Social & External
Young sociologist Stanislas Previne is writing a thesis on criminal women, so he visits Camille Bliss in prison for an interview. Accused of murdering her husband and her lover, Camille recounts her life and love affairs.
Kim Kardashian is the embodiment of our times. She's a total social figure. To analyze her is to talk about ourselves, our relationship with social networks, capitalism and aesthetic standards. Through the eyes of journalists Nesrine Slaoui and Guillaume Erner, this film proposes a theory in the zeitgeist, crossed by questions of race and gender. Journalist and sociologist Guillaume Erner wonders why Kim Kardashian is the most followed woman in the world on social networks "when she does nothing". With the help of journalist and director Nesrine Slaoui, he paints a portrait of this "total social character", who is famous because of... her fame. Fashion icon, star of a never-ending reality TV family saga, savvy businesswoman, future lawyer and activist outraged by the state of American prisons, the beautiful Kim, who is said to be tempted by a political destiny, is in fact not idle at all...
Ruy Mauro Marini was a brazilian sociologist who developed the Marxist Dependancy Theory, to explain the development of latin american nations due their place in the global capitalism. This film, through multiple interviews, gives a short overview of his life and work.
Director Drew Stone’s The New York Hardcore Chronicles Film is an incredible journey through the community and culture of the iconic New York hardcore scene. Not the typical history of a local music scene but so much more. Shot in an episodic format, the film contains over 60 interviews, never before seen footage, photos and a blazing soundtrack. With appearances by Roger Miret & Vinnie Stigma (Agnostic Front), Lou Koller, Craig Setari (Sick Of It All), Ray Cappo (Youth Of Today), Billy Graziadei (Biohazard), Billy Milano (S.O.D. / M.O.D.) and Mike Judge (Judge). The film addresses the community, culture, straight edge and DIY ethic of the hardcore scene in the greatest city in the world that is still vibrant, relevant and going strong to this day.
An old lady’s house is full of boxes filled with memories. Every Wednesday, along with her cockroach friends, she tells her granddaughter wonderful stories. But as the little girl grows bigger, they start running out of space inside the house.
THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.
"Bias" challenges us to confront our hidden biases and understand what we risk when we follow our gut. Through exposing her own biases, award-winning documentary filmmaker Robin Hauser highlights the nature of implicit bias, the grip it holds on our social and professional lives, and what it will take to induce change.
A mysterious outbreak of tic disorders among young people leads Dr Robert Bartholomew to question whether social media is making us sick. Doctors have recently identified a concerning trend among young people: tic disorders potentially spread via TikTok videos. For sociologist Dr Robert Bartholomew, an expert in mass psychogenic illness, the trend isn’t surprising, but the potential consequences are alarming. Could the global scope of social media mean we are on the precipice of the world’s largest outbreak of psychogenic illness?
"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.
Fabrizio, Dante and Roberto have 14 years old and they live in Palermo in the ZEN. How is their life, their universe?
Fred, George, Doug and Howie are quickly reaching middle-age. Three of them are married, only Fred is still a bachelor. They want something different than their ordinary marriages, children and TV-dinners. In secret, they get themselves an apartment with a beautiful young woman, Kathy, for romantic rendezvous. But Kathy does not tell them that she is a sociology student researching the sexual life of the white middle-class male.
A director feels he is about to lose himself to the market forces and thinks that the only way he can protest is by making a political film. He contacts Thomas Hylland Eriksen, who will become his mouthpiece and articulate what is wrong. But along the way the director becomes distracted by another person, a young, fumbling girl reminiscent of himself.
A lonely young suburban housewife participates in a radio interview survey while simultaneously engaging in an extramarital affair.
A stranger in the city asks questions no one has asked before. Known only by his initials, the man's innocent questions and childlike curiosity take him on a journey of love, laughter and letting go.
Mia is thirty and getting divorced. She moves into a studio apartment in a low-income housing project. As a former swimming champion, she now finds herself giving swimming lessons to the other inhabitants... Without a pool...
In 1952, TV Tupi, Brazil's first television channel, invited psychiatrist Júlio Gouveia and his wife, Russian writer Tatiana Belinky, to develop the network’s children's programming. The couple then asked the sons and daughters of their friends to join the cast of the newly created shows, the most prominent of which was Sítio do Picapau Amarelo. And so, Antonio Silvio, Lia, Lídia, Sérgio, and David José embarked on an unexpected journey that would come to shape the future of Brazilian television. Memories of the Sítio is a trip through the personal recollections of these actors and the story of the first television adaptation of Monteiro Lobato’s work.
When her husband died Soumicha, mother of three, had to earn a living. She became the only woman taxi driver in Sidi Bel-Abbès, Algeria. This film accompanies Soumicha around a city where religious and political violence rages, and records her experiences in a job normally reserved for men.
The story of two young single mothers who join forces to make a new kind of family unit for themselves and their children.
