Experimental film on the motifs of natura and image effects.
Social & External
A 20-minute documentary film about the Kyrgyz people living by the Narym River.
Life in a Kyrgyz aul (village) in the mountains connected to the rest of the world by a cable bridge, and the teenage boys who are constructing the rope of the bridge. A rope bridge which the locals call “The devil’s bridge” forms part of each and every event which takes place in a small village lost in the mountains of the Kyrgyz Republic. A platform driven by a huge winch which they have to pull with their own strength to cross the torrent is their only link with the outside world. But the director of the documentary wondered something else: “Does this bridge unite or does it actually separate?” Through the mist and over the thrashing waters, the inhabitants of the area glide along their ropes. A film, in the director’s own words, about ordinary people who live in an extraordinary place.
A biting satire from the front lines of the American workplace, where layoffs are so routine they've created their own industry - outplacement. Elite Transition Services promises laid-off worker Scott Matter help finding a job and getting back on his feet. But as the job search grows increasingly desperate, Scott finds himself caught in a corporate purgatory where the absurdities of office life are brought into vivid relief.
Unable to decipher reality and delusion after his son and wife die, a successful businessman struggles to find peace with his own conscience.
In his classroom a philosophy teacher opens the discussion on the place of religion in society. Out of his course he faces the realities of the street.
Two men and two women sitting around a table where they're playing strip poker.
During the trip back from their vacation, a young couple is stranded in the middle of the road and they lose all forms of communication, including each other.
Fantasy drama Rachel's Dream was set sometime in the future when the world is besieged by technology, young Rachel discovers that through a large bank of video screens in her sister's apartment, her wishes can come true when she brings to life the image on an anti-pollution poster. This new friend helps her to make up her mind about her own future.
Our world is the home of millions of plant as well as animal species and provides several territories, each with its own geological and climatic conditions: steep mountains, deep forests, wide oceans and arctic ice deserts. The inhabitants have adapted to its different conditions and are still developing new strategies to survive. “Wonderful World 3D” not only takes a look at the interesting creatures of our planet, but also highlights cosmological circumstances, which made our world unique, diversified and above all so adorable.
Sound progression of two opposite landscapes.
Conflict between two teenage brothers becomes inevitable without their father at home.
Guima and Aras are star-crossed lovers in this sardonic tale of fruit and global genocide. One day, a black mango suddenly appears in Guima and Aras's tree. To eat or not to eat: that was their question. Toxic Mango is a silent, black-and-white film that ruminates on a dystopian future where the effects of the oil spill tragedy have reached nightmarish proportions.
Jonas, a 14-year-old teenager, takes a walk by the river that runs by his house. His friend Marina shadows him. They meet, spend the afternoon together, and as the daylight fades, so does their innocence.
Art and life are different worlds, separated by an impassable abyss. Where there is life, there is no art, and vice versa. Young artists have to make that choice, sometimes from a rather young age.
The two guys with mask from iconic horror movie characters Jason from Friday the 13th and Ghostface from Scream movie meet in NYC to celebrate Halloween in their own particular way. Their victim of choice suprised everyone on this occasion.
The boyfriend of a handsome photographer tries to deal with his jealousy after finding nude photos he took of a gorgeous model.
Julian is in a dilemma. He loves the person, he is in a relationship with, less than his best friend.
Jonathan is poised to marry the daughter of a wealthy tycoon. The couple appears picture perfect, until the eve of their engagement party, when an unexpected guest threatens to destroy Jonathan's plans for the future.
Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.
From outside, the world seeps into the ear, threatening with all its possibilities, live and in color. So better to turn around once more, close your eyes, and keep on dreaming. Yet reality is harsher: Pull yourself together! Open the window! That window which grants surprising insights from astonishing perspectives, and which also opens in the cinema, that place of unexpected answers to unasked questions. With precision and perfection, Joanna Hogg shapes that threshold moment of unrest and resistance, followed by the realization that nothing better could possibly have come to mind in order – finally! – to move and to act.
Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
Mother, father and daughter go to the park. The women doze off on a bench while the father plays a hide-and-seek game with a girl, blindfolded. Charlie leads him into a lake. Both dozing ladies on the bench fall for Charlie and invite him for dinner. The father returns home with a friend. Charlie rushes upstairs and dresses like a woman, shaving his mustache. Both men fall for Charlie.
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
A shipowner intends to scuttle his ship on its last voyage to get the insurance money. Charlie, a tramp in love with the owner's daughter, is grabbed by the captain and promises to help him shanghai some seamen. The daughter stows away to follow Charlie. Charlie assists in the galley and attempts to serve food during a gale.
A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.
Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
Two families embark on a pleasant Sunday picnic but manage to run into a variety of issues with their temperamental automobile. Each incident requires repeated exits and reboardings by Laurel, Hardy, their wives and grouchy, gout-ridden Uncle Edgar.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
William K.L. Dickson plays the violin while two men dance. This is the oldest surviving sound film where sound is recorded on the phonograph.
Clinging to a smooth, curved surface high above a sentient abyss, a woman tries to cover the few feet back to safety without losing purchase and falling to her death.
This is the first movie version of the famous story. Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She follows him down a hole and finds herself in a hall of many doors.
Aboard a small escape pod, four survivors try to discover what caused the destruction of their spaceship.
The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.
20 men are chosen to participate in the roles of guards and prisoners in a psychological study that ultimately spirals out of control.
In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.
Oliver is making plans to marry his sweetheart Dulcy with Stan as his best man, but the plans are thwarted when Dulcy's father sees a picture of Ollie and forbids the marriage. The couple plan to elope, and run away to a Justice of the Peace. After typical Laurel and Hardy blundering, they manage to sneak the girl away from her father's house.
A look behind the lens of Christopher Nolan's space epic.
During the night shift in a colony greenhouse, a botanist does her best to contain suspicious soil samples that have alarmed her sensitive lab dog.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
