Two unique perspectives on the city of Liverpool come from interviews with the director's parents.
Social & External
Unknown Role
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.
8-year-old Aaron Averhart was just a year shy of being able to move up from Cub Scout to Boy Scout when he received a special request from an admired Boy Scout leader, William (Bill) Sheehan. As Aaron rose up the Boy Scout ranks, he slowly became aware of Sheehan’s grooming techniques and began to realize he had much more sinister intentions in store for him. If Aaron’s parents had known that since the 1920s the Boy Scouts of America had been keeping hidden files on dangerous pedophiles in their ranks while failing to warn the public, the police, the scouts, their parents, or even fully removing them from the Boy Scouts program, they would have never allowed young Aaron to be part of such a complicit and corrupt organization.
This documentary by Léa Clermont-Dion and Guylaine Maroist plunges us into the vortex of online misogyny and documents hatred towards women. This bleak opus, reminiscent of a psychological thriller, follows four women across two continents: former President of the Italian parliament Laura Boldrini, former Democratic representative Kiah Morris, French actor and YouTuber Marion Séclin, and Donna Zuckerberg, a specialist in online violence against women and the sister of Facebook’s founder. This tour de force reveals the devastating effects such unapologetic hatred has on victims, and brings to light the singular objective of cyber-misogyny: to silence women who shine. Some targets of cyber-violence will crumble under the crystallizing force of the click. Others, proud warriors, will stand tall and refuse to be silenced.
documentary about the mysterious death of german hacker Karl Koch aka hagbard.
Imagine a disease so rare there's no cure. Austin Crawford was diagnosed with MSA or Multiple System Atrophy. As his health fades we find Austin building a hot rod from his wheelchair and sharing his story to his followers on Tiktok.
Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.
A discussion of the economic and political ideas presented in the book "The Incredible Bread Machine".
An anti-war exploration of the filmmaker's experience with recurring nightmares about a potential nuclear apocalypse, through the lens of the bombings of Hiroshima and Nagasaki.
This documentary reveals how a group of hackers powered the darkest corners of the internet from a Cold War-era bunker in a quiet German tourist town.
Coffee is the second most important commodity in the world after oil. The drink has a long history and what's more, its effect seems to be stimulating in two senses.
A documentary about Mel Brooks' legendary 1974 comedy «Blazing Saddles».
Soon after New York state passed a 2015 law that health insurance should cover transgender-related care and services, director Tania Cypriano and producer Michelle Hayashi began bringing their cameras behind the scenes at New York’s Mount Sinai Hospital, where this remarkable documentary captures the emotional and physical journey of surgical transitioning. Lending equal narrative weight to the experiences of the center’s groundbreaking surgeon Dr. Jess Ting and those of his diverse group of patients, BORN TO BE perfectly balances compassionate personal storytelling and fly-on-the-wall vérité. It’s a film of astonishing access—most importantly into the lives, joys, and fears of the people at its center.
Having gone to Samarkand in search of traces of colonial culture, of which there were quite a few left there, having carefully photographed them, we suddenly discovered that it was not the dead buildings that were much more interesting, but the living carriers of this very colonial culture. The result is a film about people who live on the ruins of an empire.
About Russians living in Fergana, why they are not going to leave and what they see as the meaning of their presence on the land of Turkestan
Travel to Copenhagen
Dialogue-free short detailing the daily tasks of a man and his wife.
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