Nothing's Ever Over

An intense court case involving divorce proceedings is adjourned for lunch. Husband and wife then discover they are both going to be eating in the same cafeteria.

Got Yourself Sorted Out at All?

Gareth

A film by Alan Clarke for the 'The Company of Five' anthology series.

The Gentleman Caller

Visiting unemployed brothers Clack and Ged, social security inspector Mr. Hicks finds few reasons for sympathy. However, the tables are turned on the investigator: Clack defends Ged as 'a paying member of the welfare state' rather than a case for charity, and events take a sinister turn.

Achilles Heel

A professional footballer suffers an injury which could jeopardise his career.

A Man Inside

A middle aged man taunted by his young office colleagues about his bachelorhood turns to violence.

The Ladies: Joan

Alan Clarke: Out of His Own Light

A multi-part documentary about Alan Clarke, featuring interviews with various actors, writers and producers.

Une manière de vivre

Colette's life is shattered when her husband dies in a mysterious road accident. This may bring her closer to her daughter Gabrielle, a young bulimic woman who works as a luxury escort. The latter begins to take a strong interest in Joseph, a Belgian philosophy teacher who is passing through Montreal. She presses him with questions about existence, which scares the specialist from Spinoza, who quickly thinks of going home to find his lover. Except that he is intrigued by this presence and the power it has over him

Ora zero

In New Year's Eve night, an emergency team is called to fix a tram power line. One member is missing though, he is involved in a DUI.

Out of Liberty

Winter 1839. Liberty, Missouri. Local jailer, Samuel Tillery is tasked with watching Missouri's most wanted men as they await their upcoming hearing. Caught between the local Missourians' increased drive to remove the prisoners, and the prisoners' desperate efforts to survive, Tillery is pushed beyond what any lawman can endure. Based on actual recorded accounts.

Love in the Year of the Tiger

The year is 1913. Two Poles escape exile and cross the Siberian taiga to China. Crossing the Amur River ends tragically for one of them. The surviving man, unconscious, is found by an old Chinese hunter who takes him to his mountain shack. The hunter has a beautiful, sixteen year old daughter. Not to tempt fortune, the parents make the girl cut her hair and dress like a boy. But is it enough to prevent feelings from arising between the two?

Out in the Open

A boy escaped from home, listening, crouched in the depths of his hiding place, the cries of the men who seek him. When the game passes, what remains before him is an infinite and arid plain that he must cross if he wants to get away definitively from what has made him flee. His steps will intersect with those of a pastor and, from that moment, nothing will be the same for either of them.

Stofje

Bird of the Storm

Adam, a young and poor fisherman, falls in love with Uliana, but the girl's parents want her to marry Simion. To get rid of him, Simion blames Adam of the drowning of his fellow fishermen he was with out in a storm.

The Sentimental Lady

When he wasn't churning out "Curses, foiled again!" melodramas, playwright Owen Davis Sr. specialized in such social dramas as The Sentimental Lady. Irene Fenwick stars as Amy Cary, who has invested her life savings in a utility stock. Amy's fiance Norman Van Aulsten (John Davidson) is saddled with a crooked father (Thomas McGrath), whose Wall Street shenanigans threaten to wipe out Amy and the rest of the stockholders. Fortunately, crusading attorney Bob Nelson (Jack Devereaux) manages to prevent this financial catastrophe.

Boogiepop

When Charlie (Samuel Derrick) and Trish (Phoenix Ever) are asked to deliver a small box to an elusive crime boss, they think it’ll be just another job. However, after being followed and attacked by an unknown assailant, Charlie and Trish begin to realize that there are forces that desperately want the box and will do anything to get it, even if that means killing them.

The House of Mirth

Wharton creates a portrait of a stunning beauty who, though raised and educated to marry well both socially and economically, is reaching her 29th year, an age when her youthful blush is drawing to a close and her marital prospects are becoming ever more limited. The House of Mirth traces Lily's slow two-year social descent from privilege to a tragically lonely existence on the margins of society.