Social & External
Musa
A spoiled teenager spends the summer at the French Riviera with her rich, widower, playboy father, but when his old flame resurfaces, she resolves to keep her frivolous lifestyle at all costs.
Lucia (Natassja Kinski) is a volatile, exciteable young woman. She forms a romance with Carlo (Stefano Dionisi), who is somewhat callow and is very skittish. Their romance is not an easy one, but they are assisted in coping with its ups and downs by their mutual friendship with Franco (Franco Citti), an older, wiser and more stable man.
Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster's growing attraction - forbidden in his neighborhood - for a beautiful black girl.
A rising Boston gangster (Ben Barnes) endangers those around him when he starts to make moves without the knowledge of his boss (Harvey Keitel).
While scouting out apartments in London for her Venetian boyfriend, Carla rents an apartment overlooking the Thames. There, she meets a real estate agent by the name of Moira.
The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).
In 1987, Ricardo is 17 years old. This summer, Ricardo has a busy schedule: loose his virginity, find a way to get into bars, have a car, spend time with his friends. In order to rapidly make money, Ricardo decides to use his italian inheritance and take a shortcut in the medium of crime. But things will go wrong...
Halit Berati, a virtuoso clarinet player, is invited by the Italians to record his music, which is to be sold along Italian records.
Where do we come from and where do we go ? The eternal question of humanity which religions have tried to answer over the centuries - lt's the end of the year 2012. The Universe is about to undergo an imposing planetary alignment and a Total Eclipse will soon be upon Planet Earth. Great vibrational changes are imminent and set to disturb us. The eight members of the Galactic Council, led by Lord Ogmha (William Shatner), meet to discuss the effects of the imminent alignment. They are 8 creators (aliens) and each one of them governs a Planet. They are each responsible for the security and well-being of a 'LENS'. Together they balance the conflict and allegiance of the Universe. Treason puts Earth in danger and the LENS, the hard disc (crystal core) containing the recording of the entire history, DNA, memories and nucleus of mankind is hidden somewhere in Italy. Everyone is searching for it. If the Lens is opened and in the wrong hands it could reveal to the human beings the shocking
Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.
"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi
Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
Out of prison after a five-year stretch, jewel thief Tony turns down a quick job his friend Jo offers him, until he discovers that his old girlfriend Mado has become the lover of local gangster Pierre Grutter during Tony's absence. Expanding a minor smash-and-grab into a full-scale jewel heist, Tony and his crew appear to get away clean, but their actions after the job is completed threaten the lives of everyone involved.
Everything you need to know is telegraphed by the title of this Spanish-language drama. The story takes place in a hothouse Mediterranean setting and combines lust, intrigue and murder in the overheated sexploitation style that was popular during the late 1950s and early '60s.
In 1943, Vincenzio and Maria take their children to his father's Tuscan farm. Vincenzio commutes to Rome where he's a physician and, in the hospital basement, prints an anti-Fascist paper. His brother is in the Resistance; his father supplies food to a local monastery where 12 fugitives hide. All is seen through the eyes of the oldest child, Paulo, who's about 7 and the only lad at school who doesn't wear a Fascist Youth uniform. For Paulo and his siblings, it's great fun playing with their nonno, finding herbs in the fields, watching a maid's tryst with a soldier, teasing a silent monk. Then the war reaches the farm when Italy surrenders and the Germans exact revenge.
Grazia is a free-spirited mother-of-three married to shy fisherman Pietro and living on the idyllic but isolated island of Lampedusa in the Mediterranean Sea. She shows signs of manic depressive behavior — one moment she's laughing wildly and swimming half-naked in the sea, while the next she's curled in a ball on her bed. Out of her earshot, the adult members of her extended family vaguely discuss sending her to a facility of some sort in Northern Italy.
In a time of war and disease, a young officer gallantly tries to help a young woman find her husband.
Joey works as a waiter for a hedonistic community of summer holiday makers in a small Mediterranean paradise. It is unclear if their exaggerated behaviors are due to the fact that the summer is coming to an end or if its just the last of their summers.
Based on Ruggero Leoncavallo's opera Pagliacci. The film recounts the tragedy of Canio, the lead clown (or pagliaccio in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio. When Nedda spurns the advances of Tonio, another player in the troupe, he tells Canio about Nedda's betrayal. In a jealous rage Canio murders both Nedda and Silvio. The only actor in the cast who also sang his role was the celebrated Italian baritone, Tito Gobbi, but the film is largely very faithful to its source material, presenting the opera nearly complete.
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