An omnibus film that tells the story of AI's that resemble humans coexisting with humans in the near future of Korea.
Social & External
Unknown Role
Yeon Gyeong
Mind Universe is made up of two episodes that share the same subject matter about a mind-uploaded artificial intelligence. Today Of Tomorrow is about a story of an old woman, meeting her deceased AI husband who has been mind-uploaded. Our Universe is an episode at a virtual online funeral of famous Korean composer Kim Hyung-suk and is about music, love, and family.
The lives of six individuals across the city change just as the city is reeling under floods. Will they all make it safely to the other side?
A collection of short stories. In one a woman who leaves her house late at night to drive to the store while a killer is loose encounters some problems. In the second an arcade whiz kid's obsession with a game leads to deadly consequences. In the third a small town priest loses his faith and decides to leave town, but in the desert is stalked by a mysterious black pick-up truck. In the final story, a family's problem with a rat is larger than they think.
An anthology film that takes you to different eras in the history of Kerala through three stories about relationships and emotions.
Three back-to-back anime films by three different directors make up this sci-fi trilogy three years in the making.
A compendium of three short science-fiction films, each with a decidedly feminist slant.
L'Amore ('Love') is a 1948 Italian drama anthology film that consists of two parts, The Human Voice (Una voce umana), based on Jean Cocteau's 1929 play of the same title, and The Miracle (Il miracolo), based on Ramón del Valle-Inclán's 1904 novel Flor de santidad.
An anthology film of seven short films made during the Training Camp of FIRST Film Festival 2021.
Sigmund the Moon Wizard hosts this feature-length anthology of hair-raising short stories set in the absurd Moon Ghost Cinematic Universe, including segments about Moon Ghost's rampage on Mars and the feast of the sinister Were-Moon Ghost.
Five short stories: The Master and the Twentieth Disciple; Every Week is Sunday; It's Boniface's Fault; The Raggedy Song; The Spider's Web.
An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.
Why do we suffer so much if we're just a flea on the Milky Way's back? That's what Erika wants to find out. She's a teenager with generalized anxiety disorder, and as she gets older she discovers that she doesn't fit in with social norms and lives day after day in anguish trying to discover her own personality, which is why she creates a podcast to understand what she's feeling.
Each of the three short films in this collection presents a young gay man at the threshold of adulthood. In "Pool Days," Justin is a 17-year old Bethesda lad, hired as the evening life guard at a fitness center. In the course of the summer, he realizes and embraces that he's gay. In "A Friend of Dorothy," Winston arrives from upstate for his freshman year at NYU. He has to figure out, with some help from Anne, a hometown friend, how to build a social life as a young gay man in the city. In "The Disco Years," Tom looks back on 1978, the year in high school that he came out of the closet after one joyful and several painful encounters
Queer Boys and Girls on the Shinkansen brings together ten filmmakers and artists who consistently affirm what it means to be gay or lesbian in their work. Habakari chose ten filmmakers to make a five-minute work each, developed around a gay or lesbian theme, and compiled the resulting shorts in random order to create this omnibus film. The result is a queer film, by queer filmmakers, for a queer audience. Each short is its own short story, and the styles range from drama and experimental film and animation. (2024 complete version includes all eleven films, 65 mins.)
A three-part anthology about love and sexuality: a menage-a-trois between a couple and a young woman on the coast of Tuscany; an advertising executive under enormous pressure at work, who, during visits to his psychiatrist, is pulled to delve into the possible reasons why his stress seems to manifest itself in a recurring erotic dream; a story of unrequited love about a beautiful, 1960s high-end call girl in an impossible affair with her young tailor.
Six complete strangers recall the details of their individual experiences with alien forces-sharing the terrifying stories of their abductions and possessions.
Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.
Wasteland is a five-part anthology film that deals with isolation, mental illness, and the subjectivity of reality. Each of the five parts can be watched individually, but when viewed in sequence, each story brings out a more interesting and distinct context to its respective pieces.
This omnibus release consists of three playlets filmed and aired during television's Golden Age, and starring some of the legends of film and television. The collection originally ran as a two-hour segment on December 14, 1959, on the anthology series The Play of the Week, broadcast locally in New York City via the independent radio station WNTA. Each "tale" in the anthology was adapted from a single tale by the inimitable Sholom Aleichem, regarded by many as the "Yiddish Mark Twain". Included are: "A Tale of Chelm" starring Zero Mostel and Nancy Walker in the story of a bookseller attempting to buy a goat; "Bontche Schweig" about a poor man (Jack Gilford) whose recent arrival in Heaven makes the angels cry; and "The High School" about a Jewish merchant (Morris Carnovsky) persuaded by his wife (Gertrude Berg) to let their son attend a particular high school despite the enforcement of quotas for Jewish students.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
In a world where an AI programme allows people to communicate with their deceased loved ones, a flight attendant and a mother question the meaning of reality and humanity.
In 'A Brave New World', a virus brings the city to ruins and zombies flood the streets of Seoul. In 'The Heavenly Creature', a robot reaches enlightenment while working at a temple, but its creators deem this phenomenon a threat to mankind. In the final segment, 'Happy Birthday', a young girl logs onto a strange website and places an order for a new billiard ball for her father. Soon afterwards a meteor heads toward Earth and people flee to underground bomb shelters.
When an all-powerful Superintelligence chooses to study the most average person on Earth, Carol Peters, the fate of the world hangs in the balance. As the A.I. decides to enslave, save or destroy humanity, it’s up to Carol to prove that people are worth saving.
Seven mini-stories of adultery: a widow misbehaves at her husband's funeral, a wife turns to streetwalking for revenge, a prudish girl surprises, a neglected wife vies for her husband's attention, a fight over a dress, a death pact, and a detective revealed as a jealous husband's spy.
Cho-in has special powers that allow him to control everyone he can see, that is until he meets Kyu-nam, the only person he can't control. A series of events begins a confrontation that pushes both men to the brink.
Jonathan is a young man with a strange condition that only his brother understands. But when he begins to yearn for a different life, their unique bond becomes increasingly tested.
Inspired by Chris Marker's iconic 1962 featurette La Jetée; the year is 2073—a not-so-distant dystopian future—and the setting is New San Francisco, the scorched-earth tech-dominant police state where democracy and personal freedom have been well and truly obliterated.
Parent and child journey through the outskirts of society a decade after a pandemic has wiped out half the world's population. As a father struggles to protect his child, their bond—and the character of humanity—is tested.
After a freak accident, an invisible yuppie runs for his life from a treacherous CIA official while trying to cope with his new life.
What happens when you ask the most powerful computer program, run by the most powerful computers, to follow, listen and predict human behavior? The program learns, becomes sentient and begins to behave like a human. When a master computer program, Echelon, takes over America's entire online system, our country is threatened to be brought to its knees. Hacking into DARPA, Echelon gains the ability to manipulate the weather, create earthquakes, and cause a level of destruction unlike anything the country could ever imagine. But how do you stop a computer program when it has control over any and every defense you have?
A story about the love and friendship that takes place in an era where a man and a woman communicate through radio by chance.
Two colleagues at a revolutionary research lab design technology to improve and perfect romantic relationships. As their work progresses, their discoveries become more profound.
Beatrice Prior must confront her inner demons and continue her fight against a powerful alliance which threatens to tear her society apart.
Richard Martin buys a gift, a new NDR-114 robot. The product is named Andrew by the youngest of the family's children. "Bicentennial Man" follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don't have an ordinary robot.
Henry Brogan is an elite 51-year-old assassin who's ready to call it quits after completing his 72nd job. His plans get turned upside down when he becomes the target of a mysterious operative who can seemingly predict his every move. To his horror, Brogan soon learns that the man who's trying to kill him is a younger, faster, cloned version of himself.
After losing both her parents, Failan emmigrates to Korea to seek her only remaining relatives. Once she reaches Korea, she finds out that her relatives have moved to Canada well over a year ago. Desperate to stay and make a living in Korea, Failan is forced to have an arranged marriage through a match-making agency.
What was a cunning plan from Lord Edmund Blackadder V to fake a time machine on his gullibly incompetent friends, turns out to be the real thing and hurls him and his imbecile underling, Baldrick, through the course of human history.
Ean has a critical mission to return to the future to save everyone. However, she becomes trapped in the distant past while trying to prevent the escape of alien prisoners who are locked up in the bodies of humans. Meanwhile, Muruk, who helps Ean escape various predicaments, is unnerved when he begins sensing the presence of a strange being in his body. Traveling through the centuries, they are trying to prevent the explosion of the haava.
It's the end of the world. Seeking meaning and thrills in their last days alive, Rose and Michael embark on a cross-country road trip to see Rose's grandmother as a devastating asteroid threatens to wipe out life on Earth. Along the way they encounter other lost souls, each with their own very different perspective on the impending doom.
The Doctor and Clara face their Last Christmas. Trapped on an Arctic base, under attack from terrifying creatures, who are you going to call? Santa Claus!