October (Ten Days that Shook the World)

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

Battleship Potemkin

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

The Vow

The story of Stalin and the Soviet people.

The End of St. Petersburg

Shortly before the outbreak of WWI, a peasant from rural Russia arrives in St. Petersburg to find work.

Man with a Movie Camera

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks

An ignorant and prejudiced American’s visit of Soviet Russia goes off the rails after his luggage is stolen and he is separated from his bodyguard.

Kino Eye

This documentary promoting the joys of life in a Soviet village centers on the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread.

The House on Trubnaya

Life is short and full of oppression, but that doesn't mean Parasha can't find love and laughter when she leaves her country home to take a job as a maid in the overcrowded, overworked, and underpaid world in the big city.

The Devil's Wheel

Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.

Comrade Chkalov Crosses the North Pole

A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody of the ideological cliches of Soviet cinema. It follows the story of a Russian crew across the North Pole.

Women of Today

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

Laali Ki Shaadi Mein Laaddoo Deewana

Laali and Ladoo get trapped in a royal wedding that takes place in Vadodara.

Joy in the World

A journalist from Warsaw travels to Silesia and manages to find a tenement house full of exceptional inhabitants.

The Demise of ETA

The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.

The Encounter

Set in a small room, an adolescent woman experiences synesthesia. While she stares at half filled glasses on the table sound replaces her gaze. Harmonic tones exude and induce a trance like state over the woman. Her meditative harmonies are disrupted when an ominous character arrives with the intent to ingest the song. After consuming the beauty the dark character leaves. Left alone, the adolescent woman employs thaumaturgy to lure her song back to life again.

Ecstasy

Nervous Energy

Tom is a young man with AIDS living in London with his lover Ira. The disease has exaggerated Toms nervous energy and in his manic state he suddenly decides to go to Glasgow to visit the family he hasn't seen in ten years. His brother Ian is thoroughly disgusted by his lifestyle and only his mother shows any compassion for him. The visit soon develops into a nightmare as dementia sets in and Tom's health rapidly declines. Finally, events come to a head and Ira has no choice but to force Tom back to London, where he expects him to die at any time. After treatment, Tom gets a brief reprieve, having discovered that his real family is his adopted one in London.

The Love Boat: A Valentine Voyage

Movie version of the original TV series follows the show's format of multiple stories blended together. The lead story involves the ship's bookkeeper who becomes the driver by accident for a trio of jewel thieves. A suspended police lieutenant trails the group onto the boat in disguise. The ship's captain, reclusive since his wife's death, is pushed by his daughter to return to the hotel in Bermuda where the couple originally honeymooned. The new cruise director sets her eyes on a passenger who is a TV star, but another ship employee is interested in her. Doc has to care for the pregnant wife of the ship's chief executive.

Rabb Da Radio

1980s Punjab. Naseeb and Guddi are cousins whose relationship changes when a rich boy falls in love with Guddi and asks for Naseeb's help to marry Guddi. However, when Naseeb refuses, the boy takes help from his aunt and fix his marriage with Guddi. When Naseeb's mother-in-law finds out, she throws Naseeb out of the house that leads to Guddi's relationship with Naseeb and his marriage.