Documentary about the history and development of Qiqihar city.
Social & External
Narration
An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.
Thousands of terracotta warriors guarded the first Chinese emperor's tomb. This is their story, told through archeological evidence and reenactments.
An unsettling and eye-opening Wall Street horror story about Chinese companies, the American stock market, and the opportunistic greed behind the biggest heist you've never heard of.
Railroad of Hope consists of interviews and footage collected over three days by Ning Ying of migrant agricultural workers traveling from Sichuan in China's interior, to the Xinjiang Autonomous Region, China's northwest frontier.[1] Through informal interviews aboard the cramped rail cars, Ning Ying explores the hopes and dreams of the workers, many of whom have never left their homes before.
Crocodile in the Yangtze follows China's first Internet entrepreneur and former English teacher, Jack Ma, as he battles US giant eBay on the way to building China's first global Internet company, Alibaba Group. An independent memoir written, directed and produced by an American who worked in Ma's company for eight years, Crocodile in the Yangtze captures the emotional ups and downs of life in a Chinese Internet startup at a time when the Internet brought China face-to-face with the West. Crocodile in the Yangtze draws on 200 hours of archival footage filmed by over 35 sources between 1995 and 2009. The film presents a strikingly candid portrait of Ma and his company, told from the point of view of an “American fly on a Chinese wall” who witnessed the successes and the mistakes Alibaba encountered as it grew from a small apartment into a global company employing 16,000 staff.
The Tea Explorer documentary follows the journey of tea enthusiast Jeff Fuchs along the Tea Horse Road, a 1300-year-old trade route in the Himalayas. It combines the author's passion for both tea and mountains, tracing the route's history, meeting the people who live along it, and exploring the significance of tea in the region.
How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving together observations from his own journeys throughout India and the Middle East, and the wisdom of an extraordinary spiritual leader. This is his story, as told and filmed by Rick Ray during a private visit to his monastery in Dharamsala, India over the course of several months. Also included is rare historical footage as well as footage supplied by individuals who at great personal risk, filmed with hidden cameras within Tibet.
It's a story about post-90 generation in China and how they chasing their dreams through a talent show. The summer of 2013 saw a group of young boys enter a Chinese TV talent show called Super Boy, hoping to be catapulted to fame. The film documents how the young boys coped with their new challenging lives. While under unthinkable pressure, they proved themselves by trying to make the right choices during live shows. Talent shows create a new type of entertainer, but can they still keep their true selves? Can they adjust themselves and balance the ups and downs? What have the ten years of Chinese talent shows given us? What is urging us to grow up?
Jerry, an ordinary immigrant dad, retired in Orlando, is recruited to be an undercover agent for the Chinese police. Jerry’s family recreates the events on film and his three sons discover a darker truth. True crime meets spy thriller in this genre-bending docufiction hybrid about an immigrant’s search for the American dream. A Slamdance Film Festival Grand Jury and Audience Award winner.
Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years Suburbia, and all it promises, has become the American Dream. But as we enter the 21st century, serious questions are beginning to emerge...
As a young missionary, Richard Wilhelm in 1899 to China, which was then exploited by the colonial powers. He lived there revolts against foreigners, the end of the imperial dynasties and the First World War. In these times of turbulent upheavals he was indefatigable in search of the deepest truth that helps people deal with change and able to shape their own lives. Richard Wilhelm baptized not only Chinese, but accomplished one of the largest translation services of the 20th century: Confucius, LAOTSE the most important texts of Daoism and especially the I CHING THE BOOK OF CHANGES. The book also served many readers in the West as inspiration. Wilhelm is still one of the most important mediators of Chinese culture in Europe.
Since the end of World War II, one of kind of urban residential development has dominate how cities in North America have grown, the suburbs. In these artificial neighborhoods, there is a sense of careless sprawl in an car dominated culture that ineffectually tries to create the more organically grown older communities. Interspersed with the comments of various experts about the nature of suburbia
MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.
Secluded from view by nine-meter-high walls and composed of 980 buildings, the Forbidden City in Beijing is the largest imperial palace ever built in the world. Three majestic structures form its center and host the city's ceremonies, each of which is considered an architectural masterpiece. In 1406, construction of the Forbidden City was launched at the initiative of one of China's most powerful sovereigns and founder of the Ming dynasty: Yongle. Endowed with divine power, the construction has already resisted more than 200 earthquakes.
Chinese filmmaker Jia Zhangke returns to the shooting locations of his films, along with his actors, friends and close collaborators. Jia recalls the inspiration sources for his movies, such as Platform, Still Life and A Touch of Sin. The film is the memory of a filmmaker and of a country in convulsion, China, which reveals itself little by little.
Cao Fei recorded her experiences within the online social platform Second Life. The result is a wistful, surreal vision of an alternative reality sprung from the pop culture fantasies and hyper-consumerism of contemporary urban China, while also trying to transcend its real-life limitations. It can be seen as an answer to the challenge posed by River Elegy: how to envision a new Chinese destiny founded on principles of individuality, creativity, discovery, and freedom. The film also reflects the contemporary condition of the virtual supplanting our experience of the real.
As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.