Cossacks Beyond the Danube

Adapted from the opera written by the composer Semen Hulak-Artemovsky.

Abesalom and Eteri

Prince Abesalom runs into an orphaned Eteri while hunting, falls for her and brings the woman to his palace as his fiancé. The Prince’s aid Murman loses his self-control at Eteri’s beauty and gives her a spelled necklace as a wedding gift. Eteri contracts a mysterious disease that only Murman is capable to heal.

The Metropolitan Opera: The Magic Flute

Julie Taymor’s kaleidoscopic production returns to select cinemas this holiday season in an encore presentation of the company’s first-ever Live in HD transmission that includes tenor Matthew Polenzani, baritone Nathan Gunn, and bass René Pape in this abridged, English-language version of Mozart’s classic fable.

The Phantom of the Opera

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Don Giovanni

Every woman wants him, every man wants to be him: Mozart’s version of the irresistible rogue who brings excitement with him and leaves destruction it his wake has always attracted top singing actors, as in this performance brilliantly led by James Levine. Samuel Ramey is Don Giovanni, pursued by the incandescent Karita Mattila (Donna Elvira) in her Met debut season and role, and by the white-hot avenging fury of Carol Vaness (Donna Anna.) Ferruccio Furlanetto delivers a masterful comic turn as the Don’s servant, Leporello.

La traviata in Paris

La traviata in Paris is a film-opera of Giuseppe Verdi's La traviata filmed live on television and worldwide, directed by Giuseppe Patroni Griffi, conceived and produced by Andrea Andermann in 2000. A Traviata that takes place live, with a television reporter who, amid the events of the day that took place in France on June 3, 2000, connects live to the scene of the action but at the time exactly a century earlier, in the Paris of June 3, 1900 (the setting of the opera is thus postdated from the original, which was conceived for the 1850s).

La Traviata

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

Car Men

Car Men is a collaboration between the renowned choreographer Jíri Kylían and filmmaker Boris Paval Conen. Based on the opera 'CARMEN' by Georges Bizet they shot a hilarious and poetic short film in the destroyed landscape of a Czech brown coal mine. The actors in this film are older dancers from Kylían's troupe (around 50 years old) and the main prop is a 'TATRA 87', a famous car from 1937.

Così fan tutte

Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.

Amadeus

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

Operette

A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.

Verdi: Nabucco

The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.

Farinelli

The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.

Poulenc's The Human Voice / Bartók's Bluebeard's Castle

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…

Amor, vida de mi vida: Zarzuelas

The many passionate, fiery or lyrical vocal pieces of Spanish zarzuela have continued to thrive in concert and recitals all over the world. One of the most renowned and ardent supporters of zarzuela melodies is Plácido Domingo. Belying his 66 years, the world-famous tenor sings these rousing, seductive melodies with the beguiling sweetness of a much younger man and tranports the enraptured listener to the calles and plazas of Madrid and Seville, Domingo is accompanied by Mozarteum Orchestra underJesús López Cobos and, above all, by his partner for the evening, sprano Ana Maria Martínez, "a beautiful woman with a fascinating voice, full of velvety mezzoish half-tints in the middle and bottom ranges, with a gleaming top." (London Times) Martínez and Domingo serve up an evening of infectious good spirits and exquisite vocal treats."The dazzle of genuine stars shone brightly over Salzburg!" (Die Welt)

Rusalka

Dvořák's "Rusalka" in a production by David Pountney at the English National Opera in 1986. Mark Elder conducts the orchestra, accompanied by the English National Opera Chorus in English.

Pagliacci

Based on Ruggero Leoncavallo's opera Pagliacci. The film recounts the tragedy of Canio, the lead clown (or pagliaccio in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio. When Nedda spurns the advances of Tonio, another player in the troupe, he tells Canio about Nedda's betrayal. In a jealous rage Canio murders both Nedda and Silvio. The only actor in the cast who also sang his role was the celebrated Italian baritone, Tito Gobbi, but the film is largely very faithful to its source material, presenting the opera nearly complete.

Don Giovanni

Live performance from Cologne Opera. Conlon conducts a skittishly dynamic performance of Don Giovanni. He relies on Thomas Allen’s tough Don to give the work much of its dark menace and on Holle’s terrifying Commendatore to provide the moral outrage – his job is to keep things moving, and he does. The exteriors – blank city spaces reminiscent of the paintings of Giorgio De Chirico – and moodily claustrophobic interiors mirror effectively the anguish of the orphaned Anna and the abandoned Elvira; this is a performance in which the two women victims of the Don function effectively as correctives to his libertine charm. Andrea Rost as Zerlina brings real delicacy to her role, reminding us that “La ci darem la mano” is a duet about her flirtation with Don Giovanni and not just a famous stand-alone moment. This is an admirable presentation of a fine performance.

Viva Vivaldi

Viva Vivaldi! is a concert by the Italian mezzo-soprano Cecilia Bartoli interspersing arias from the 20 surviving operas of Vivaldi with two concertos. Given with the early music ensemble Il Giardino Armonico before a very appreciative audience in the Théâtre des Champs-Élysées, the performance is part of Bartoli's exploration of the Venetian composer's opera music which also includes The Vivaldi Album. There is a startling dynamic energy, which contrasts powerfully with the more restrained interpretations by singers such as Emma Kirkby. Bartoli's natural Italian and the live atmosphere of Maria Grazia d'Alessio's oboe gives her interpretation of the quietly haunting and melodically rich "Non ti Lusinghi la Crudeltade" from Tito Manlio a particular piquancy. The Flautino Concerto is a most attractive interlude, while the more famous Lute/Violin Concerto beguiles with its exquisite lyricism.

A Night at the Opera

The Marx Brothers take on high society and the opera world to bring two lovers together. A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.

Bernstein Mahler Rehearsal

"Four Ways to Say Farewell" is a personal introduction to Mahler and his Ninth Symphony, during which Leonard Bernstein is seen and heard rehearsing the Vienna Philharmonic Orchestra. Filmed in 1971, this rehearsal was directed by Humphrey Burton,

Patience (After Sebald)

A richly textured essay film on landscape, art, history, life and loss, Patience (After Sebald) offers a unique exploration of the work of internationally acclaimed writer W.G. Max Sebald (1944 - 2001) via a walk through East Anglia tracking his most influential book, The Rings of Saturn. The much anticipated new feature by the Grierson Award-winning director of Joy Division, Patience is the first film about Sebald internationally, marking ten years since the writer's untimely death, and with contributions from major writers, artists and film-makers.

The Flying Dutchman

When Sean's macabre work begins selling from her art gallery walls, Lacy decides to meet this new up and coming artist in his small Montana town . While there, Lacy discovers the horrible answer to a town mystery and the true inspiration of Sean's work.

Nian

A Chinese New Year legend reimagined as a contemporary coming-of-age story.

La Oreja De Van Gogh: En Directo - Lo Que Te Conte Mientras Te Hacias La Dormida

Denomination: Dread

The first human being follows a psychedelic path down to understand fundamental awe, the fear of god and the unspoken pain, that holds him captive.

The Dangerous Type

Diane, a mechanic in a small midwestern town, would do anything to leave her boring life behind.

Bruised

A young girl who is abused at home is afraid to participate in class because of her bruise. Her teacher embraces her to provide her with much needed love and support.

Paranuss

Married for years, Sven has recently become distant in his relationship. Thomas knows the reason: his husband is having an affair. After all the recent sacrifices he has made for him, the betrayal is too great for Thomas. He wants to punish Sven as much as he cheats him, and he has a terrible weapon for that: the Brazil nut

Die Ironie des Lebens

The 67-year-old Edgar is the most successful elderly comedian in Germany. Every evening on stage, he makes fun of everything that concerns older people: failed relationships, ungrateful children, a declining libido, rapidly deteriorating health, general uselessness and imminent death. But as soon as the show is over, what's left is a man who is really lonely and tries to fill his empty evenings with groupies and alcohol. When, after 25 years, he meets his ex-wife Eva again, who is terminally ill with cancer, the two begin to fall in love again against all odds and Eva decides to accompany Edgar on his comedy tour through Germany and Austria...

Simple Plan: Live from Australia

Directed by Peter John Recorded at: Festival Hall, Melbourne, Australia, June 2nd 2012 Mixed by Frank Joly at PowerPlanStudio, Acton Vale, Canada Mastered by Ryan Morey at Ryan Morey Mastering Video Edited by Peter John at Epik Flims

Mr. Music

A golf-crazy songwriter tries to avoid the long, solitary hours of concentration needed to produce a hit musical. His producer and his secretary conspire to get him back on track.

Karel Gott – úsměvy nehasnou

A documentary about Karel Gott that offers an unconventional view of the master. We will show you that he was not only a divine singer, but also a man who loved humor and exaggeration. And most importantly, he was able to make fun of himself. Tereza Kostková will be your guide through the program. We will present skits and humorous dialogues with Karel Gott and our comedians, an unconventional approach to songs and duets where viewers would not expect to see Karel Gott. We will also add a few gems that the audience may have forgotten. His music and smile will never fade!

Troubled Laughter

During the Cultural Revolution a powerless newspaper writer struggles with his conscience at the pervasive dishonesty and immorality from the top on down. The ethical and professional conflicts eventually threaten both his work and family relationships,

K3: The Cat Prince

One night the girls of K3 find a mysterious storybook in their bedroom. When they read it, the face of a handsome prince appears. The prince is cursed by the evil Cat Queen and must kiss his true love before midnight. If not, he turns into... a cat. Fortunately, the prince has help from the fairy Fiorella, who helps him in his difficult quest. Fiorella picks up the K3 girls in her carriage and takes them to Fairytale Land, high above the clouds. Could one of the K3 girls be the true love of the handsome prince? Can they break the Cat Queen's curse before the clock strikes twelve?

Generations of Men

May Downs, 1859. A white family making an overland journey to Rockhampton, with the assistance of Aboriginal staff, is stalled when the mother goes into labour. This loose adaptation of Wright’s eponymous historical account focuses on the female experience of colonisation, revealing the human costs of masculine avarice.

Blackifier

Karen, an entitled white woman who's not fond of black faces, embarks on a journey inside an alternate TV universe where she experiences a taste of what it’s like to be Black in America.