Captain Evita

A mix of fiction and documentary, "Evita Capitana" takes place in the final of the 1951 Argentina's soccer championship, where Banfield faced the then imposing Racing Club. An important political figure sides with Banfield, representing the humble and needed, but power thinks otherwise.

A House Without Curtains

María Estela Martínez, better known as Isabel Perón, achieved what Evita Perón never could: From an unknown cabaret dancer she became the first female president of the Americas. But after surviving prison and exile under South America’s most brutal military dictatorship, Isabel was forgotten in popular memory. “Una casa sin cortinas” (A House Without Curtains) uncovers why Isabel still haunts Argentina today.

Ensenada'55

Ficción K

Hard things were said. Incredible things were said. It is time to think about everything that was said. An account of Kirchnerism, a left-wing populist movement that ruled Argentina from 2003 to 2015, led by Néstor Kirchner (1950-2010) and his wife Cristina Fernández de Kirchner.

Las enfermeras de Evita

Musical documentary based on the stories of four women who studied to become nurses in the school of the Fundación Eva Perón in 1948, which was one of the institutions that helped pave the way for change for women in Argentina. The testimonies from the protagonists are reenacted in the form of a musical, in a film that combines archival footage and choreography.

UNA Historia: lucha por la educación y la cultura

Through archival footage and testimonies from professors, students, staff, and graduates, the documentary traces the history of the National University of Arts, focusing on the Audiovisual Department, while critically addressing the impact of the current government's underfunding of education and cultural institutions in Argentina.

Mariana - Além das Cartas e Tarô

Ay, Juancito

A film about the life of Juan Ramón Duarte, Evita's only brother. His ascent, his excesses, and his demise, in the times of Juan Domingo Perón.

Corazón Político

El hada buena - Una fábula peronista

In a popular auction that matches the sinister and colorful of a circus of phenomena, a couple adopts children in exchange for their belongings. The children there acquired, usually mutilated, are in their new home in order to prepare for access to the Peronist education program taught in only 10 state institutes.

Y si el cielo se cae

La Plata, 1975. Cristina goes in search of Gladys and Chiche so that they can settle in her house in City Bell with Néstor, her husband. Her compañeros are in danger, Triple A is out of control and having played in Montoneros is a very big burden to carry.

O que Sobrou de Mim

Agents of the Shadows

Thirteen intelligence agents who have worked on secret missions for Frances DGSE tell their accounts of recruitment, training, and their fears and victories of acting undercover, as well as the effects on their private and personal lives.

A Gamer's Life

Go behind the scenes to uncover the truths of being a professional gamer for a living. Can you really make a living from being a gamer?

Imperfect Journey

Haile Gerima and Ryszard Kapuscinski travel around Ethiopia talking to people about their current situations and what needs to be done for a prosperous country.

Images of Women of the Social Corset

A man asks himself about the image of women who are offered for his gaze. A documentary about the image of women in fashion, film, and life.

Fontelonga

Fontelonga is a village of Trás-os-Montes, in the interior of Portugal. A mirror of exile in the eyes of their own people. A reflexion where memory is the last object of beauty and redemption.

Cinéastes de notre temps : Erich von Stroheim

How I Learned to Love the Numbers

A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

Filmmakers of Our Time: François Truffaut or the Critical Spirit