Social & External
Unknown Role
Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.
Rua de Santa Catarina, a street that was formerly home to dozens of local businesses and hundreds of Porto residents, now sees a crowd of tourists attracted by the cheap, disposable amenities that are popping up everywhere at once. Gentrification has decontextualized Portuguese culture, rendering the landscape uncanny. The Basin Woman, a symbol of the female workers of the historic Bolhão Market, is chased down by seagulls in the midst of this transcendent chaos.
"Estadio Novo is about Portugal, its football and its fans. As hordes of supporters descend on the ten brand new stadiums for Euro 2004, this lively and informative documentary takes a look at their impact. Examining the role of football in Portugal before and the revolution of 1974 it asks... what's really going on?"
An old hostel, located in the center of Porto, served for many years as a hostel for people with few possessions, prostitutes and people passing through who made that place a more or less prolonged residence.
Olívia, a fashion executive, and José, a photographer, gets together in Paris, having casual sex and talking a little about relationships. And, in some days, they meet again in another city. And another one. And another... Latitudes is a trip around the world, the love and the poem of living.
Popular in the riverside area of Porto, Micas raised her daughter, Madalena, at the cost of sacrifice, as her father emigrated to Brazil. With a happy voice, Madalena works on unloading the coal, seeing her loves thwarted by her humble condition. Barata, another typical figure who makes a living from expedients, helps Madalena's father - meanwhile returned, to "register" her - in a kidnapping plan capable of facilitating her reconciliation with Micas, who is reluctant... Things get complicated, but happiness ends up triumphing.
Follows the fictional rivalry between two of Portugal's most prominent football teams - Invicta e Castelo and how their mutual disdain has spread further than the pitch.
Two schoolboys, Carlitos and Eduardo, fight for the affection of a girl, Teresinha.
Anastácio lives in Lisbon and is fanatic for Sporting CP, one of the city's football teams. When the team travels to face Porto, he follows it with the family, staying in house of his friend, Mr. Barata, pretending to be rich.
Maria spends her daytime sewing and cleaning, while at night she works as a prostitute in Oporto's streets. Years ago her path crossed with José, a married man who became her most faithful client but who couldn't help her to escape the hard life. Today this old prostitute continues showing off her body through the long city's nights, though the clients are almost gone. José is still there, but he failed at what she desired the most: a son. In a very intimate and raw portray of a woman, MARIA disclosures how love and getting older can feels like.
1907. The Porto Chamber has just been won by the Republicans, in full monarchy, three years away from the revolution. Republican ideas are taking hold and monarchical institutions are beginning to be shaken. However, the Sociedade Gastronómica de Lisboa resists and apparently is one of the strongest bastions of the monarchy. But winds of change blow within the walls of the traditional and conservative Society. A young member, Dr. Duarte Rodrigues, decides to run for president, held by the mysterious Prositt, who made his fortune in Africa. Duarte, stating that he does not want to betray the illustrious president, but as he is somewhat worn out and hopelessly dazzled by the leadership, he is able to artfully convince others to convince him, Duarte, to move forward, serving them for this. , in a dinner of taking power, a dish of unexpected excellence and very original.
Two married people fall in love and everything else breaks apart. A infidelities story told in a female voice.
On the outskirts, residents feel marginalized from society, as if they had no identity, and this is reflected in the surrounding buildings, anonymous in their neglect. The first character is one of these residents, who, while wandering around the city, finds a wallet lying on the ground. The moral duty to return the wallet conflicts with the vision of a new future, far from the shadow of the suburbs, through the assumption of a new identity.
Os Azeitonas ao Vivo no Coliseu do Porto
Jobless and with no prospects, Niñato (Brat) lives with his parents and does hip-hop music. He lives the life of the outskirts, it's the Madrid of the chronic crisis. But he is 34 years old and has three children to bring up. Time goes by, the kids are growing up and Niñato carries on, making music and looking after the children, without worrying too much about his future. Oro, the smallest one, not too motivated at school, will demand more attention and drive Niñato to face his own conflicts.
Dobropillia is a town located in Eastern Ukraine: 70 km from the border where conflicts with the breakaway republics are raging on and people feel always like being on the verge of total war. The sheer uncertainty about the future pushes folks to cling on to their daily habits while trying to get along with the ever-shifting political landscape. A wide array of wildly diversified characters try to cope as good as they can with the hardships in their town. A death metal band keeps rehearsing daily. A teacher guides visitors through the story of the city. The wonders of a vibrating armchair are tested as a tool against stress and anxiety. An elderly lady who has lost her son tries to talk some sense into her fellow citizens urging them to accept peace.
To help visualize the dramatic final chapter in Cassini's remarkable story, NASA's Jet Propulsion Laboratory produced this short film that features beautiful computer-generated animation, thoughtful narration and a rousing score. Producers at JPL worked with filmmaker Erik Wernquist, known for his 2014 short film "Wanderers," to create a stirring finale video befitting one of NASA's most successful missions of exploration.
This short follows the early career of actress Jane Barnes. She starts by doing extra work. After several months she is offered a studio contract (the "first step"). However, her work consists mostly of fashion shoots and bit parts that end up on the cutting room floor. She is even used as a stand-in for Maureen O'Sullivan on the set of a Tarzan movie when camera angles and lighting must be set up.
