A seasoned theater actor, caught in the endless cycle of performances and fleeting applause, drifts through the absurdity of life, unsure whether to search for meaning or simply surrender to the stage.
Social & External
Fikar
Paul (Director)
Prudence, a dishwasher and housecleaner with the telepathic power to eavesdrop on people’s consciousness, creates eccentric characters out of clothing she steals from her clients and stages confrontational performances in the street. She’s estranged from her mother, an artist, and the only person who shares this telepathic gift. As Prudence comes to terms with her mother's terminal illness and the knowledge that her telepathy comes at a cost, she gains a clearer understanding of how to find meaningful connections with others.
On the same day that Stalin was buried, Sergei Prokofiev's funeral took place completely unnoticed. And if the farewell to the composer quietly went against the backdrop of the farewell to the dictator that swept the whole country, then in the play everything is the opposite - Prokofiev's music is in the center, and it is interrupted by the stories of those people who would probably ignore Stalin's funeral and went to say goodbye to the great composer.
The cinema hall as a liminal space during a matinee show, and the experience it evokes.
our short stories interlaced to create a surreal world of absurdity, in which characters try to find connections in the mundane.
An overly anxious man mysteriously finds himself unable to leave a bathroom.
In March, 2017, at a small town, six boys and girls are selected through auditions. They work hard to prepare for a play, but the play is suddenly cancelled. These young people are disappointed at the news. One girl says "let's practice." The six boys and girls want to stand on stage no matter what.
A college freshman takes advantage of a rumor, straining the relationships with those around him.
Lucien de Rubempré, a young, lower-class poet, leaves his family's printing house for Paris. Soon, he learns the dark side of the arts business as he tries to stay true to his dreams.
A tragedy by Gotthold Ephraim Lessing.
The painter Lili Elbe was the first person to have gender confirmation surgery in the 1930s. The homonymous opera is a glimpse into the life of Lili Elbe and her wife Gerda Wegener (also a famous painter) through Lili's transition at a time when such surgery was still completely uncharted territory.
Adam is a man who can’t feel any emotion whatsoever. When his doctor advises him experimental treatment, he sends over his nursing assistant to help him. But, that night, an intruder breaks in and says that his only goal is to make Adam feel every emotion. The catch? With 10 violent “acts” that will gradually build up to his possible death.
Directed by Lithuanian choreographer, Anželika Cholina, this multiple award-winning Vakhtangov Theatre production of Anna Karenina tells the story of Tolstoy’s classic novel entirely in contemporary dance. In this way, Cholina succeeds in finding the equivalent of Tolstoy's words in harmony and movement, with every gesture holding meaning. The distinctive music of Alfred Schnittke helps to reveal the inner turmoil of the characters and their depth. Winner of the "Villanueva Award", Best Foreign Performance, International Havana Theatre Festival; Winner "Crystal Turandot" Best Debut Performance, Olga Lerman.
A compelling study of personal ambition versus the good of the state.
Chuck and Buck are childhood best friends whose lives have taken very different paths. While Chuck moved away and now has a real life, Buck stayed behind and developed a dangerous fixation—on Chuck's life.
Dr Frankenstein obsesses over his creation in Blackeyed Theatre’s adaptation of Mary Shelley’s masterpiece, in which The Creature is brought to life through puppetry. Captured live at Wilde Theatre, Bracknell, in 2022, this production features ensemble storytelling, multi-roling and live music and explores themes of revenge, prejudice and ambition.
Theatrical recording of the play from "Black Blood": 1917 was the year during the Great War that nearly led to a revolution in France. At that time, Merlin was a modest but passionate professor. Nicknamed Cripure by his students, he spent most of his time reflecting on the human condition, in the light of God, which was supposed to exist. Filmed in Théâtre du Cothurne in Lyon.
In Jean Rouch's cinematic reinterpretation of Julius-Amédée Laou's theatrical work, a freshly appointed nurse steps into the chaotic world of a psychiatric ward. Tasked with nurturing the minds within, she forms a profound connection with a patient from Martinique who has been confined within the institution's walls for half a century. As their relationship deepens, the lines between reality and delusion blur, weaving a complex narrative of human connection and psychological intrigue.
A socially awkward and volatile small business owner meets the love of his life after being threatened by a gang of scammers.
In May 2014, just months after Dan died, the DSM Foundation commissioned award-winning playwright Mark Wheeller to write a verbatim play that told his story, so other young people could learn the lessons he sadly no longer could, and make choices that would keep them safe. The title takes Dan’s joking last words to his mum, Fiona, before he left home for what turned out to be the last time: ‘I Love You, Mum – I Promise I Won’t Die’. Mark worked on the very first production with his talented youth theatre company in Southampton, Oasis Youth Theatre, and the play had its first public performances in March 2016, with previews in Southampton and its premiere at the BRIT school, just a mile from Dan’s home in Croydon, South London.