This documentary is featured on Warner Brothers' DVD for The Roaring Twenties (1939), released in 2005.
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An examination of "The Public Enemy" (1931) by film historians and critics.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Patrick Moore presents this documentary about the Apollo 13 space mission of April 1970. The video features the live TV coverage of the real-life drama from lift-off to splash-down in the Pacific Ocean.
A woman dreams of a future economic crisis affecting the cryptocurrency market. Thousands have been cryogenized, waiting for better times. Are they suspended or are they falling into the void?
This documentary reveals how a group of hackers powered the darkest corners of the internet from a Cold War-era bunker in a quiet German tourist town.
An original circa 72-minute documentary featuring a murder, Cold War conspiracies, Black Power, the end of the Empire, and how that connects to the policing and surveillance practices of today. It feeds a growing appetite for history from a different perspective, as we grapple with the legacy of empire, colonialism, and its impact on the modern world.
Heinz Emigholz, the premiere purveyor of architectural oddities (Sullivan’s Bridges, Goff in the Desert), meticulously documents 15 rooms of the enormous Villa Cargnacco in Lombardy, Italy, designed by proto-fascist poet Gabriele D’Annunzio (1863–1938). The controversial figure spent 17 years designing the Vittoriale, a state museum on Lake Garda, and furnishing the Villa Cargnacco, which is part of the grand complex. This unusual documentary resulted from a photography session in the villa, when four friends—cinematographers Irene von Alberti, Elfi Mikesch, Klaus Wyborny and Heinz Emigholz—simultaneously filmed the rooms and furnishings of the villa in their own specific styles.
Baby Emperor Penguin Pengi and Sommi's Ultimate Challenge Begins! At 60 degrees below zero, winter has come to the South Pole, the coldest glacial region in the world. Abandoned due to its bitter coldness, the South Pole is greeted by the real natives of this place, the Emperor Penguins, who have come to welcome new lives. Through the indescribable love and care given by mom and dad, baby Emperor Penguins Pengi and Sommi awake from their egg shells. Gluttonous Pengi, the number one trouble maker in the South Pole, and cutie Sommi, who loves daddy's embrace the best, become great friends. Then one day, Sommi’s dad goes out to the sea to seek her out. Sommi left all alone, cold and starving to the brink of death, and Pengi desperately tires to help Sommi through her troubles. Could Pengi and Sommi possibly overcome numerous hardships and become beautiful full-grown Emperor Penguins?
In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.
Jillian Michaels has a four week plan to get you ripped. Each week progresses you through a 24 minute interval system to get you ripped.
When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."
This documentary looks at the life and career of John Garfield, whose career was cut short when he died at age 39. His difficult childhood in the rough neighborhoods of New York City provided the perfect background for the tough-guy roles he would play on both stage and screen.
A portrait of the Berlin cult football club - 1. FC Union and its supporters.
This film explores the difficulties in dramatizing the life of Adolf Hitler, of separating fact from fiction and truth from myth when the historical figure has become the poster child for evil.
Kaugere in Port Moresby, PNG. Rugby coach Albert Muri is no stranger to crime and the raskol gangs that tore his family apart. His eldest son was killed by the police and his second son is serving life in prison. Dia, his youngest son remains his last beacon of hope helping him training the local rugby team, channelling criminal minds into sporting heroes. As Desmond is pardoned and gets out of prison, the question arises: what future is there in a settlement that more closely resembles a slum and where everyone lacks everything?
Dealing with the subject of rumor mongering, clips from Nazi films are employed to show how the ruthless invasions of neutral countries were planned in advance.
A colourful look at the various types of gardens to be found in England, a nation of gardeners.
"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage
In hustle and bustle of urban life, we sometimes don't know our neighbors next door. And in the village, everyone knows each other and lives with the joys, troubles, and worries of a neighbor, like one big family. That's why a person is pulled to their small homeland, to their roots. The one who forgets their roots experiences a burdensome emptiness and dissatisfaction with their achievements in life.
Dragons return to Ever After High, and so does the Evil Queen. When the most epic competition and evil scheme starts at Ever After High, Raven and Apple must let go of their story conflict and save their beloved school together.
Edeltraut celebrating into her birthday. But the next morning is not a picnic.
An actress visiting Hollywood for the first time books a dream apartment on AirBnB, only to discover a horrifying presence is staying there with her.
The film is about Slim, Slam and Slum from the Danish cartoon series, three young boys at twenty-something who lives in an apartment in Nordvest in Denmark. They are the kind of guys which is using a lot time sitting on the toilet, playing Playstation and smoking pot. But suddenly they all quit their bad salary jobs, and start on fresh with something new. They get a big weird idea on gaining money, power and respect. First of all they start a popular web site that their conman partner Dahlgård which after a little time betrays them and sell the site. Then the three boys start Boomin Crew, a music group of hip hop. They all suddenly get in love with the three honeys, Dit, Dat and Dut, and their new goals are to try snap up with them.
John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.
Join Fien, Teun, Sem and all their animal friends on a real pirate adventure in their latest movie! With lots of fun - well-known and new - songs! Nephew Sem is coming to stay with Fien and Teun on the farm and they are super excited! The three of them are going on an adventure and of course the animals are allowed to come along too. When they are just on their way, they already make a big discovery. They find an old boat with a chest full of pirate clothes and ... a treasure map! That can only mean one thing: It's time for a treasure hunt!
Tr'Cheot'My P'y is a hiccuping audio news segment to which footage from many sources is loosely choreographed. The film is intended as a portrait of the body and embodiment, systems of information and representations of the body itself.
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.
MTV special following Avril Lavigne in 2003, showcasing tour backstage moments, personal insights, and the worldwide impact of her debut album Let Go.
Sayantan Mukherjee’s Action stays true to its name. There’s enough dhishoom-dhishoom, enough drama, enough glam quotient… and enough action. When Raka (Barkha Sengupta), a hot, 20-something, gun-toting coal-mafia’s amorous advents are rejected by college-goer Akash (Om), she turns his life into a living hell. So, Akash, along with his family, flees Ranigunj in order to escape Raka’s wrath and joins a college in Kolkata under the alias of Rohit Roy. Here, he meets Rini (Megha Chakraborty) and romance blooms. But is Raka ready to let go off Akash so soon?
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
A lonely man finds himself bedeviled by a malevolent force. But is it real or just all in his mind? (ALTER)
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.