Someone to Love

A poor but honest sheet-music salesman is parted from his wealthy fiancée when she comes to believe he’s nothing but a golddigger. But circumstance places him on the board of an exclusive girls’ school, where he can prove his integrity as well as his love. This film is believed lost.

Familie Schimek

Bread on the Waters

A son, down and out on liquor, finds redemption.

The Misleading Widow

The Misleading Widow is a 1919 silent film comedy starring Billie Burke as Betty Taradine. It was based on the 1917 stage play Billeted by F. Tennyson Jesse and H.M. Harwood. The film was produced by Famous Players-Lasky and distributed through Paramount Pictures. It appears to be a lost film.

His Sister's Children

Harry Burton's sister and her husband are suddenly called away for a few days on business and telegraph him to come to their home and take care of their two little boys, "Toddie and Budge." He at once complies, and is soon with the children, assuming his duties as "governor." Helen Manton, stopping in the same town, thinks a great deal of Harry Burton, and naturally he of her.

The Gallant Hussar

The daughter of an American millionaire falls in love with a Hungarian hussar officer during a visit to the Austrian Empire.

Das tanzende Wien

A cabaret singer in Germany is in love with a young American boy, and must convince his disapproving father that she is worthy of his son.

The Best Bad Man

Visiting his vast properties incognito, Hugh Nichols (Tom Mix) discovers that his land agent (Cyril Chadwick) is forcing Peggy Swain (Clara Bow) and her dad (Frank Beal) off their neighboring ranch. When decent-minded Nichols demands that the agent cease harassing the farmers, the nasty villain blows up the nearby dam, flooding the valley.

The First Distiller

Aloma of the South Seas

A young South Seas native boy is sent to the U.S. for his education. He returns to his island after his father dies to try to stop a revolution.

Miss Hobbs

She was a very modern young woman, was Miss Hobbs. Her ideas were about fifty years ahead of time. For one thing she hated men, thought them all brutes. But love has a way of smashing such an idea. Then she went in for barefoot dancing, futurist art and other advanced notions. Well, the upshot of it was the young man took upon himself to tame her, to make her a regular girl.

High Steppers

Perryam is going through a round of bad luck; he is thrown out of school and loses at love. In search of a change, he heads for London, where he meets Audrey Nye, a former jazz baby who has gotten a responsible job on a newspaper. She helps Perryam get hired as a reporter.

Joanna

Joanna Manners is a flapper with a million-dollar figure, million-dollar looks, and a million dollars in cash. She falls in love with John Wilmore, a gut who hasn't got a dime nor a pot to put it in if he had a dime. There are those who object. Especially, the crowd of gold-digging gigolos and hustlers she knows.

The Grand Parade

No one suffered more magnificently in the early-talkie era than the inimitable Helen Twelvetrees. In Grand Parade, the actress is cast as Molly, the sweetheart of minstrel-show performer Jack Kelly. Rising to the top of his profession, Kelly plummets to the bottom thanks to his fondness for intoxicating beverages. Molly nurses and coddles Kelly back to health, giving nary a thought for her own comfort or happiness.

A Matrimonial Boomerang

A couple of rowdy gamblers, a cowboy, and a woman undercover.

Be a Little Sport

Gerald Faulkner, a young tin-can salesman, has fallen for sexy chorus girl Carlotta La Mere. One day Gerald's wealthy uncle Dunley makes him an offer: if he gets married by the following Saturday, Dunley will give him $100,000. Gerald rushes to propose to Carlotta, who agrees. However, the day before the wedding she asks for a postponement. Complications ensue.

The Pretenders

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

Strictly Modern

Strictly Modern is a 1930 American pre-Code comedy film directed by William A. Seiter and starring Dorothy Mackaill and Sidney Blackmer. A lady novelist falls deeply in love.

According to Hoyle

"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)

Wild Winship's Widow

Widow Catherine Winship cherishes the memory of her late husband so greatly that she has given up her life to the adoration of his memory. However Catherine's idealism is rudely shattered when she discovers a package of love letters in a secret drawer in Winship's desk.