Essay on the influence of arts at the end of the 20th century produced by the Museum of Modern Art.
Social & External
The people behind it
Jean-Luc Godard
Self / Narrator (voice)
Anne-Marie Miéville
A Russian boy gets a heart transplant in Italy. A lot of people were by his side on his long journey full of hardships, except for his mother.
Creative and competitive, members of the Evil Geniuses Starcraft 2 team must prove themselves to make the cut in professional video gaming. Good Game follows the team as they discover that one wrong move could end their dreams.
Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.
The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.
A nonfiction fairytale about love, death, art and the letting go.
Naomi Kawase's documentary about Nishii Kazuo, a photo critic. He is the last chief editor for the Camera Mainichi magazine, rushing through his time with Araki Nobuyoshi and Moriyama Daido as provocative artists in the photograph world.
It all began on a couch. He watched her undress and they made love for the first time.
In the fall of 1986, Richard Fung made his first visit to his father's birthplace, a village in southern Guangdong, China. This experimental documentary examines the way children of immigrants relate to the land of their parents, and focuses on the ongoing subjective construction of history and memory. The Way to My Father's Village juxtaposes the son's search for his own historical roots, and his father's avoidance of his cultural heritage.
"An experimental documentary on Reverend L.O. Taylor, a black Baptist minister from Memphis, Tennessee who was also an inspired filmmaker with an overwhelming interest in preserving the social and cultural fabric of his own community in the 1930′s and 40s. I combine his films and music recordings with my own images of Memphis neighborhoods and religious gatherings" -Sachs
My Mother's Place is an experimental documentary focusing on the artist's mother, a third-generation Chinese-Trinidadian who at 80 still has vivid memories of a history lost or quickly disappearing. She conveys these with a storytelling style and a frankness that is distinctly West Indian. A tape about memory, oral history, and autobiography, My Mother's Place interweaves interviews, personal narrative, home movies, and verité footage of the Caribbean to explore the formation of race, class, and gender under colonialism.
They just arrived in France. They are Irish, Serbs, Brazilians Tunisians, Chinese and Senegalese ... For a year, Julie Bertuccelli filmed talks, conflicts and joys of this group of students aged 11 to 15 years, together in the same class to learn French.
shows visual and metaphorical representation using rope as a motif through various rope images and meanings.
It shows Korea’s traditional colors and culture through the use of superimposing. It is an experimental film, which not only tries to show Korean traditional culture through the use of color, but also tries to show the modern history of Korea.
Menhaden: The Most Important Fish in the Bay examines the role of a little-known, oily, little fish in the Chesapeake Bay. From its original concept as a classic man-versus-environment story, the film evolved to reflect the complexity of sustaining a menhaden fishery that many diverse interests depend on. The outcome: a story that seamlessly weaves together different perspectives on the menhaden fishing industry and its culture utilizing engaging personal vignettes, scientific data and creative visual storytelling techniques. Techniques include archival footage blended with cinematic live-action footage, musical performances and original, handmade animations.
Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.
This cine-portrait of New York City uses digital effects to turn the countless riders of the subway system into living, breathing paintings.
In the Mojave Desert, fields of solar panels follow the sun’s daily journey in perfect synchronicity.
Time to Remove Superman It is fragmentarily a story of death and it can also be connected to the opposite - birth. When I did research for this work, what was really interesting was an article read that 'We came from dirt and we go back to dirt' is everywhere in all religions and philosophies of all cultures. And I found that sentence and thought over different things and I reached it was meant to be only that way. Regardless of primitive or modern society, religions or philosophies couldn't help but think human body is rotten away and it is cremated and made dirt. We know the process but we haven't seen that. I thought it would be meaningful if I made that out to show. We've watched a mummy disappearing in a movie using CG but I thought I could visually display a message that things we cherished or in which knowledge was contained were made dirt or on the other way, they had been dirt before they came to us.
After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.
Over twenty years, the Russian documentary filmmaker Marina Goldovskaya interviewed pioneers of American documentaries, such as Richard Leacock, Robert and Anne Drew, Albert Maysles, D.A. Pennebaker, Jonas Mekas, among others. In long conversations, they discuss the elaboration of titles that are now fundamental to the genre’s world history, commenting on the introduction of new light and portable cameras that allowed the advent of Cinema Verite, in addition to sharing the fundamentals and principles of the art of capturing life. The sum of these parts corresponds to a singular opportunity of re-encounter with the thinking of these masters, even those that have already passed away.
In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.
An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.
Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.
While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had never heard of before, Jean Varda, nicknamed "Yanco". This hitherto unknown uncle lives on a boat in Sausalito, is a painter, has adopted a hippie lifestyle and loves life. The meeting is a very happy one.
The film is based on interviews with 2,000 women from 50 countries, and covers the status of women all over the world. The topics covered include forced marriages, sexual assault, female genital mutilation, acid attacks, motherhood, sexuality, menstruation, education and the professional success of women.
14-year-old Laura Dekker sets out on a two-year voyage in pursuit of her dream to become the youngest person ever to sail around the world alone.
This revealing documentary honors the legendary Sidney Poitier—iconic actor, filmmaker, and civil rights activist. Featuring interviews with Denzel Washington, Spike Lee, Halle Berry, and more.
Unprecedented access to Muhammad Ali's personal archive of "audio journals" as well as interviews and testimonials from his inner circle of family and friends are used to tell the legend's life story.
A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.
A chronicle of the long career of American filmmaker Roger Corman, the most tenacious and ingenious low-budget producer and director in the US film industry, a pioneer of independent filmmaking and discoverer of new talent.
Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
Giving fans unprecedented access to the real life of the music sensation, Katy Perry: Part of Me exposes the hard work, dedication and phenomenal talent of a girl who remained true to herself and her vision in order to achieve her dreams. Featuring rare behind-the-scenes interviews, personal moments between Katy and her friends, and all-access footage of rehearsals, choreography, Katy’s signature style and more, Katy Perry: Part of Me reveals the singer’s unwavering belief that if you can be yourself, then you can be anything.
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
Global superstar Jennifer Lopez reflects on her multifaceted career and the pressure of life in the spotlight in this intimate documentary.
An unprecedented and intimate look at the life, work and enduring legacy of British actress Audrey Hepburn (1929-1993).
In the early-morning hours of July 23, 2007, in Cheshire, Conn., ex-convicts Steven Hayes and Joshua Komisarjevsky broke into the family home of William Petit, his wife, Jennifer, and their daughters, Michaela, 11, and Hayley, 17. Dr. Petit was beaten and tied to a pole in the basement. The three women were bound in their bedrooms while the men ransacked the house. The brutal ordeal continued throughout the morning, ending with rape, arson and a horrific triple homicide.
