures was held in Palma de Mallorca, in the neighborhoods of La Soledat, Nou Llevant and Es Molinar, at the end of September 2019. The meeting focused on the imposition of false paradises and the description of the current mechanisms of urban transformation that expel people from their neighborhoods.
In 1959 New York City announced a "slum clearance plan" by Robert Moses that would displace 2,400 working class and immigrant families, and dozens of businesses, from the Cooper Square section of Manhattan's Lower East Side. Guided by the belief that urban renewal should benefit - not displace - residents, Frances Goldin and her neighbors formed the Cooper Square Committee and launched a campaign to save the neighborhood. Over five decades they fought politicians, developers, white flight, government abandonment, blight, violence, arson, drugs, and gentrification - cyclical forces that have destroyed so many working class neighborhoods across the US. Through tenacious organizing and hundreds of community meetings, they not only held their ground but also developed a vision of community control. Fifty three years later, they established the state's first community land trust - a diverse, permanently affordable neighborhood in the heart of the "real estate capital of the world."
It is a dramatic film, with its colossal explosion and smouldering remains. Within seconds of the chimney's collapse, crowds swarm in to inspect the site; issues of the crowd's health and safety are clearly not a concern, as people smile, wave and salute the camera.
A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.
A short documentary shot in November 2021 in Berkeley. It reflects on the ethos of privatization in American culture and how public spaces are being built to exclude people through cruel architecture. The context used is the gentrification circle around the University of California Berkeley intended to build student housing. An eye-opening journey that explores structures and elements you would never have stopped at.
The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.
Right to Wynwood is an investigative documentary that explores the causes and effects of gentrification in Wynwood. Through interviews with developers, gallerists, artists, community leaders, and members of the local Puerto Rican population, we seek to tell the story of how Wynwood went from Miami's oldest Puerto Rican community to its largest art district, and what that means for the future of the neighborhood.
Filmed over four years, this documentary focuses on the impacts of gentrification as gay white professionals move into a largely black working-class neighborhood in Columbus, Ohio.
Targeted for several failed redevelopment plans dating back to the days of Robert Moses, Willets Point, a gritty area in New York City known as the “Iron Triangle,” is the home of hundreds of immigrant-run, auto repair shops that thrive despite a lack of municipal infrastructure support. During the last year of the Bloomberg Administration, NYC’s government advanced plans for a “dynamic” high-end entertainment district that would completely wipe out this historic industrial core. The year is 2013, and the workers of Willets Point are racing against the clock to forestall their impending eviction. Their story launches an investigation into New York City’s history as the front line of deindustrialization, urban renewal, and gentrification.
With its fluid arrangement of black and white scenes paired with an immersive soundscape, Je me souviens d’un temps où personne ne joggait dans ce quartier is a celebration of the many faces of Park Extension. The film provides a glimpse inside a festive cultural gathering; the workshop of a meticulous artisan; and an alley where a young cyclist is learning to ride. With her restrained approach, the filmmaker hints little by little at a seemingly inevitable transformation, while the relentless onset of gentrification threatens the social fabric of a neighbourhood. After a critically acclaimed detour into audio documentary, Jenny Cartwright returns to the evocative force of images to evoke a rich and diverse community.
Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.
Facing eviction the oldest black-owned gay bar in Brooklyn relies on a passionate community in its fight for survival.
Watch the drama unfold when the city of Las Vegas blows up the town's impromptu movie set.
A short documentary about gentrification and tenant activism in one Toronto neighbourhood, "This House Is Not A Home" presents a poignant and informative look into resident experiences in Parkdale.