A study of light on nature, a lyrical film in the first person that records in an abstract and impressionistic way where the vision is altered to the pulse of a time that accelerates and stops.
Social & External
The people behind it
"I am the man who walks down the street. At first there is no one. The protagonist smokes, goes to a bar, takes a bus, walks down the street, wanders around and little by little more people appear. And then more and more people, until he ends up on Florida Street, merging into the crowd."
Audiovisual interpretation of the famous triptych by the Flemish painter Hieronymus Bosch (1450-1516), known worldwide as El Bosco.
It's a staging of The Maids, which, set in the 1930s, tells the story of two sisters working in the house of an abusive woman. Genet's film begins with a ritual: the lighting of candles. It's a black and white film with complex lighting design.
An island is a refuge. Within the forest dwell ancient trees, stones, animals of all sizes, and a few branches found along the way. Childhood and discoveries. Knowledge lost in the mist, aboard a ship. A field of attraction where past, present, and future dance in the fire without temporal order; the children are all ages. We have arrived at the strange land of Gombaut.
Between 7,000 and 11,000 years ago, a group of extraterrestrial visitors landed on the Chubut River for a picnic. For unknown reasons, they abandoned (or perhaps forgot?) one of their own. This abandoned extraterrestrial is recording his last days on Earth.
The Legend of Tibrogargan is a film about Australian identity and about my own identity: growing up in France, I felt far removed from the country I belonged to. Ten years after my last visit, I decided to pay homage to my ancestors with one of my grandfather's orchestral compositions, "The Legend of Tibrogargan," and a radio recording of his voice telling it.
This film is a secret and also an offering. When we add our initials we are the closest thing to love, to teaching and to a certain greatness. We met in the worst year of our lives and somehow you chose to save me and I to adore you.
A tribute to the great comic book superhero, in the style of a silent film. The Man of Steel, driven by the overwhelming need to do good, thwarts a criminal act without receiving any recognition. On the contrary, and quite unexpectedly, he is attacked by the victim of the robbery.
Crossing an old bridge in the Buenos Aires neighborhood of Barracas, the filmmakers come face to face. They walk towards each other, crossing paths until all that remains is the metal structure of the bridge.
A portrait of experimental filmmaker Marie Louise Alemann in two alternating characters
Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.
The scissor dance is a 16th-century magical-religious dance and ritual in which the dancers act as mediators between humans and deities. It originated in the Ayacucho, Apurimac, and Huancavelica regions and began to gain popularity in Lima in the 1980s, during the waves of migration from rural areas to the city.
In the Otomi worldview (an ethnic group from central Mexico), corn, or the wise seed, fell in the form of drops to fertilize the world. Their agricultural activity marks the ceremonial cycles. As an offering and expression of gratitude, tortillas are prepared and dyed with the natural dye of the muicle plant.
On November 22, 2015, a second round of the presidential elections was held in Argentina. Society was deeply polarized, and the candidate chosen as Cristina Kirchner's successor was not anyone's favorite, but the right-wing candidate, Mauricio Macri, was only three points behind. The ruling party seemed defeated, and in response to this urgency, a spontaneous civic campaign was organized in the streets, a last-ditch effort to prevent neoliberal policies from taking hold in the country. This is a record of what happened that day in the streets of Buenos Aires.
A journey into memories we didn't experience. An abstract documentary about memories that still remain within us, fragmented and sometimes expressed in colors, sounds, and sensations.
Rosagante is an erotic poetry collection written by Lola Navaja. From its pages springs this short film: images that breathe to the rhythm of its verses, bodies that speak the language of their desire.
In the Darkness is a Super 8 short film that, based on a cinematic diary, delves into the rumors circulating in a small Argentinian town. The images accompany the way in which the gossip is uttered, transformed through word of mouth, and, in its repetition, shapes collective perception.
This is an experimental video with original music and text, made from a film shot by my grandfather Juan Antonio Álvarez Mujica in the 1970s.
Re-editing of commercial films that seeks to confront the images fixed in the emulsion with the physical projection medium.
Flowers, seeds, turmeric, blood and watercolor on Super 8 film.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.
Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Follow the evolution of the 'Halloween' movies over the past twenty-five years. It examines why the films are so popular and revisits many of the original locations used in the films - seeing the effects on the local community. For the first time, cast, crew, critics and fans join together in the ultimate 'Halloween' retrospective.
The life and career of an actor, artist, and icon. His own journey through his own camera.
A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.
A candid look at rehearsal footage in support of a focus on pre-viz.
Featuring interviews with filmmakers and industry legends, discover the origins and evolution of The Joker, and learn why The Clown Prince of Crime is universally hailed as the greatest comic-book supervillain of all time.
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
A look behind the lens of Christopher Nolan's space epic.
JB Smoove and Martin Starr host a celebration of 20 years of "Spider-Man" movies, from the Sam Raimi trilogy to Marc Webb's movies and the trio from Jon Watts.
A documentary on the life of John Lennon, with a focus on the time in his life when he transformed from a musician into an antiwar activist.
An impressionistic portrait of the iconic actor Harry Dean Stanton comprised of intimate moments, film clips from some of his 250 films and his renditions of American folk songs.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.