Social & External
Lilith
Adão
'Panga' follows the triumphs and struggle of a national level Kabbadi player from India who receives the love and support from her family to help achieve her dream.
A defiant young woman struggles against the norms and morals established by Victorian society and enforced by her autocratic father.
The men- murderer Margot is now in prison, separated from her sister, her loving accomplice. She stands up to a morbid reporter with vicious statements on their man-hate genesis during a live broadcast.
After a series of unexplainable night terrors Tess (Syd Stauffer) becomes obsessed with finding her estranged sister, Janie (Karisa Hope). Tess and her best friend Ashlyn (Kate Huges) enlist her sister's ex girlfriend Tick-Tick (Jenna McBreen) to help search for her in the drug underworld.
Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.
A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.
After she and her husband lose their jobs, a former Texas homecoming queen inadvertently finds herself in the middle of a prostitution ring after she unknowingly accepts a position at a massage parlor.
At New Mexico's Empire Zinc mine, Mexican-American workers protest the unsafe work conditions and unequal wages compared to their Anglo counterparts. Ramon Quintero helps organize the strike, but he is shown to be a hypocrite by treating his pregnant wife, Esperanza, with a similar unfairness. When an injunction stops the men from protesting, however, the gender roles are reversed, and women find themselves on the picket lines while the men stay at home.
DIVA! is the voice of the unrestrained feminine. Our love letter to self-expression and autonomy.
“We are the stories we tell ourselves.” Seeing is Believing: Women Direct is a documentary series about directors, leaders… who happen to be women.Audiences will hear directly from women who are on the front lines of the field: from major award winners to NYU students, festival darlings to frustrated auteurs. They will discover the pathways to successful creativity as well as how these filmmakers drive through obstacles creative, cultural, and professional. The film ultimately will act as a toolbox for any filmmaker as well as “peer to peer mentorship” for any person who is looking for creative or professional guidance as they move toward their own dreams of being a visual storyteller.
In postwar Rome, a working-class woman dreams of a better future for herself and her daughter while facing abuse at the hands of her domineering husband. When a mysterious letter arrives, she discovers the courage to change the circumstances of her life.
When barbarian hordes threaten her homeland, the brave and cunning Mulan disguises herself as a male soldier to swell the ranks in her aging father's stead. The warrior's remarkable courage drives her through powerful battle scenes and brutal wartime strategy. Mulan loses dear friends to the enemy's blade as she rises to become one of her country's most valuable leaders — but can she win the war before her secret is exposed?
Béatrice Dalle, Lio, Brigitte Fontaine, Corinne Masiero, Aïssa Maïga, Virginie Despentes, Maria Schneider, Gisèle Halimi, Juliette Gréco, and Adèle Haenel—these women lived on their own terms, defying conventions and embracing lives often deemed "scandalous." Labeled frivolous, hysterical, or simply too free and too loud, they faced criticism yet used controversy as a force for change, challenging norms and advancing women's rights. This documentary retraces seventy years of their bold and unconventional journeys, telling the story of the fearless women who shaped history and fought for a more equal world.
A bold anthology feature film made by an all-female creative team and cast. Based on the popular play of the same name the 80-minute movie follows 10 women scorned as they directly address their exes' new wives and lovers at an open mic night in Los Angeles. Created by a dynamic group of emerging filmmakers at a time when audiences are demanding films made both by and for women, the project taps into a social and political climate that's left women poised to take back their voices and be heard.
Seven women embark on a transformative weekend in Sedona, Arizona, forging bonds and finding inner strength through shared struggles and secrets.
Long live the strike! Lucie Baud, one of the pioneers of the women's movement, went with creativity, fighting spirit and the power of singing against the weapons of male-dominated capitalist society in nineteenth-century France. The film, based on true events, describes the ambitious fight of a silk moth. She stood up for the rights of the female working class to end maltreatment and oppression once and for all. For the revolution in women's rights, she even put her family back and fought to the end for their beliefs.
It’s the 1980s and the world of professional surfing is a circus of fluorescent colors, peroxide hair and radical male egos. "Girls Can't Surf" follows the journey of a band of renegade surfers who took on the male-dominated professional surfing world to achieve equality and change the sport forever. Featuring surfing greats Jodie Cooper, Frieda Zamba, Pauline Menczer, Lisa Andersen, Pam Burridge, Wendy Botha, Layne Beachley and more, "Girls Can't Surf" is a wild ride of clashing personalities, sexism, adventure and heartbreak, with each woman fighting against the odds to make their dreams of competing a reality.
It was women who closed the gates and launched the Solidarity strike when, on a Saturday in August 1980, workers, satisfied with a raise, stopped their protest and wanted to leave the Gdansk shipyard. If it had not been for the initiative of several determined women, perhaps there would not have been any August 1980 in Polish history. Under martial law, with the men in prisons, the women took on their role. They were not interested neither in joining the union’s power structure, nor in particular posts. The most important thing was their work and its results. When communism in Poland came to an end on June 4, 1989, the vast majority of women in Solidarity disappeared from the political stage. They let themselves be forgotten when their colleagues were taking over the most important posts in power in a free Poland. This documentary by Marta Dzido and Piotr Śliwowski reminds us about these forgotten heroines, giving us a new perspective on the last 30 years of Polish history.
Set in 1900, Lili d’Alengy, a Parisian cocotte at the height of her fame, flees Paris to hide her “idiot” daughter. There she meets Maria Montessori, who is pioneering a teaching method that may help the child.
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