Les trente courageuses de La Réunion, une affaire oubliée

Money, Freedom, a Story of CFA Franc

The former French colonies in Central and West Africa have been independent since 1960, but most of these countries still use the currency of the former oppressor: the CFA franc. It was linked to the French franc when it was introduced, so the national bank in Paris controlled monetary policy. Now the currency has a fixed exchange rate with the euro. The link with the European currency strongly influences the monetary policy of CFA countries. And that means the value of the CFA franc is defined by political decisions taken elsewhere, rather than by the domestic economy.

Nathalie: The first and last prom

Christine attends her first and last prom accompanied by Martin Fredericksen

Stories Are in Our Bones

In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.

Black Pénélope

A discovery of the pictorial art that Ndebele women traditionally practice in South Africa: painting the walls of their houses.

Quel numéro ? - What number ? ou le travail automatisé

Women of Today

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

Exergo

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Welcome Home Freckles

After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.

Les filles c’est pas pareil

In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.

Madwoman of God

This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.

Musawat, inclusion in the Sahrawi camps

Education Center for disabled children located in the Sahrawi refugee camps in Algeria. Despite the precarious conditions in which this population lives since 40 years ago, the Polisario Front as the representative of the Sahrawi people has promoted inclusion as a way to avoid marginalization and discrimination of one of the most vulnerable populations within these territories: children with special needs. "Castro" is the man who devotes his life to this beautiful project fighting all odds: physical, psychic, social, economic, and even the incomprehensions of his own society. The Sahrawis are living (resisting) in one of the harshest deserts on Earth but Castro has the magic formula to achieve the inclusion of these wonderful beings in his society and in the rest of the world: MUSAWAT, EQUALITY.

Nose and Tina

Nose and Tina are a couple in love. The film captures the domestic details of their life together and documents their hassles with work, money and the law. The unusual bit: He is employed as a brakeman, and she as a sex worker.

Liberation Diaries

The end of World War II brings Europe a new political system, reshapes national and personal identities. Three women from Milan, Paris and Berlin report on the days of liberation in their diaries. Their personal stories expand the historical picture and make LIBERATION DIARIES a chronicle of female self-empowerment, resistance and resilience.

Comparsa

From the shadows of a Guatemalan neighbourhood scared into silence, two sisters lead a luminous rebellion—unleashing joy, art, and radical truth in a fight for survival.

Dadi's Family

Dadi manages an extended family in Haryana, Northern India, where daughters-in-law face loneliness and unrealistic expectations. The film delves into family dynamics, highlighting Dadi's firm control amidst tensions. Social and economic shifts challenge traditional values, exemplified by Dadi's son marrying outside the village. Despite clinging to tradition, Dadi adapts to her children's modern aspirations. This narrative reflects the clash between generations and gender roles in 1980s rural India, offering insight into the evolving concept of family.

Somewhere Within Me

A tender exploration of friendship, identity, and transformation, this film follows Brahel and Andoeni, who met as children and grew up together in Guadalajara. Though their romantic relationship eventually ended, their deep friendship endured. Years later, after Brahel’s gender transition, the two reconnect and rediscover their bond. Through a rich tapestry of archival footage, music, intimate moments, and unspoken emotions, the narrative unfolds as a heartfelt journey of reconnection, vulnerability, and lasting affection.

Women Hay Makers

Picturesque scenes of land girls gathering hay on an Essex farm during WWI.

Behind the Veil: Nuns

The history of nuns mirrors the history of all women -- in what we are taught about the past, women are almost invisible. Although today's one million nuns outnumber priests two to one, they must struggle to be heard by the all-male Roman Catholic hierarchy from which they are excluded. Behind the Veil: Nuns is the first film ever to record from a global perspective the turbulent history and remarkable achievements of women in religion, from pre-Christian Celtic communities to the radical sisters of the 1980s. Contemporary nuns of strength, dignity and commitment speak of their lives and of their predecessors.

Women, Maasai and rangers - The lionesses of Kenya

Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination