By comparing the St. Nicholas celebrations in Islamic and Protestant communities in Berlin, the relationship between the religions is explored.
Social & External
A typical group of young people get together at the weekend. Drinking is part of it because, according to them, alcohol is a social drug. But Rudolf knows better, because he is an alcoholic. He has been trying unsuccessfully to overcome his addiction for years. He observes young people as they deal with alcohol.
Most drugs exert their effects by changing the balance between excitatory and inhibitory signals at certain synapses. This is shown specifically using the examples of amphetamine, cocaine, LSD and heroin, while alcohol and sleeping pills serve as examples of a different mechanism of action.
Jean, a schoolboy who started smoking at the age of 8, talks about his addiction. Jean's smoking career is an example of how addiction develops. In a futile attempt to give up smoking again at the age of 18, Jean comes to the frustrating realization that the addiction has him in its grip.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
This short cautionary training film examines dangers associated with earthmoving equipment operation, showing many simulated accidents on construction sites.
Through rare and precious footages and gigs with great artists such as Gilberto Gil, Gal Costa, Hermeto Pascoal, Djavan, Nara Leao, Luiz Gonzaga, among many others, "Dominguinhos" reveals this genius of Brazilian music, creator of a deeply authentic, universal and contemporary work. The film values the sensory cinematic experience, a journey driven by Dominguinhos his own.
Combining high definition and Super 8 footage, Lampedusa is composed of interwoven narratives based on a series of real events. In 1831, a volcanic island suddenly erupted from the sea a few kilometers off the southern coast of Sicily. An international dispute ensued, as a number of European powers laid claim to this newfound “land”. The island receded below sea level six months later, leaving only a rocky ledge under the sea…
Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.
Tommy Hilfiger Dreaming Perfume campaign - Coney Island, the playland of New York City, documents the preservation of the lifestyle, joys and history of this iconic Brooklyn neighborhood.
Journey to the sunny coastline of South Florida, where Chacón-Cruz — one of opera’s leading tenors — invites you inside his home, his artistry and his history to show how he’s embraced his identity as fuel for his work.
This movie takes us in the daily battle of 12 cartoonists around the world : France, Mexico, Israël, China, Russia, Ivory Coast...
Rehearsals is about experiences of listening in collective work. How do we listen to experiences we have not shared ourselves? What does it sound like when we talk? What actually is listening and who are "we"?
94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?
A promotional video for the film “Death and Rebirth.” Released on January 25, 1997, it contains an overview of the series’ plot, cast interviews, a music video for “Soul’s Refrain,” and several trailers for the film.
Through an intimate and artistic lens, yet investigative and political, Milk brings a universal focus on the politics, commercialization and controversies surrounding birth and infant feeding over the canvas of stunningly beautiful visuals and poignant voices from around the globe.
A young Native American man on his way to visit his uncle learns about his Navajo heritage by attending tribal gatherings, traditional ceremonies and listening to old folktales.
Ivan and Jožica, a married couple, move to a care home after 70 years of sharing their lives. Despite the hardships of old age, they continue to live together in the new environment. Memories are fading, love remains.
A pioneering film from Tunisia, Fatma 75 is the first non-fiction film by a Tunisian woman, a feminist essay film, and the first in a series of powerful films about strong female figures in the country. The film was made in the UN International Women's Year 1975, and has long been recognised as one of the most important films from North Africa, but has never officially been seen before due to censorship.
The space of the junkyard allows various ‘crash’ narratives to unfold, with the stories of actual crashes and the remnants and afterlife of these machines becoming metaphors for economic decline. This is an investigation of planes as they are parked during the economic downturn, stored and recycled, revealing unexpected connections between economy, violence and spectacle, finding perfect example in the form of the Boeing 4X-JYI, an aircraft first acquired by film director Howard Hughes for TWA, which was subsequently flown by the Israeli Airforce before finding its way to the Californian desert to be blown up for the Hollywood blockbuster Speed. Through intertwined narratives of people, planes and places Steyerl reveals cycles of capitalism incorporating and adapting to the changing status of the commodity, but also points at a horizon beyond this endless repetition.