Social & External
Xavier Arjona
Esther López
Irenegarry
Iria Rodríguez
Mario Tornero
Desirée Martínez
Carolina Espada
After collecting multiple records related to a painful family tragedy, Victor dives into the archive in search of answers about what really happened on January 26, 1983
Film made with two photographs taken at the Unité d’Habitation, built by Le Corbusier in Marseille. For the editing the film are used a film adaptation of the rules of the Modulor, measurement system designed by Le Corbusier himself. Includes a tribute to Paul Sharits and another to Agnès Varda.
Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.
Marcos was once a successful author of children's books. For years, his goal has been to finish his first "adult" and "serious" novel. But his lack of social interaction, his excessive ambitions, and the influence of the drugs he grows and sells for a living don't help him. He is about to give up when his friend Walter suggests another path: Marcos just has to live a more intense life. And write about it, like so many great writers...
Growth is beautiful, and often progress, too, but if it's not measured, growth can be predatory. Made using the principles of essay film, and using an anonymous character, this film chronicles and critiques how provincial cities grow, change, and gradually lose their identity.
Can an adolescent experience define our perception of love? Can or should everything be connected or have a reason? A character recounts to his niece or nephew, in the form of a confession, an event from his adolescence that defines his particular way of perceiving love. While this exercise serves to tell a story that, regardless of genre, has surely been experienced by more than one person, it expresses the director's idea that discourse can sustain a work on its own, even if what is depicted on screen appears to have no connection.
Héctor Vicario is an unhappy accountant who hasn't been able to make it in life, while his twin brother, Thiago, is the complete opposite: a highly successful musician. After their father's death, the two must reunite to plan the funeral and face what life has in store for them after a long period of separation.
A short documentary film that starts from the story of Montxo Rejano and approaches people excluded from society who live like shadows, in a kind of limbo, in a kind of eternal night and condemned to perpetual waiting and to subsist in a world without light. They once had lives like everyone else, but in the cold and the dark it's very easy to forget that.
When a limping elephant is reported in the Kasigau Corridor REDD+ Project, conservation pilot Keith Hellyer springs into action. Alongside rangers and vets, he undertakes the dangerous task of locating, darting, and treating the injured animal - offering a lifeline in the face of human-wildlife conflict.
The American Southwest is a feature length blue chip natural history film narrated by indigenous environmentalist Quannah Chasinghorse. The movie journeys down the mighty Colorado River, examining the astonishing beauty and biodiversity of the region, while confronting the environmental destruction from dams and the perilous fate of the river. The story is told through never-before-seen wildlife sequences such as beavers building wetlands, condors recovering from the brink, and the potential return of Jaguars to American soil. The film beautifully advocates for better management of the river and increased wildlife conservation efforts in the iconic landscapes of The American Southwest.
Making of the film "Maputo Nakuzandza", by Ariadine Zampaulo.