Social & External
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".
A reflection on loss and nature’s quiet observance in a small nook of the Ozarks.
Cláudia is a Portuguese immigrant who deals with a terrorizing boss, her rejecting daughter and the strong mountain wind, as she cleans sophisticated Airbnb’s in the Swiss Alps.
An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.
A man and a woman live in an abandoned house in a forest. Their lives are shaken when someone visits them.
Amoré (1min, 16mm film loop, experimental installation) In 2005, Amoré won the Best Canadian Film award at Toronto’s International One-minute Film Festival and in 2011, it won the Jury Prize for Experimental Film at the Toronto Underground Film Festival.
Chronicles the powerful friendship between two young Black teenagers navigating the harrowing trials of reform school together in Florida.
A documentary about the sea and memory. Its movement is its form. Its strength.
"Saṃsāra" explores the cyclicality of all life, matter and existence through the voice of consciousness. A deep reflection in the context of isolation originated by the pandemic, focused on how to overcome pain, accept reality and let go from the past in order to inhabit the present moment by constant introspection. There where memories blend with dreams.
Mello, Judd, & Tooth Floss is a slice of life short about two friends who sit in their car by the ocean on their lunch break as they make up stories about passersby.
Filmed during summer 2019, Jesus Is King brings Kanye West’s famed Sunday Service to life in the Roden Crater, visionary artist James Turrell’s never-before-seen installation in Arizona’s Painted Desert. This one-of-a-kind experience features songs arranged by West in the gospel tradition along with new music from his forthcoming album.
Two robots embark on a quest to become human.
Bud Clay races motorcycles in the 250cc Formula II class of road racing. After a race in New Hampshire, he has five days to get to his next race in California. During his road trip, he is haunted by memories of the last time he saw Daisy, his true love.
The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.
You're waiting,aren't you?
Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.
On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.
A young shepherdess and a chimneysweep plan to get married and escape the clutches of a tyrannical king in love with her, assisted by the guile of a cheeky mockingbird, the king's archenemy.
Inspired by Lois Patiño's short movies project called "Paisaje-Duración" (Duration-Landscape) and Hiroshi Sugimoto's photo series "Seascapes", "Duração-Diferença" (Duration-Difference) reveals the difference through duration, through time; this short experimental movie seeks to capture, as Patiño and Sugimoto achived, the immanence as the entrance for something more - or something in between.
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