Oum Kalthoum, la voix du Caire

Acústico MTV: Charlie Brown Jr.

The acoustic album of the Brazilian band Charlie Brown Jr. broadcast on MTV Brazil. The album contains interviews with the band and the making-of video recording, and features music known to the public, along with new songs "Vícios e Virtudes" and "Não Uso Sapato". The concert, which was recorded in São Paulo, with the participation of special guests. Marcelo Nova, Negra Li, the group RZO Marcelo D2 and sang with the Acoustic whiner. The repertoire some recordings of other composers, such as "Samba Makossa" (Chico Science, with special participation of Marcelo D2), "Hoje" (Marcelo Nova), with participation of the artist himself and "Oba Lá Vem Ela" (Jorge Ben Jor).

Hamilton: One Shot to Broadway

It’s the hit musical that changed Broadway forever and brought the genius of Lin Manuel Miranda to the attention of legions of fans across the world. A story of how a group of mavericks made an unlikely marriage of hip-hop and history to create the biggest show in America…and are getting ready to conquer the world. Featuring interviews with Miranda, as well as the cast and crew of Hamilton.

Let's Get Lost

Documentary about jazz great Chet Baker that intercuts footage from the 1950s, when he was part of West Coast Cool, and from his last years. We see the young Baker, he of the beautiful face, in California and in Italy, where he appeared in at least one movie and at least one jail cell (for drug possession). And, we see the aged Baker, detached, indifferent, his face a ruin. Includes interviews with his children and ex-wife, women companions, and musicians.

Piripkura

The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.

Jazzeventyret

From the sound of mountains and endless expanses, to the heavy pulse of the big city. Norwegian jazz is loved by fans all over the world. How did small Norway become a big jazz country?

Blue Note - A Story of Modern Jazz

"It must schwing!" was the motto of Alfred Lion and Francis Wolff, two German Jewish immigrants who in 1939 set up Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. Blue Note, the most successful movie ever made about jazz, is a testimony to the passion and vision of these two men and certainly swings like the propulsive sounds that made their label so famous.

Busby Berkeley: A Journey with a Star

Profile of famed dance director Busby Berkeley's career, in particular "The Gang's All Here"

Brüder Kühn: Zwei Musiker spielen sich frei

Cradle Of Filth: PanDaemonAeon

Undisputed masters of black metal Cradle of Filth bring their extreme vision to the screen on this home-video release. Cradle of Filth: PanDaemonAeon features the group's first music video, for the song "From the Cradle to Enslave" presented in its original uncut version as well as a documentary on the making of the clip and the chaos that is Cradle of Filth's existence.

Dead Kennedys: DMPO's on Broadway

This 58 minute DVD video is one of the Dead Kennedy's last ever live concerts, captured on film just months before their breakup in 1984. This 14-song performance at San Francisco's On Broadway catches Jello and company at the height of their punk powers.

Dead Kennedys: The Early Years Live

An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.

Instrument

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

Lamb of God: Killadelphia

Part concert footage, part fly-on-the-wall video documentary of the ups and downs of a road tour, Lamb of God: Killadelphia deals with rental truck breakdowns, show delays, radio interviews, in-store appearances, late arrivals of equipment. The members of Lamb of God and their handful of assistants keep their cool with fluent wit, easygoing camaraderie, and unabashed romanticism.

Theatre In Israel

An English-speaking film produced on behalf of the Israeli Center of the International Theater Institute, providing international audience with an overview of modern Israeli theater, including scenes of renowned Israeli theater productions from the theater season of 1967. The film opens with excerpts from “The Dybbuk” at Habima Theater, and includes scenes from the successful musicals of the Cameri Theater “Utz Li Gutz Li” (Rumpelstiltskin) and “King Solomon and Shalmai The Shoemaker”. Other excerpts include scenes from the plays “The American Princess” by Nissim Aloni at the Seasons Theater, “He Walked Through the Fields” by Moshe Shamir at the Haifa Theater, Ibsen’s “Hedda Gabler”, “Who’s Afraid of Virginia Wolf”, and more.

Bon Jovi | When We Were Beautiful

A documentary filmed behind the scenes of the Bon Jovi's Lost Highway tour in 2008.

Sparni

It’s the second semester of junior year for Pierce “Sparni” Sparnroft, a gifted jazz vibraphonist studying at Montclair State University in New Jersey. Sparni’s prospects on the vibes were rejuvenated by their new professor, the world-renowned Steve Nelson, and are to be showcased during a student-driven recital in May 2023. But all the while, Sparni must face a crisis within.

Jazz Icons: Art Blakey & The Jazz Messengers Live In '58

Art Blakey & The Jazz Messengers features what many consider to be one of the fi nest line-ups in the history of jazz—Bobby Timmons (Piano), Jymie Merritt (Bass), Benny Golson (Sax) and the legendary trumpet player, Lee Morgan. Lost for nearly 50 years, this historic 55 minute concert, fi lmed in Belgium in 1958, one month to the day after they recorded their masterpiece Moanin,’ is the only known visual document of this infl uential band who were together for only six months.

The Sound of Seeing

Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.

Stop for Bud

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."