Social & External
Self - Kika
Self - Boukfraa
Self - Sofiane
Self - Amine
Self - Amar
At DIFAJE, the Family and Youth Affairs Division of the Bobigny Court, the duties of young prosecutors are the same, with one exception: they deal with minors who are either victims or perpetrators of crimes. For the latter, the prosecutor is the first person they deal with in the legal system, their first point of contact. He or she is the one who gives society's initial response to a young person whose future is already uncertain. Between prevention and punishment, the magistrate's role is a delicate one. He or she must combine authority with education. He or she must deal with the reality of a complex environment and with the differences and vulnerabilities of each individual.
Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.
Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.
A documentary about a night café called Walkers, its workers and the youth – largely immigrants – populating the café during the night.
On August 5, 1928, after 2 hours and 32 minutes of racing, the 71st rooster wearing the bib entered the Olympic stadium in Amsterdam. Ahmed El Ouafi Bouguéra wins the gold medal and becomes the first Olympic champion from the African continent. He achieved his feat under the tricolor flag. The start of his real marathon is underway. The history of sport extends to the history of Algeria and France. This documentary retraces the different stages of the life of this great champion, not only the history of sport but also the great story. Archival photographs and interviews mingle with the painted paintings. The series thus once again gives voice to this forgotten hero, one of the great heroes of immigration who defended France for more than a century.
Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East). Orientalism was born from the fascination of the Ottoman Empire and followed its slow disintegration and the progression of European colonizations. This exotic trend is associated with all the artistic movements of the 19th century, academic, romantic, realistic or even impressionist. It is present in architecture, music, painting, literature, poetry... Picturesque aesthetics, confusing styles, civilizations and eras, orientalism has created numerous clichés and clichés that we still find today in literature or cinema.
Born on March 25, 1840, Gustave Guillaumet discovered Algeria by chance when he was about to embark for Italy. Over the course of his ten or eleven trips and extended stays, he established a familiarity with this space. Traveling through the different regions from north to south, he never ceases to note the differences. He is also the first artist, apart from Delacroix's Women of Algiers, to penetrate into female interiors and reveal the reality, far removed from the harem fantasies that reigned in his time. Fascinated by the country, its deserts and its inhabitants , going so far as to live like the Algerians, Gustave Guillaumet devoted his life and his painting to this country, breaking with the colorful and exotic representations of the time. The painting The Famine in Algeria, restored thanks to exceptional fundraising, was dictated by the events of the years 1865-1868, and well illustrates his knowledge of the country, in a manner that is at once demanding, sensitive and serious.
The Wonder Commission is a new music commission of The Well, composed by Dr. Brian Raphael Nabors and performed by the Antigone Music Collective. Inspiration for the new music emerges from Nabors' conversation with writer, physicist, and professor at MIT, Alan Lightman. The music also integrates the voices of youth from UpSpring's Summer 360 camp for unhoused youth and their questions about science, wonder, and hope.
An emblematic figure in the defense of Berber culture, Mouloud Mammeri (1917-1989) experienced numerous confrontations with the authorities in Algeria, including the suspension in 1973 of the teaching of Berber at university and the ban of the conference he was to deliver on March 10, 1980 at the University of Tizi Ouzou on ancient Kabyle poetry... which will be the detonator of the powerful and harshly repressed cultural demands movement of April 1980, also called the Berber Spring. Mouloud Mammeri is one of the "historians" of French-speaking Algerian literature from the middle of the last century who, through his pen, gave back the soul to a country by giving it back its voice.
This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.
This documentary follows two long-lost Ukrainian friends, Arsalan and Nastya, as they reconnect in Germany after russia's full-scale invasion against Ukraine. Arsalan, an actor now in Frankfurt after time in a refugee camp, and Nastya, journalist and producer who stayed in Kyiv, reflect on the divergent paths their lives have taken due to the war. Through their conversations and therapy sessions, the film explores themes of displacement, identity, and the emotional impact of war on youth.
Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.
On September 5, 1960, the trial of about twenty French activists from the "Jeanson Network" began, supporters in the metropolis of the action of the Algerian FLN independence activists. But after a few days, the situation was reversed and the trial transformed into a political arena, it was the government, the army, their policy, it was the entire Algerian war whose trial began. Accused, witnesses, lawyers, overflowing a stunned court, transformed the courtroom into a tribune of the opposition. The trial coincided with the publication of the "Manifesto of the 121" on the right to insubordination, signed among others by Jean Paul Sartre, Arthur Adamov, Simone de Beauvoir, André Breton, Marguerite Duras, Pierre Boulez, René Dumont, François Chatelet…
Over a dozen students at this school in Quebec were radicalised. To tackle the issue, a pilot project was launched to heal divides within the student body. It's a hybrid cultural model, made up of the many cultures of its students.
On June 12, 2019, the Committee to Investigate Violence in Youth Care presented its final report. The conclusions were startling. Kim Feenstra set out to find out what progress has been made within the Youth Care system since then and ended up in a circle of grief and pain dominated by money, power and powerlessness. In her search, Kim Feenstra spoke to many people involved. The stories can be described as downright shocking. In many cases Youth Care appears to act as a revenue model that is exploiting parents and children. The complex system has only one entrance, but the exit is obstructed by all stakeholders who want to maintain their revenue model. The people who really matter, the parents and children, encounter a power block of inhuman proportions. A system dominated by money, power and powerlessness.
60 years ago, in the Algerian desert, an atomic bomb, equivalent to three or even four times Hiroshima, exploded. Named the “Blue Gerboise”, it was the first atomic bomb tested by France, and of hitherto unrivaled power. This 70 kiloton plutonium bomb was launched in the early morning, in the Reggane region, in southern Algeria, during the French colonial era. If this test allowed France to become the 4th nuclear power in the world, it had catastrophic repercussions. France had, at the time, certified that the radiation was well below the standard safety threshold. However, in 2013, declassified files revealed that the level of radioactivity had been much higher than announced, and had been recorded from West Africa to the south of Spain.
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.
Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.
Documentary on the beginnings of Algerian independence filmed during the summer of 1962 in Algiers. The film was banned in France and Algeria but won the Grand Prize at the Leipzig International Film Festival in 1965. Out of friendship, the production company Images de France sent an operator, Bruno Muel, who later declared: "For those who were called to Algeria (for me, 1956-58), participating in a film on independence was a victory over horror, lies and absurdity. It was also the beginning of my commitment to the cinema."
Young Masters is an original series commissioned by NOWNESS China focusing on traditional Chinese cultures, and how they continue to be defined by a new generation of the country's youth. High above the clouds in a village in Mao County in Sichuan Prefecture, a post-90’s generation of young cultural guardians work to uphold the values and traditions of ancient Qiang culture. These cultural guardians, known as a ‘Shibi’, remain especially vital for a culture whose knowledge and language exist merely through practice and in sound, and without script. The role of a Shibi involves that of a priest, alongside folk rap, singing, and dance performances, amongst others. As a result, Qiang people have endowed them with a sacred status, believing that they possess a psychic power.
This revealing documentary honors the legendary Sidney Poitier—iconic actor, filmmaker, and civil rights activist. Featuring interviews with Denzel Washington, Spike Lee, Halle Berry, and more.
A detailing of the rise to prominence and global sporting superstardom of six supremely talented young Manchester United football players (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph.
Nine filmmakers each profile a young girl from a different part of the world to weave a global tapestry of youth in the 21st century.
A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.
Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South - trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming.
A backstage and on-stage look at Justin Bieber during his rise to super stardom.
Spike Lee pays tribute to Michael Jackson's Bad on the twenty-fifth anniversary of the epochal album, offering behind-the-scenes footage of Jackson recording the album and interviews with confidants, musicians, choreographers, and such music-world superstars as Kanye West, Sheryl Crow, Cee Lo Green and Mariah Carey.
Scientists examine underground clues from over 250,000 years ago that raise questions about our early relatives — and what it truly means to be human.
Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
Experience the iconic rock band's legacy in the first major documentary to tell their story. Directed with the era’s avant-garde spirit by Todd Haynes, this kaleidoscopic oral history combines exclusive interviews with dazzling archival footage.
JB Smoove and Martin Starr host a celebration of 20 years of "Spider-Man" movies, from the Sam Raimi trilogy to Marc Webb's movies and the trio from Jon Watts.
Ten of Muhammad Ali's former rivals pay tribute to the three-time world heavyweight champion.
In this concert film, 'Hannah Montana' star Miley Cyrus performs a slew of hit songs, including 'Just Like You' and 'Life's What You Make It.'
This documentary captures Elvis Presley on his 1972 American tour and includes rehearsals, interviews, archival television appearances and backstage moments. With Elvis at his most flamboyant, the film features well-known hits and cover songs showcasing his country, gospel and rhythm-and-blues influences.
In this documentary, recovering addict and amputee John Wood finds himself in a stranger-than-fiction battle to reclaim his mummified leg from Southern entrepreneur Shannon Whisnant, who found it in a grill he bought at an auction and believes it therefore to be his rightful property.
Part documentary, part concert film, part fever dream, this film captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year.
Iverson is the ultimate legacy of NBA legend Allen Iverson, who rose from a childhood of crushing poverty in Hampton, Virginia, to become an 11-time NBA All-Star and universally recognized icon of his sport. Off the court, his audacious rejection of conservative NBA convention and unapologetic embrace of hip hop culture sent shockwaves throughout the league and influenced an entire generation. Told largely in Iverson's own words, the film charts the career highs and lows of one of the most distinctive and accomplished figures the sport of basketball has ever seen.
Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by women who come and go in his life, his recurring dreams of nuclear holocaust, and Burt Reynolds.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
"One Direction: This Is Us" is a captivating and intimate all-access look at life on the road for the global music phenomenon. Weaved with stunning live concert footage, this inspiring feature film tells the remarkable story of Niall, Zayn, Liam, Harry and Louis' meteoric rise to fame, from their humble hometown beginnings and competing on the X-Factor, to conquering the world and performing at London’s famed O2 Arena. Hear it from the boys themselves and see through their own eyes what it's really like to be One Direction.