Black and white photography documentation of the year 2022 in Ukraine by the Ukrainian street photographer under the pseudonym Still Ugly.
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A lyrical and nostalgic analysis of how Casablanca, the mythical film directed by Michael Curtiz in 1942, has influenced both film history and pop culture.
Short experimental film. A man gets possessed by a demon as it speaks to his subconcious.
An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.
While cleaning the apartment of Lucía, her deceased grandmother, Anna finds a notebook where she discovers the story of a secretly kept love, lived during the turbulent years of the Second Republic and the Spanish Civil War.
If something of import has taken place in our lifetimes, chances are that Steve McCurry has photographed it, from the wars in the Arab world to the 9/11 attacks. Denis Delestrac’s documentary on the photographer charts McCurry’s journey through a restless life spent on constant move, chronicling our times and living with the intense loneliness and trauma that came along with his work. Today, surrounded by a loving family, McCurry is finally home but never not in the pursuit of color.
In nearly a century, Sabine Weiss (1924-2021) has left behind a monumental and eclectic work: thousands of faces, collections of the greatest fashion designers in prestigious magazines, a Parisian working-class now disappeared, photoreports around the world… By focusing on the margins of society, she was an exceptional witness of the 20th century. For the first time, a film draws the portrait of this hard-worker artist and captures the last words of the greatest female figure of the Humanist photography (Robert Doisneau, Henri Cartier-Bresson).
An experimentation with perceived movement and composition, drawn from six years of photographic fragments—an imprint of shifting visions, where seeing becomes both a subject and a mirror. Gorg O Mish is a Persian expression for twilight—literally translated as “wolf and ewe.”
Four neighborhoods. Four churches. Four colors. Blue. Red. White. Green. A square. A ball. Two goals. Fifty minutes, there are no rules. During the third week of June, every year since 1580, four teams of twenty-seven men fight for victory in the arena of Santa Croce. Florence, June, 2013. Calcio storico fiorentino. The origin of football.
An experimental true crime documentary based on the unsolved murder of Raonaid Murray, a 17-year-old Irish girl, which achieved nationwide attention during the 2000s.
Omama, a rural grandmother in Hungary, has one main wish: to not wake up tomorrow. Martin, her cinema-expatriate grandson, comes for a visit, hoping to connect with her before Omama's wish comes true.
A brief portrait of famous and brave bullfighter Manuel Benítez el Corbobés; an account on still photos of his triumphs and failures.
A silent succession of black-and-white photographs of the city of Montreal.
A Great Depression relays how the Farm Security Administration's documentary photography program, led by Roy E. Stryker, was used to portray the effect of government aid on poor farmers in the 1930s - 1940s. More than 175,000 photos taken for the project captured the American spirit, yet Stryker "killed" many of them by punching a hole through the negatives, a practice he never explained but ultimately discontinued.
Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.
Still photo film based on the short story “Mute” from the short story collection “Just After Sunset” by world-renowned thriller author Stephen King.
Horror story using stills. Based on the short story by Richard Davis.
140 seconds of 780 stills taken from a window in a dormitory.
An experimental short film about fleeting moments that capture the everyday in different forms and emotions. A sensory exploration of ordinary time. 35mm. Silent.
Amid the failing counteroffensive, a journalist follows a Ukrainian platoon on their mission to traverse one mile of heavily fortified forest and liberate a strategic village from Russian occupation. But the farther they advance through their destroyed homeland, the more they realize that this war may never end.
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
When Sgt. First Class Brian Eisch is critically wounded in Afghanistan, it sets him and his sons on a journey of love, loss, redemption and legacy.
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.
A documentary about World War I with never-before-seen footage to commemorate the centennial of Armistice Day, and the end of the war.
“The Soviet Story” is a story of an Allied power, which helped the Nazis to fight Jews and which slaughtered its own people on an industrial scale. Assisted by the West, this power triumphed on May 9th, 1945. Its crimes were made taboo, and the complete story of Europe’s most murderous regime has never been told. Until now...
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. Preserved by the Academy Film Archive in 2005.
A documentary about the making of season five of the acclaimed AMC series Breaking Bad.
Musician and performance artist Laurie Anderson reflects on the deaths of her husband Lou Reed, her mother and her beloved dog.
Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
Korengal picks up where Restrepo left off; the same men, the same valley, the same commanders, but a very different look at the experience of war.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
Pete Postlethwaite stars as a man living alone in the devastated future world of 2055, looking at old footage from 2008 and asking: why didn’t we stop climate change when we had the chance?
The final entry in a trilogy of films produced for the U.S. government by John Huston. Some returning combat veterans suffer scars that are more psychological than physical. This film follows patients and staff during their treatment. It deals with what would now be called PTSD, but at the time was categorised as psychoneurosis or shell-shock. Government officials deemed this 1946 film counterproductive to postwar efforts; it was not shown publicly until 1981.
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".