Social & External
Vicente
Ana
Futuro
"Outside the Aquarium" is the new exhibition of protagonist Jonas. In his paintings he portrays his experiences as a black immigrant and part of the LGBT Community expressing his fears, loneliness and dreams for the future.
After years abroad due to his brother's murder, a renowned journalist returns to his family's home to take care of his mother, who suffers from an unknown illness. Late at night, he is visited by two strangers. As new events unfold, leading him to suspect that something ominous and deeply disturbing has struck his mother, a new tragedy rises.
Prior his first exhibition, Leo tries to find the best to way to express both his art and himself.
Young African-Brazilian Miguel drives across the country in search of a long-lost relative to find out about his ancestry. However, a deeper understanding emerges through his encounters along the way.
In love with Brazil and Maria, a soap opera heroin harassed by a corrupt contractor, Abdelinho suffers parallel ordeal in Morocco by pressure of Amr Taleb, a dogmatic, moralistic priest, enforcing religious purity on the community
Mariana, a young black woman is recovering from a heavy depression. she just wants to be happy, but hasn’t found her way yet.
Four inconsequential young people and a dream at stake... in an attempt to better understand the steps that followed a tragedy, stories are told and memories are revisited: dive headfirst into the chaotic universe of the band Vicious Resonance.
Amid an identity crisis, Fábio, 22 years old, a young black man from Cidade Tiradentes, reconnects with his past through a funk party with friends. On their way to the Fluxo, as these parties are called, he faces internal and external challenges that make him confront his feelings after his recent breakup. The film investigates the experiences of young people who live in the extreme east of São Paulo, the biggest city in Brazil and considered one of the main pillars of funk history.
"Pajubá" is a language created by black LGBTs as a mode of resistance. Given this, the present short film seeks to rescue the reality of people who experience in their own skin the strength of intersectionality between race, gender and sexuality in the São Francisco Valley region.
Murilo, a Black graffiti artist from São Paulo, Brazil, shares his memories in an animated diary blending 2D, 3D, and live-action about his best friend, childhood, and the Brazilian hip-hop scene.
Dragged on a vacation to the woods, teenagers Lisa and Eric fight for their lives against an unstoppable cannibal pig farmer.
The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.
This controversial film from director Glauber Rocha records the funeral of his friend, major Brazilian painter Emiliano Di Cavalcanti.
A making-of directed by Bodanzky himself, the documentary discusses the language of the film Iracema - Uma Transa Amazônica 30 years after it was made, gathering interviews with the authors, actors, critics and the filmmakers themselves.
When a young Afro-Brazillian dancer is pressured to live up to her mother’s decorated Samba career, she is haunted by who the world wants her to be.
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